For the past four years Submedia has been visiting a camp of the Unist'ot'en of the Wet'suet'en Nation in so-called British Columbia in Canada. The Unist'ot'en continue to fend off intrusions to their land by rapacious oil and gas companies. The threats are large and systemic and involve the very base of life itself. This two-part series of short films document the direct actions that are effective in keeping the threats of oil and gas out. Stopping the corporations physically is paramount, as they'll stop at nothing...
Filmed over 18 months, Lessons in Dissent is a kaleidoscopic portrait of a new generation of Hong Kong democracy activists. 18-year-old Joshua Wong dedicates himself to stopping the introduction of National Education. His campaign begins to snowball when an interview goes viral on social media. With the new school year fast approaching, a showdown with the government seems inevitable. So with a microphone in hand, and still in his school uniform, he takes to the streets to protest, along with 120,000 people in support. Meanwhile, former classmate Ma Jai fights against political oppression on the streets and in the courts. Having dropped out of school and dedicated himself to the movement, he endures the persecution suffered by those not lucky enough to be protected by the glare of the media. Lessons in Dissent catapults the viewer on to the streets of Hong Kong, confronting the viewer with the country's rising energy of dissent.
The Hacker Wars explores the strange duality of the modern-day computer-hacker as a mischievous provocateur, but also in some cases, societal activists with underlying political fervour, serious or not. The film explores this by profiling some of the renowned characters that have tickled the secretive inner workings of corporations and government agencies for various reasons—ranging from the nefarious and narcissistic, to the political and scandalous. Some do it for the lulz, others do it to prove a point, and others do it to "speak truth to power." In any event, many have faced severe punishments as a result. By following through this, The Hacker Wars touches on issues of whistleblowing, social justice, and power relations, in a time where computer technologies represent extreme power and control. But for whom? And what? This poses the question in deciphering the personalities of the hackers themselves. Are they serious activists with good intentions, or are they driven by insane ideologies?
The legacy of the Bush administration and the so-called "War on Terror" includes a new logic that stretches well beyond the realm of overzealous security agencies, airport security and international relations, and into suppressing public protest; expanded surveillance aimed at entire populations, but especially activists; and mobilising fear for social control. Special police techniques have even been developed and applied in order to specifically suppress dissent and manage protests, especially in the wake of the rising anti-globalisation movements towards the turn of the millennium. Preempting Dissent provides a quick overview of how some of this logic developed, as well as a glimpse of how political protest in the West has been shaped and controlled in the "post-9/11" years, up to and including the so-called Occupy movement. By provoking a reflection of the implications of the logic of the "War on Terror" and how its applied to stifle political protest, Preempting Dissent aims to lay some of the groundwork to develop more effective resistance tactics.
No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle's view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that "it is no measure of health to be well adjusted to a profoundly sick society."
In March 1971, eight ordinary citizens broke into an FBI office in Pennsylvania, took hundreds of secret documents out, and mailed them to newspapers across the country to share them with the public. The group, calling themselves The Citizens' Commission to Investigate the FBI, undertook the actions at a time where suspicions about systemic abuse and manipulation of social and political movements by intelligence agencies were running high in the context of the Vietnam war and 1960s counter-culture. In doing so, these citizens uncovered the FBI's vast and illegal regimes, leading to insights about mass surveillance, intimidation, entrapment, and the use of provocateurs and informers for manipulation, and sabotage. Much of this would later go on to be known as part of a covert program called COINTELPRO that was run directly by J. Edgar Hoover to destroy social change movements—a history that is imperative to understand in the context of today, where state repression of social change movements continues.
Travelling across North America, DamNation investigates the growing change in national attitude from strange pride in big dams as domineering engineering projects, to the growing truthful awareness that dams have always been the great killers of rivers, wildlife, the salmon, the forests, coastlines, watersheds. Life is bound to water and health of rivers, and now, dam removal in many forms—including Monkey Wrenching—is reclaiming that life and spreading. Where dams come down, rivers come back, allowing the salmon to return after decades of being concreted out. By making firsthand unexpected discoveries moving through rivers and the landscapes altered by dams, DamNation presents a much-needed metamorphosis in values, from conquest of the natural world to knowing ourselves as part of nature; to respect, and be humbled. With over two million dams in North America alone—75,000 of them over six feet tall—there's much work to be done. Let's get to it.
