Films about protest
Less than three years after a popular uprising that led to President Hosni Mubarak’s ousting, and just one year after Egypt’s first elections, the elected government has been overthrown and the Egyptian military is running the state. And the Muslim Brotherhood—the secretive, long-outlawed Islamist group that came out of the shadows to win the presidency in June 2012—is once again being ‘driven underground.’ Were the Brothers ever really in charge? Or was the Egyptian deep state—the embedded remnants of Mubarak’s police force, Supreme Court and, most of all, military—in control all along? In Egypt in Crisis, we go inside the Egyptian revolution, tracing how what began as a youth movement to topple a dictator evolved into an opportunity for the Muslim Brotherhood to seemingly find the political foothold it had sought for decades—and then why it all fell apart. With Egypt’s hopes for democracy in tatters, and the military-led government violently cracking down, what will happen next?
By examining the modern culture of industrial civilisation and the persistent widespread violence and environmental exploitation it requires, END:CIV details the resulting epidemic of poisoned landscapes and shell-shocked nations, while further delving into the history of resistance and the prospect of fighting back against such abuse. Detailed is an overview of the environmental movement analogous with the historical whitewashings of the supposedly ‘pacifist’ social struggles in India with Gandhi and Martin Luther King in the United States; the rise of greenwashing and the fallacy that all can be repaired by personal consumer choices. Based in part on ‘Endgame,’ the best-selling book by Derrick Jensen, END:CIV asks: If your homeland was invaded by aliens who cut down the trees, poisoned the water, the air, contaminated the food supply and occupied the land by force, would you fight back?
Eyes on the Prize tells the story of the civil rights era from the point of view of the women and men whose extraordinary actions launched a movement that changed the fabric of American society, and embodied a struggle whose reverberations continue to be felt today. It is the story of the people—young and old, male and female, northern and southern—who, compelled by a meeting of conscience and circumstance, worked hard to eradicate a world where whites and blacks could not go to the same school, ride the same bus, vote in the same election, or participate equally in society. It was a world in which peaceful demonstrators were met with resistance and brutality—a reality that is now nearly incomprehensible to many young Americans. Through contemporary interviews and historical footage, Eyes on the Prize traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions.
Fight For Country tells the story of one of Australia’s largest ever land rights and environmental campaigns, to stop the building of a second uranium mine within the World Heritage listed Kakadu National Park in the Northern Territory, Australia. In 1998 the issue came to a head when Indigenous elders and activists called on people to come from around Australia and the world to blockade the construction of the mine and proposed ‘uranium deposits’, collectively called Jabiluka. The film follows activists and speaks with Aboriginal people about the impacts of the mine, following the community response and protest actions against the mines development, where over 500 people were arrested in the course of the eight-month blockade.
In 1983, the Australian Government approved the construction of Olympic Dam uranium mine at Roxby Downs in central South Australia, despite overwhelming opposition by the traditional indigenous land owners—the Kokotha and Arabunna people—and other Australian’s in the community. With an approval for expansion of the mine 14 years later, this film documents one of the many events organised in protest of the mine, as well as other actions to raise awareness of the many impacts of uranium mining in Australia.
Would any sane person think dumpster diving would have stopped Hitler, or that composting would have ended slavery or brought about the eight-hour workday; or that chopping wood and carrying water would have gotten people out of Tsarist prisons; or that dancing around a fire would have helped put in place the Voting Rights Act of 1957 or the Civil Rights Act of 1964? Then why now, with all the world at stake, do so many people retreat into these entirely personal “solutions”? Why are these “solutions” not sufficient? But most importantly, what can be done instead to actually stop the murder of the planet?
Frackman introduces us to Dayne Pratzky, who is looking to build a simple home on his block of land in central Queensland, Australia. But one day the gas company comes and demands access to his land for gas mining. Dayne doesn’t want that, but is told he has no right to refuse access to his land, and so begins his transformation into a reluctant activist on a journey that takes him around the world. Through his efforts, we see other people drawn into the battle of fending off rapacious coal-seam gas miners. Frackman presents this story, crossing ideological divides, bringing together an alliance of farmers, conservationists, political conservatives, and a cast of colourful Aussie bush characters, determined in different ways to stop fracking from destroying the land.
Free Angela and All Political Prisoners chronicles the life of college professor and civil rights activist Angela Davis, whose affiliation with the Communist Party and the Black Panthers in the 1970s landed her on the FBI’s Ten Most Wanted list. This film documents her early years as a student, through to her highly publicised arrest, trial, and subsequent acquittal after 22 months of prison, following a botched kidnapping attempt of Marin County judge Harold Haley in California. The film explores every remarkable detail of Davis’ life, as told through her own stories and a series of intimate interviews.
