52:49John Pilger returns to the Occupied Territories of the West Bank and Gaza where, in 1974, he filmed a documentary with the same title -- Palestine Is Still The Issue -- a film about the same issues, a nation of people, the Palestinians, forced off their land and subjected to military occupation by Israel. Pilger hears extraordinary stories from Palestinians, though most of his interviews are with Israelis whose voices are seldom heard, including the remarkable witness of a man who lost his daughter in a suicide bombing. But for Palestinians, the overriding, routine terror, day after day, has been the ruthless control of almost every aspect of their lives, as if they live in an open prison. This film is about the Palestinians and a group of courageous Israelis united in the fight to be free...
2:16:43Bitter Lake explores how the realpolitik of the West has converged on a mirror image of itself throughout the Middle-East over the past decades, and how the story of this has become so obfuscating and simplified that we, the public, have been left in a bewildered and confused state. The narrative traverses the United States, Britain, Russia and Saudi Arabia—but the country at the centre of reflection is Afghanistan. Because Afghanistan is the place that has confronted political figureheads across the West with the truth of their delusions—that they cannot understand what is going on any longer inside the systems they have built which do not account for the real world. Bitter Lake sets out to reveal the forces that over the past thirty years, rose up and commandeered those political systems into subservience, to which, as we see now, the highly destructive stories told by those in power, are inexorably bound to. The stories are not only half-truths, but they have monumental consequences in the real world.
The Power Principle is a series of films examining the history of the United States and the building of its empire with particular emphasis on the last seventy years of United States foreign policy. The methods that make empire possible are also examined—the politics of fear, the rise of public relations, the 'Mafia Principle' and the reoccurring use of fabled enemies, contrasting the Soviet Union and the Cold War alongside the parallels of today with the "War On Terror". Not only does The Power Principle tie together historical events to revive a common thread, the series may also encourage viewers to reconsider their understanding of historical events and the portrayal of them, showing how those in power play a role in manipulating the collective memory through generations.
In the United States and elsewhere, both sides of politics have revelled in spectacle and image for many decades. But when Donald Trump, the billionaire reality-television host became president, a new escalation of image and spectacle engulfed dominant culture. The Trump Show is a series that explores the beguiling spectacle of the Trump years, through interviews with former White House staffers, media managers, campaign directors, and other personalities that were close to Trump during his presidency. The series documents how image has now replaced substance in politics in a totalising way, and how false constructions seek to pave over reality through a culture that is deeply rooted in hyper-individualism, fierce and corrupt competition, ideological dogmatism, and post-modern delusions.
51:57The discrepancies between the "War on Terror" and the facts on the ground in Afghanistan and Iraq are many. In 2001, as the bombs began to drop, George W. Bush promised Afghanistan, "the generosity of America and its allies." Now, the familiar old warlords are retaining their power, religious fundamentalism is expanding its grip and military 'skirmishes' continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, as one woman says in the film, "in many ways worse than the Taliban."
1:18:26Golden Rule presents a picture of today's political economy interpreted through the framework of the "Investment Theory of political Parties". The theory, first articulated in 1983 by Thomas Ferguson, is largely based on quantitative analysis of activity in the stock market and its relationship to politics--that is to say that "elections are moments when groups of investors coalesce and invest to control the state." The film takes this theory and tests it against developments in the political and social spheres of recent decades, right up to the election of Barack Obama in the United States in 2008...
1:43:40Could a media system, controlled by a few global corporations with the ability to overwhelm all competing voices, be able to turn lies into truth? This documentary examines the relationship between the media, corporations, and government. In a country where the top 1% control 90% of the wealth, the film argues that the media system is nothing but a subsidiary of the corporate world. Have we entered an Orwellian world of doublespeak where outright lies can pass for the truth?