The Internet's Own Boy is a biographical documentary of the programmer and activist Aaron Swartz, who died at age 26. From his help in the development of the basic Internet protocol RSS at age 14, to the co-founding of the social network website Reddit in 2006, Swartz becomes disillusioned with the grooming of academia to the corporate life presented to him, and turns instead to work on issues of sociology, civic awareness and activism. It then becomes Swartz's work in social justice issues and political organising, combined with an open and sharing approach to information access that ensnares him in a two year legal battle, in which authorities seek to make an example of him and the work. The battle sadly ends with Swartz taking his own life. This film is a personal story about what we lose when we are tone deaf about technology and its relationship to the political system, civil liberties and human relationships.
Above All Else is an intimate portrait of a group of activists and landowners in East Texas, United States, who undertook a series of direct actions and put their bodies in the way to stop construction of the Keystone pipeline in 2012. The film follows David Daniel, a quiet, affable carpenter, whose backyard became the epicenter of a tree-sit that physically blocked the path of the controversial pipeline. This was the birthplace of the Tar Sands Blockade, an activist group that would go on to oppose the pipeline's construction all along its route. David's stance against Keystone brought together an unlikely coalition of allies, from Texan farmers to student environmentalists to fire-cracker great-grandmothers like Eleanor Fairchild. Above All Else is the story of David and his allies, their struggles, and what happened when they stood in the way of the most powerful industry in the world.
War Matters chronicles a decade of anti-war protest in Britain through the story of veteran peace campaigner Brian Haw, who camped in Parliament Square for over 10 years in protest against the UK government's policies in the Middle East. Brian began his campaign against war on 2nd June 2001, initially in protest of the sanctions against Iraq. After the September 11 attacks in the United States later on that year, Brian's campaign took on a whole new level of importance. War Matters documents this shift by examining the larger issue of the British arms trade and the repercussions of the Iraq and Afghanistan wars around the world, as civil rights are being curtailed in so-called democracies. Where does democracy end and tyranny begin?
In January 2013, film-maker Laura Poitras received an encrypted e-mail from a stranger who called himself Citizen Four. In it, he offered her inside information about illegal wiretapping practices of the NSA and other intelligence agencies. Poitras had already been working for several years on a film about mass surveillance programs in the United States, and so in June 2013, she went to Hong Kong with her camera for the first meeting with the stranger, who identified himself as Edward Snowden. She was met there by investigative journalist Glenn Greenwald and The Guardian intelligence reporter Ewen MacAskill. Several other meetings followed. Citizenfour is based on the recordings from these meetings. What follows is the largest confirmations of mass surveillance using official documents themselves, the world has never seen...
How To Stop A Multinational follows three women in Argentina as they put themselves in harms way to stop a gold mining company from entering their town. With the activists having defeated a Canadian mining company, the campaign is now against a Chinese one that wishes to extend the operation, making use of large quantities of fresh water--up to 45,000,000 litres per day--a plan that seriously threatens the future viability of the town and the environment. This short film documents the campaign which is still in its early days, where activists carry out a series of direct-actions to stop the mining company from physically entering the town; training villagers, informing others and filming the outcomes along the way...
The Square follows the anti-government protest movement in Egypt through the eyes of six very different activists, starting in Tahrir Square in 2011, up until the 2013 coup d'état. The film follows the activists on a life-changing journey through the euphoria of victory into the uncertainties and dangers of the current military rule, where everything they fought for is now under threat or teetering in the balance. The Square becomes an immersive experience, transporting the viewer into the intense emotional drama and personal stories behind the revolts. It is an inspirational account of people asserting their rights, struggling against multiple forces--from a brutal army dictatorship willing to crush protesters with military tanks, to a corrupt Muslim Brotherhood using mosques to manipulate voters; a struggle unfinished, unfolding.