Centred around the concept of open computer networks that contradictorily end up running closed corporate-controlled communication portals like Facebook and Twitter, Free The Network follows two young men who camp out at Zuccotti Park building wireless access points to connect their devices as part of the ‘Occupy movement.’ Through interviews along the way, Free The Network examines the current state of the Internet in the midst of the protest, and shows how the myth of the ‘democratisation of technology,’ along with the widespread emergence of clicktivism, is a flawed framework for driving social and political change…
Freedom Riders follows the story of hundreds of civil rights activists who rode interstate buses into the segregated southern United States during the 1960s to challenge local laws enforcing segregation in seating. The Freedom Rides, and the violent reactions they provoked, bolstered the credibility of the American Civil Rights Movement. They called national attention to the disregard for the federal law and the local violence used to enforce segregation in the southern United States. This is the story of the numerous waves of people who challenged the mores of a racially segregated society by performing a disarmingly simple act.
Gasland Part II follows on three years later, to continue documenting how the stakes have been raised on all sides in one of the most devastating environmental issues rapidly spreading the globe. This sequel further enriches the argument that the gas industry’s portrayal of natural gas as a clean and safe alternative to oil is a lie, where in fact fracked wells inevitably leak over time, and vent exuberantly more potent greenhouse gasses such as methane in cumulative effect, not to mention the continued string of cases of severe water contamination across the United States and even cases as far away as Australia. Gasland Part II follows deeper into these happenings, revealing yet more of an entrenched corporate collusion in the pursuit of exploiting dwindling ‘natural resources’…
Goodbye Indonesia investigates one of the world’s most forgotten conflicts—the West Papuan struggle for independence. When the Dutch decolonised their empire after the Second World War, they handed it all to the emergent country of Indonesia—all except the territory of West Papua, which forms one half of New Guinea, the second largest island on Earth. This remarkable landmass split neatly by colonial powers into West Papua and Papua New Guinea, is like few other places in the world…
Two years before the Occupy movement sprang forth in New York, a small group of land-rights activists occupied a piece of disused land in west London to create an “alternative model of moneyless, sustainable living” which they labelled, the Eco-Village. Echoing the dynamics of hippy communes in the United States decades earlier, Grasp the Nettle follows the often bewildering and even amusing actions of this group through many moments of idyllic beauty, as they use local trees and recycled rubbish to build small homes, go dumpster diving, build a manually operated shower and compost toilet, create a local seed bank, and help distribute dumpstered sandwiches to the city’s homeless. But the Eco-Village quickly becomes something other than just an idealistic experiment in political protest. It begins to attract vulnerable people who already live on the margins of society and need help: the homeless, the unemployed, alcoholics, the mentally ill. Some of them are invited to stay, but others cause a ruckus and harm the group. Tensions spark as the community grapples to deal with the increasing chaos while trying to stave off the fast-approaching prospect of eviction, through the ideologies of withdrawal, dropping out, freemanism and spirtuality. Grasp the Nettle is hence a valuable reflection of the efficacy of this type of Wandervogel-style activism, where lack of goals and support infrastructure, a diverse array of internal conflicts and horizontal hostility can be the ultimate undoing of idealistic and much-needed political resistance movements.
Ground Noise And Static is a video report on the protests that occurred in connection with the Democrat and Republican National Conventions in 2008. Corporate media would cover the platitudes and posturing of the politicians, but this film is interested in something else — a story hidden in plain sight, told from the perspective of activists…
In 1974, a young Patty Hearst became a media icon after she was kidnapped from her apartment by a group calling itself the Symbionese (taken from the word ‘symbiosis’) Liberation Army (SLA). At the time, Patty was an impressionable college student who happened to be the granddaughter of the infamous newspaper tycoon William Randolph Hearst. Hoping to spark a class war in America, for ransom, the SLA instructed the Hearsts to make a multi-million dollar donation of food to the poor. Two months later, Patty appeared to have joined forces with the SLA. As the spectacle unfolds, journalists camp outside the Hearst’s home and become consumed by the story, some even questioning the role of the media in the saga. Guerrilla serves to document some of what happened to Patty Hearst during this time, the effects of Stockholm Syndrome, how and why the SLA was formed, and what ultimately went awry.