49:54War Matters chronicles a decade of anti-war protest in Britain through the story of veteran peace campaigner Brian Haw, who camped in Parliament Square for over 10 years in protest against the UK government's policies in the Middle East. Brian began his campaign against war on 2nd June 2001, initially in protest of the sanctions against Iraq. After the September 11 attacks in the United States later on that year, Brian's campaign took on a whole new level of importance. War Matters documents this shift by examining the larger issue of the British arms trade and the repercussions of the Iraq and Afghanistan wars around the world, as civil rights are being curtailed in so-called democracies. Where does democracy end and tyranny begin?
51:02Cambodia -- The Betrayal is the fourth follow-up to John Pilger and David Munro's series on Cambodia, the film Year Ten from 1989, which examined the hypocrisy of western geopolitics by looking at the way in which the United Nations pressured Cambodia to accept the Khmer Rouge regime as part of the United Nations peace plan.
Can't Get You Out of My Head: An Emotional History of the Modern World is a six-part series that explores how modern society has arrived to the strange place it is today. The series traverses themes of love, power, money, corruption, the ghosts of empire, the history of China, opium and opioids, the strange roots of modern conspiracy theories, and the history of Artificial Intelligence and surveillance. The series deals with the rise of individualism and populism throughout history, and the failures of a wide range of resistance movements throughout time and various countries, pointing to how revolution has been subsumed in various ways by spectacle and culture, because of the way power has been forgotten or given away.
1:17:43The global growth of Rupert Murdoch's media enterprise is cause for concern. The concentration of media ownership on a global scale in the hands of one man infringes on the freedom of the press by definition at the very least. But the real life example here is Fox News and it's own claim of being "Fair and Balanced" -- one only has to look at the coverage of the invasion of Iraq for example, or "commentators" such as Bill O'Reilly or Sean Hannity and the interactions they have with their "guests"; the vast political connections between Fox News, the Whitehouse and the Pentagon propaganda unit; the suppressed news stories, the censorship, the manipulation and control over the "news" by Murdoch and the president Roger Ailes themselves, not to mention the control over reporters, with former journalists alleging that Fox News asked them to lie and when they refused they were fired. Even lawsuits entailed from this with the court ruling that it is not against the law to lie on a news program...
27:36The Revolution Business examines the role of United States intelligence agencies in the recent revolutionary movements such as the Arab Spring and others by the use of "Revolution Consultants." Of particular interest is a Serbian man Srđa Popović, who formed an organisation called Отпор! (Otpor) which tought "non-violent struggle" in the overthrow of Slobodan Milošević in Serbia during the 1990s, and which has now gone on to inspire a new generation of activists. However, some political commentators like William Engdahl are convinced that Otpor is financed by the United States and has ties to intelligence agenices, also having dubious funding from sources such as the Rand Corporation, the Department of Defence, as well as various fronts such as the National Endowment for Democracy (NED), the International Republican Institute (IRI), the US Institute of Peace and the Ford Foundation--all of which have a long history of collaborating with the Pentagon, the State Department and the CIA in destabilising movements and usurping popular uprisings, removing their teeth.
1:23:06Each year, legions of ad people, copywriters, market researchers, pollsters, consultants, and even linguists spend billions of dollars and millions of hours trying to determine how to persuade consumers what to buy, whom to trust, and what to think. Increasingly, these techniques are migrating to the high-stakes arena of politics, shaping policy and influencing how Americans choose their leaders. In The Persuaders, renowned media scholar Douglas Rushkoff explores how the cultures of marketing and advertising have come to influence not only what we buy, but also how we view ourselves and the world around us. The Persuaders draws on a range of experts and observers of the advertising and marketing world, to examine how, in the words of one on-camera commentator, “the principal of democracy yields to the practice of demography,” as highly customised messages are targeted to individuals using technology and fine-tuned social engineering techniques.
1:12:39In Requiem for the American Dream, renowned intellectual figure Noam Chomsky deliberates on the defining characteristics of our time—the colossal concentration of wealth and power in the hands of the few and fewer, with the rise of a rapacious individualism and complete collapse of class consciousness. Chomsky does this by discussing some of the key principles that have brought this culture to the pinnacle of historically unprecedented inequality by tracing a half century of policies designed to favour the most wealthy at the expense of the majority, while also looking back on his own life of activism and political participation. The film serves to provide insights into how we got here, and culminates as a reminder that these problems are not inevitable. Once we remember those who came before and those who will come after, we see that we can, and should, fight back.