Peter Francis, a former undercover police spy turned conscientious whistleblower, breaks ranks by speaking to the media after becoming troubled by the unaccountable culture of secret police operations throughout the United Kingdom targeting peace activists for decades. Tactics included undercover police officers having sexual relationships with activists, even going as far as commonly having children with the women they were spying on. Undercover agents also often assumed the identities of dead children in order to have "solid cover stories." We also see how undercover police were asked to look for intelligence that could be used to discredit the family of murdered teenager Stephen Lawrence and their campaign. The Lawrence family both speak of their shock at hearing about that the police did this to them. This short investigation opens a flood of questions about the secret history of covert police operations, and indeed the future of them in the context of the sprawling surveillance state of today.
Stop the Flows is a media project in progress to document resistance movements around the world that are working towards stopping the flows of oil and gas, minerals and other natural 'resource' extraction from within their communities, territories and landbases; as well as stopping the flow of the tremendous amounts of wealth generated from these destructive activities. This series aims to support and capture the many forms of organising, direct-action, protest and resistance movements throughout the world working to end mining, the oil economy, nuclear power and more...
Damocracy travels from the deepest corners of the vast Amazon rainforest in Brazil to the mountains and plains of fertile upper Mesopotamia in south east Turkey, to expose the myth that large-scale dams, as clean energy, are a solution to climate change. The film records the priceless cultural and natural heritage the world will lose in the Amazon and Mesopotamia if two planned large-scale dams are built--the Belo Monte dam in Brazil, and the Ilisu dam in Turkey. Damocracy documents the story of resistance by the thousands of people who will be displaced if the two projects go ahead, and issues a call to the world to support this fight to save the last rivers from industrial civilisation...
Gasland Part II follows on three years later, to continue documenting how the stakes have been raised on all sides in one of the most devastating environmental issues rapidly spreading the globe. This sequel further enriches the argument that the gas industry's portrayal of natural gas as a clean and safe alternative to oil is a lie, where in fact fracked wells inevitably leak over time, and vent exuberantly more potent greenhouse gasses such as methane in cumulative effect, not to mention the continued string of cases of severe water contamination across the United States and even cases as far away as Australia. Gasland Part II follows deeper into these happenings, revealing yet more of an entrenched corporate collusion in the pursuit of exploiting dwindling 'natural resources'...
In the spring of 2012, a massive student strike in opposition to a tuition hike, rocked the streets of the Montréal for over six months. Protests and mass direct-action on the street became part of daily and nightly reality. Several times during the tumultuous spring, the numbers in the streets would reach over one hundred thousand. Police routinely clubbed students and their allies, and arrested them by the hundreds. Some were even banned from entering the city. But every time the cops struck, the student movement got bigger and angrier. This is a story about how the arrogance of a government underestimated a dedicated group of students, who through long-term organising, laid the foundation for some of the largest mass demonstrations in Canada's history.
Two years before the Occupy movement sprang forth in New York, a small group of land-rights activists occupied a piece of disused land in west London to create an "alternative model of moneyless, sustainable living" which they labelled, the Eco-Village. Echoing the dynamics of hippy communes in the United States decades earlier, Grasp the Nettle follows the often bewildering and even amusing actions of this group through many moments of idyllic beauty, as they use local trees and recycled rubbish to build small homes, go dumpster diving, build a manually operated shower and compost toilet, create a local seed bank, and help distribute dumpstered sandwiches to the city's homeless. But the Eco-Village quickly becomes something other than just an idealistic experiment in political protest. It begins to attract vulnerable people who already live on the margins of society and need help: the homeless, the unemployed, alcoholics, the mentally ill. Some of them are invited to stay, but others cause a ruckus and harm the group. Tensions spark as the community grapples to deal with the increasing chaos while trying to stave off the fast-approaching prospect of eviction, through the ideologies of withdrawal, dropping out, freemanism and spirtuality. Grasp the Nettle is hence a valuable reflection of the efficacy of this type of Wandervogel-style activism, where lack of goals and support infrastructure, a diverse array of internal conflicts and horizontal hostility can be the ultimate undoing of idealistic and much-needed political resistance movements.
Goodbye Indonesia investigates one of the world's most forgotten conflicts--the West Papuan struggle for independence. When the Dutch decolonised their empire after the Second World War, they handed it all to the emergent country of Indonesia--all except the territory of West Papua, which forms one half of New Guinea, the second largest island on Earth. This remarkable landmass split neatly by colonial powers into West Papua and Papua New Guinea, is like few other places in the world...