Have You Heard From Johannesburg? is series chronicling a history of the global anti-apartheid movement that opposed South Africa’s entrenched apartheid regime. The movement encompassed many methods, including mass action, underground organising, armed struggle, and international mobilisation. This series focuses on the last category: the movement to mobilise worldwide citizen action to isolate the apartheid regime. Inspired by the courage and suffering of South Africa’s people as they fought back against the violence and oppression of racism, foreign solidarity groups, in cooperation with exiled South Africans, took up the anti-apartheid cause. Working against the odds, in a climate of apathy or even support for the governments of Verwoerd, Vorster and Botha, campaigners challenged their governments and powerful corporations in the West to face up to the immorality of their collaboration with apartheid, revealing that the battle was more than just political. It was economic, cultural, moral, and spiritual. The combined stories have a scope that is epic in both space and time, spanning most of the globe over half a century. Beginning with the very first session of the United Nations, and ending in 1990—when, after 27 years in prison, Nelson Mandela, the best known leader of the African National Congress, toured the world, a free man.
When Hong Kongers took to the streets to protest a controversial extradition bill proposed by China in 2019, it exposed the tensions long brewing in the city. Over two days of conflict, Hong Kong Moments follows a pro-democracy protester, a tea-shop owner, a paramedic, a cab driver, a police officer, and two politicians with conflicting politics as the demonstrations shoehorn the political into the personal. On September 21, 2019, protestors from three districts join forces, resulting in unprecedented violence. Just 10 days later on October 1, the National Day of the People’s Republic of China, previously undecided onlookers show their stripes. Thoughts transform into action in this demonstration of how mercurial and personal Hong Kong’s politics have become.
On 1 May 1946, under occupation and wage slavery by the white man, 800 Aboriginal workers walked off sheep stations in the north-west of Western Australia, marking the beginning of a carefully organised strike that was to last for at least three years, and never officially ended. The strike was a demand for basic freedoms and for better wages considering the imposed conditions. A fight that sadly continues to this day, speaking to the truth of a country still occupied and brutally colonised, land that was never ceded.
In the early 1970s, in response to the United States testing nuclear weapons on the island of Amchitka, a group of environmental activists got together with the aim of sailing a ship out to Amchitka to disrupt the weapons tests and stop them. But fuelled by bad weather, delays, infighting and clashes of ego, the group never reached the island and the weapons tests went ahead. Yet the symbolism of their attempt flourished in the media, entering the public consciousness. This is where the “Greenpeace movement” was born, emerging from the era of a philosophy of passive resistance, where bearing witness to objectionable activity is supposedly protested simply by a mere presence. But just how far can this philosophy go to actually stop atrocities? This film reveals the answer to that question, where Greenpeace eventually morphs into a large global organisation, far from its environmental ideals. Internal fallout leads to the founders each drifting their own separate ways, with some even coming to criticise Greenpeace and others even actively working against their own creation.
How to Let Go of the World and Love All the Things Climate Can’t Change travels the globe, from New York City to the Marshall Islands and China, to meet with people who are committed to reversing the tide of global warming. The film examines the intricately woven forces that threaten the stability of the climate and the lives of the world’s inhabitants.
How to Start a Revolution is a profile of Nobel Peace Prize nominee and political theorist Gene Sharp, who is described as one of the world’s foremost scholars on nonviolent revolution. The film profiles Sharp and his ideas, as well as their influence on popular uprisings around the world. There is particular focus on Sharp’s key text From Dictatorship to Democracy, which has been translated by activists into more than 30 languages, and used in revolutions from Serbia and Ukraine, to Egypt and Syria. Quiet and unassuming, a softly spoken Sharp describes how his 198 methods of nonviolent action have spread from his tiny Boston office to inspire and inform uprisings across the globe.
How To Stop A Multinational follows three women in Argentina as they put themselves in harms way to stop a gold mining company from entering their town. With the activists having defeated a Canadian mining company, the campaign is now against a Chinese one that wishes to extend the operation, making use of large quantities of fresh water—up to 45,000,000 litres per day—a plan that seriously threatens the future viability of the town and the environment. This short film documents the campaign which is still in its early days, where activists carry out a series of direct-actions to stop the mining company from physically entering the town; training villagers, informing others and filming the outcomes along the way…
HyperNormalisation wades through the culmination of forces that have driven this culture into mass uncertainty, confusion, spectacle and simulation. Where events keep happening that seem crazy, inexplicable and out of control—from Donald Trump to Brexit, to the War in Syria, mass immigration, extreme disparity in wealth, and increasing bomb attacks in the West—this film shows a basis to not only why these chaotic events are happening, but also why we, as well as those in power, may not understand them. We have retreated into a simplified, and often completely fake version of the world. And because it is reflected all around us, ubiquitous, we accept it as normal. This epic narrative of how we got here spans over 40 years, with an extraordinary cast of characters—the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, early performance artists in New York, President Putin, Japanese gangsters, suicide bombers, Colonel Gaddafi and the Internet. HyperNormalisation weaves these historical narratives back together to show how today’s fake and hollow world was created and is sustained. This shows that a new kind of resistance must be imagined and actioned, as well as an unprecedented reawakening in a time where it matters like never before.