50:41In Australia takes a candid look at the highs and lows of Australian society, circa 1976. The film ties together the workings of media manipulation in its early days, along with the removal of Prime Minister Gough Whitlam by Governor-General coup d'état—Kerr's Cur—to demonstrate the common apathetic side of popular culture in the 'lucky country.' The film also touches on the subtlety of remnant class structures remaining from English heritage by revealing the workings of the 'Occa'—a prudish stereotype of the common person portrayed and exploited by mainstream media, revealing views on immigration and racism in a country, ironically, colonised by immigrants.
Q: Into the Storm is a series that examines the far-right conspiracy theory QAnon that alleges there is a secret cabal of satan-worshipping, cannibalistic paedophiles running a global child sex-trafficking ring and plotting against former United States president Donald Trump. Spanning three years and traversing the globe, the series investigates the movement as it grows in scope and political significance, chronicling its evolution in real time, revealing how “Q” used information warfare to game the internet, hijack politics, and manipulate people's thinking. Filmmaker Cullen Hoback gains unprecedented access to key players in the spectacle, including Jim and Ron Watkins, the father/son team behind the 8chan website that “Q” calls home, and explores their rivalry with Fredrick Brennan, the original creator of the website. The series profiles “Q-tubers,” Q debunkers, political operatives, and journalists who have been closely following the movement since it began in 2017, showing connections between QAnon, President Trump, and political and ex-military operatives, as well as other various right-wing movements associated with 8chan, including "Gamergate" and "Pizzagate" that contextualises QAnon’s influence on culture and politics in the United States.
Is the threat of radical Islamism as a massive, sinister organised force of destruction—specifically in the form of al-Qaeda—a myth perpetrated by politicians across the globe, but particularly the American neo-conservatives, in order to unite and justify empire? This series of films charts the rise of both groups and movements, drawing comparisons between them and their origins, to provide much-needed and missing context to the War of Terror.
1:52:05Freedom Riders follows the story of hundreds of civil rights activists who rode interstate buses into the segregated southern United States during the 1960s to challenge local laws enforcing segregation in seating. The Freedom Rides, and the violent reactions they provoked, bolstered the credibility of the American Civil Rights Movement. They called national attention to the disregard for the federal law and the local violence used to enforce segregation in the southern United States. This is the story of the numerous waves of people who challenged the mores of a racially segregated society by performing a disarmingly simple act.
1:36:46The War You Don't See traces the history of 'embedded' and independent reporting from the carnage of World War One to the destruction of Hiroshima, and from the invasion of Vietnam to the current war in Afghanistan and disaster in Iraq. As weapons and propaganda become even more sophisticated, the nature of war is developing into an 'electronic battlefield' in which journalists play a key role, and civilians are the victims. But who is the real enemy?
2:46:31HyperNormalisation wades through the culmination of forces that have driven this culture into mass uncertainty, confusion, spectacle and simulation. Where events keep happening that seem crazy, inexplicable and out of control—from Donald Trump to Brexit, to the War in Syria, mass immigration, extreme disparity in wealth, and increasing bomb attacks in the West—this film shows a basis to not only why these chaotic events are happening, but also why we, as well as those in power, may not understand them. We have retreated into a simplified, and often completely fake version of the world. And because it is reflected all around us, ubiquitous, we accept it as normal. This epic narrative of how we got here spans over 40 years, with an extraordinary cast of characters—the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, early performance artists in New York, President Putin, Japanese gangsters, suicide bombers, Colonel Gaddafi and the Internet. HyperNormalisation weaves these historical narratives back together to show how today's fake and hollow world was created and is sustained. This shows that a new kind of resistance must be imagined and actioned, as well as an unprecedented reawakening in a time where it matters like never before.