Less than three years after a popular uprising that led to President Hosni Mubarak's ousting, and just one year after Egypt's first elections, the elected government has been overthrown and the Egyptian military is running the state. And the Muslim Brotherhood—the secretive, long-outlawed Islamist group that came out of the shadows to win the presidency in June 2012—is once again being 'driven underground.' Were the Brothers ever really in charge? Or was the Egyptian deep state—the embedded remnants of Mubarak's police force, Supreme Court and, most of all, military—in control all along? In Egypt in Crisis, we go inside the Egyptian revolution, tracing how what began as a youth movement to topple a dictator evolved into an opportunity for the Muslim Brotherhood to seemingly find the political foothold it had sought for decades—and then why it all fell apart. With Egypt's hopes for democracy in tatters, and the military-led government violently cracking down, what will happen next?
During the summer of 2013, a new area of occupied Sápmi (the northern parts of Fennoscandia in Europe) were under attack from the mining industry. If it were not for groups of brave resisters, the test blasting outside Jokkmokk in Lapland, Sweden, would have gone by without incident. The local Sámi people would have once again been exploited, and future generations poisoned without even a debate. But this time, something happened. The Gállok Rebellion tells the story of the resisters in Gállok, and shines a light on views which are not often televised. The film collates the efforts of many groups working together and serves as a call to action, to continue to protect the natural world which is under siege.
Away from its busy capital city and famous canal, Panama is one of the world's most ecologically diverse nations. Yet huge new hydroelectric dam projects now underway are seeing pristine rivers damned and virgin rainforest flooded. The government says it is vital for 'economic growth', with international corporate interests rushing into the country, and even the United Nations awarding 'carbon credits' on the basis that the resultant energy will be "sustainably produced". But for the indigenous Ngabe people--whose homes are vanishing under water--it is a catastrophe, and they are fighting back...
Informant follows the story of Brandon Darby--a radical-left activist turned FBI informant through a series of events starting with community support work in the aftermath of Hurricane Katrina in 2005, to the Republican National Convention in 2008. Brandon ends up turning fellow activists to the FBI for making Molotov cocktails in circumstances described by fellow activists as entrapment. So what happened? Did Brandon manipulate fellow activists into doing things they didn't want to do, or were some activists simply not engaging in a full analysis of the effectiveness of their strategies and tactics? In any event, was turning over activists to the FBI the right thing to do, even when nobody was hurt?
Centred around the concept of open computer networks that contradictorily end up running closed corporate-controlled communication portals like Facebook and Twitter, Free The Network follows two young men who camp out at Zuccotti Park building wireless access points to connect their devices as part of the 'Occupy movement.' Through interviews along the way, Free The Network examines the current state of the Internet in the midst of the protest, and shows how the myth of the 'democratisation of technology,' along with the widespread emergence of clicktivism, is a flawed framework for driving social and political change...
Ever since three reactors went into meltdown at the Fukushima Daiichi Nuclear Power Plant in 2011; a broad, disparate, anti-nuclear movement is growing in Japan. Nowhere is that more apparent, perhaps, than in Fukushima prefecture, where a group of local women boldly protest the deafening silence of the Japanese government over the worst nuclear accident of this century. Largely ignored by their own media, these brave women brush aside cultural shyness and share their honest views on the state of the cleanup, the cover-ups, the untruths and the stagnant political climate in today’s Japan...
Free Angela and All Political Prisoners chronicles the life of college professor and civil rights activist Angela Davis, whose affiliation with the Communist Party and the Black Panthers in the 1970s landed her on the FBI's Ten Most Wanted list. This film documents her early years as a student, through to her highly publicised arrest, trial, and subsequent acquittal after 22 months of prison, following a botched kidnapping attempt of Marin County judge Harold Haley in California. The film explores every remarkable detail of Davis' life, as told through her own stories and a series of intimate interviews.
People from industrial civilisation are fast to defend it, saying that they depend on this way of life for survival. It's an addiction. But what if civilisation is the very thing that is killing us and everyone else around? How could we survive then? The Fuck-It Point is about this pervasive disabling mindset of civilisation, its true cost, why and how we need to stop it from killing the planet, and why most people from civilisation don't want to do this. Will you do what is necessary to stop this culture from killing the planet?