For years, the Earth Liberation Front—autonomous individuals operating in separate anonymous cells without any central leadership—carried out spectacular direct-actions against businesses that destroy the environment. Some of the targets were logging corporations, SUV dealerships, ranger stations, a slaughterhouse and a multi-million dollar ski-lodge at Vail, Colorado that was expanding into national forest. As authorities were not able to crack the case and disbanded many years later, the FBI got lucky when they were led to a former activist who agreed to co-operate with them and become an informant. If A Tree Falls provokes hard questions about environmentalism, activism, and the way ‘terrorism’ is defined by following the story of the activists who were turned over to the FBI, and their fate…
Informant follows the story of Brandon Darby—a radical-left activist turned FBI informant through a series of events starting with community support work in the aftermath of Hurricane Katrina in 2005, to the Republican National Convention in 2008. Brandon ends up turning fellow activists to the FBI for making Molotov cocktails in circumstances described by fellow activists as entrapment. So what happened? Did Brandon manipulate fellow activists into doing things they didn’t want to do, or were some activists simply not engaging in a full analysis of the effectiveness of their strategies and tactics? In any event, was turning over activists to the FBI the right thing to do, even when nobody was hurt?
Just Do It — A Tale of Modern-Day Outlaws follows a group of activists in the UK to document their protests and actions over one year dealing with issues around climate change. Demonstrations at Copenhagen’s 2009 G20 summit and at the Drax coal power station in North Yorkshire, England, are just some of the events documented.
Kanehsatake: 270 Years of Resistance documents the ‘Oka Crisis’ of 1990 in which the government of Oka, Canada, pushed for plans to develop a private golf course and new luxury housing on sacred indigenous land. The film captures the events as they unfold, from the beginnings as frivolous government ‘negotiations’ to the resulting siege by the Canadian Army and local police…
Filmed over 18 months, Lessons in Dissent is a kaleidoscopic portrait of a new generation of Hong Kong democracy activists. 18-year-old Joshua Wong dedicates himself to stopping the introduction of National Education. His campaign begins to snowball when an interview goes viral on social media. With the new school year fast approaching, a showdown with the government seems inevitable. So with a microphone in hand, and still in his school uniform, he takes to the streets to protest, along with 120,000 people in support. Meanwhile, former classmate Ma Jai fights against political oppression on the streets and in the courts. Having dropped out of school and dedicated himself to the movement, he endures the persecution suffered by those not lucky enough to be protected by the glare of the media. Lessons in Dissent catapults the viewer on to the streets of Hong Kong, confronting the viewer with the country’s rising energy of dissent.
Let It Fall: Los Angeles 1982–1992 is a deep examination of a tumultuous decade in the city of Los Angeles, United States, leading up to the events of April 29, 1992, when the verdict was announced in the Rodney King case. The film traverses the conflicts between law enforcement and the black community to look at tensions across the city as a whole, and traces the roots of civil unrest to a decade before uprisings, as told through interviews with eyewitnesses and people directly involved in the events from diverse neighbourhoods across the city, including black, white, Hispanic, Korean, and Japanese Americans.
The terms ‘liberal’ and ‘radical’ have been thrown around a lot in political discourse over the past decades, largely with lost meaning. This is a significant gap in our political understandings as the worldview of liberal activists and radical activists are conceptually different—an education that most of us never had. Writer and activist Lierre Keith regrounds these differences as part of a larger understanding of how effective resistance can be nurtured and sustained.
In 1929, in the face of collapsing demand for coal and a deepening economic crisis, mine owners in the Hunter Valley of New South Wales, Australia; announced, with the support of government, that they would cut miners’ wages and strip them of their workers rights. When the workers refused to agree to these terms the mine owners locked the gates. 10,000 miners, pit boys and their families now found themselves without a job. What began as an dispute about industrial labour ended up overpowering a government, crippling an industry and besieging a community. This event challenged the rights of every Australian worker, and redefined the political and industrial landscape of a country that witnessed an event forever remembered as ‘The Great Australian Lockout.’