26:50Mr Nixon's Secret Legacy covers the absurdity of the supposed logic behind "Mutual Assured Destruction" or MAD--a doctrine of military strategy and the national security policy of the United States during the cold war. During this time, MAD is supposedly disassembled, but replaced with a strategy called "Counterforce." This film investigates the propositions of "Counterforce," questioning the rhetoric of executing a "flexible, acceptable nuclear war."
Shifty is a series of films that traverse the past 40 years in Britain, showing how the shift of political power to finance and hyper-individualism came together in powerful ways, to undermine one of the fundamental structures of mass democracy--the shared idea of what is real. As that fell apart, with it went the language and the ideas that people had turned to for the last 150 years to make sense of the world they lived in. As a result, life in Britain and the current and former colonies of its empire, has become strange--a hazy dream-like flux, where distrust in politicians keeps growing, and the political class seems to have lost control. Through archive footage, news reels, and on-screen-text in video essay format, Shifty documents the shapes of how this happened, using the vast ranges of footage to evoke what if felt like to live through an epic transformation during the 1980s.
To many in both business and government, the triumph of the self is the ultimate expression of democracy, where power is truly moved into the hands of the people. Certainly the people may feel they are in charge, but are they really? The Century of the Self tells the untold and controversial story of the growth of the mass-consumer society. How is the all-consuming self created, by whom, and in whose interest?
Persons of Interest is a four part series where former activists and political dissidents are given their previously secret ASIO files and asked to explain the allegations contained in them. As a result, the series unravels the hidden political and cultural history of Australia that is still being unmasked today in a world gripped by confirmations of mass surveillance abuses by ASIO and other intelligence agencies such as the NSA in the United States. Using the content of the ASIO records themselves along with genuine surveillance footage, this series tells the story of spies, traitors and intelligence intrigue in Australia against a backdrop of the big political events of the 20th century; at a time when fear of Communism, outsiders and threats to the established order fostered the construction of a vast and secret network of surveillance on ordinary people.
1:15:50By examining the modern culture of industrial civilisation and the persistent widespread violence and environmental exploitation it requires, END:CIV details the resulting epidemic of poisoned landscapes and shell-shocked nations, while further delving into the history of resistance and the prospect of fighting back against such abuse. Detailed is an overview of the environmental movement analogous with the historical whitewashings of the supposedly 'pacifist' social struggles in India with Gandhi and Martin Luther King in the United States; the rise of greenwashing and the fallacy that all can be repaired by personal consumer choices. Based in part on 'Endgame,' the best-selling book by Derrick Jensen, END:CIV asks: If your homeland was invaded by aliens who cut down the trees, poisoned the water, the air, contaminated the food supply and occupied the land by force, would you fight back?
1:01:15We've been told again and again that sports and politics don't mix, that games are just games and athletes should just "shut up and play." But Not Just a Game argues that far from providing merely escapist entertainment, American sports have long been at the centre of some of the major political debates and struggles of our time. By tracing the good, the bad, and the ugly of American sports culture, Not Just a Game shows how American sports have glamorised militarism, racism, sexism, and homophobia; but also traces a largely forgotten history of rebel athletes who stood up to power and fought for social justice beyond the field of play.
52:34In 1979, the people of Nicaragua successfully put an end to decades of the corrupt Somoza dictatorship whose family had been in power for more than 40 years, put there by the United States marines. Four years later, this film travels to Nicaragua to question: How can a country survive when its jungle borders hold 4000 hostile troops?
57:26Using the 1992 presidential election as his springboard, film-maker Brian Springer captures the behind-the-scenes manoeuvrings of politicians and newscasters in the early 1990s. Pat Robertson banters about "homos," Al Gore learns how to avoid abortion questions, George Bush talks to Larry King about halcyon and other drugs—all presuming they're off-air. Composed of 100% unauthorised satellite footage, Spin is a surreal expose of media-constructed reality, posing larger questions about the functioning of not only corporate media, but the political systems in which they support and how this in-turn plays to the media-constructed reality and so on.