There are plenty of anarchists in the world. Many have committed robbery or smuggling for their cause. Fewer have discussed strategies with Che Guevara or saved the skin of Eldridge Cleaver, the leader of the Black Panthers. There is only one who has done all that, and also brought to its knees the most powerful bank in the world by forging travellers cheques, without missing a single day of work bricklaying. He is Lucio Urtubia from a tiny village in Navarra in North of Spain. Lucio, 75, now lives in Paris, still doing valued political work. Lucio has been protagonist and witness to many of the historic events of the second half of the 20th century. His family was persecuted by Franco’s regime; he was on the streets of Paris for the phenomenon of May of 1968; he actively supported Castro’s revolution; and helped thousands of exiled people by providing false documents to them. But without a doubt, his greatest triumph came in the second half of the 1970s where he swindled 25 million dollars from the First National Bank—or Citibank—to later invest the money in causes he believed in.
Maïdan is an observational film that documents the civil uprising and revolution that toppled the government of president Victor Yanukovich of Ukraine in 2014, and has since developed into an international crisis between Russia and the West. In long unedited strides, the film portrays the protests progressing over time from peaceful rallies, half a million people strong, to bloody street battles between protesters and riot police in Kiev’s Maidan Nezalezhnosti (Independence Square).
Making Sense of the Sixties is a six part series analysing certain facets of the social and political upheaval of the 1960s and beyond in the United States. The series chronologically examines the cultural and political changes which shaped the era and left an indelible mark on later decades. From the assassinations of John F. Kennedy, Robert Kennedy and Martin Luther King; to the rapidly escalating atrocities in Vietnam; to the height of the Cold War and the Space Race, Making Sense of the Sixties weaves historical retrospect with the experiences of ordinary people to capture the mood and mindset of the era.
In Mexico, ‘maquiladoras’ is a word used to describe the sort of factories that have become commonplace with globalisation—mass assembly and manufacturing plants primarily staffed by women for low wage and long hours in unsafe and toxic conditions. Tijuana has attracted so many such factories that it has gained the nickname Maquilapolis. Delving into the landscape of this, this film asks the question: What is the human price of globalisation? Maquilapolis brings American and Mexican-American filmmakers together with Tijuana factory workers and community organisers to answer that question and tell the story of globalisation through the eyes and voices of the workers themselves. The result is a film to inform and inspire, as each day the workers confront labor violations, environmental devastation and urban chaos…
MLK/FBI documents the extent of the FBI’s surveillance and harassment of Martin Luther King based on newly declassified files and documents obtained through the Freedom of Information Act and unsealed by the National Archives. Using these, as well as restored historical video footage, the film explores the United States government’s history of targeting Black activists through surveillance programs specifically aimed the Civil Rights Movement. The film covers the attempts by J. Edgar Hoover and the FBI to personally discredit King by collecting recordings and images of his private sexual life with women other than his wife. This was used to denigrate his status within the civil rights movement in the United States. Not all FBI documents have been declassified, but the whole record will be made available public in 2027.
No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”
Nothing to Hide questions the growing surveillance state and its acceptance by the general public through the thought-terminating cliché, “If you’ve got nothing to hide, you’ve got nothing to fear” argument. What is shown is that this logic is incredibly complacent and dangerous, even just from a historical perspective, considering authoritarian regimes, past and present. Nothing to Hide sets out to turn this acquiescence around, by weaving together expert commentary through real-life examples. A person agrees to be tracked as part of a small experiment, to show a small insight into the sorts of data trails that are revealed throughout our every-day lives. What is extrapolated from there is the incredible power and insight into our lives that these technologies provide. Insights which corporations and governments alike use for social control and profiling. What kind of society is being perpetuated for ourselves and future generations?
One More Dead Fish reveals how destructive industrial fishing practices have decimated the Grand Banks of the North Atlantic Ocean, once an abundant area of food. The film also tells the dramatic story of how local hook-and-line fishermen are battling huge commercial fishing practices in order to survive in a globalised fishing industry. In interviews with local fishermen, government officials, biologists, and industry CEO’s, the film explores regulatory, legislative, and environmental issues. The film grounds the viewer in a clear historical context as it explains one of the world’s great environmental disasters. In examining the twisted language of the multinational fishing industry, One More Dead Fish questions why we don’t hear more about the true environmental costs of industrial fishing practices, partly the result of globalisation.
On October 15th 2007, a series of intense police raids occurred around the small village of Ruatoki in New Zealand. Operation 8, as it was called, was the result of 18 months of invasive surveillance of Maori sovereignty and peace activists accused of attending ‘terrorist training camps’ in the Urewera ranges—the homeland of the indigenous Tūhoe people. This film examines why and how the raids took place. Did the “War on Terror” become a global witch-hunt of political dissenters reaching even to the South Pacific?