Arresting Power documents the history of conflict between the Portland police and members of the community throughout the past fifty years in the United States. The film portrays personal stories of victims of police misconduct, the families of people who were killed by police, and members of community activist groups working for reform and abolition. Using experimental filming techniques, meditative footage, and official police radio audio feeds, Arresting Power pieces together a space for understanding a lens on the impacts of police violence and community attitudes.
Did you know that the legal system recognises a corporation as a person? What kind of 'person' is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
Through a secret program called the Counter Intelligence Program or 'COINTELPRO', the United States government set out to "disrupt dissident political organisations using infiltration, psychological warfare, harassment through the legal system and extralegal force and violence". Groups such as the Black Panther Party and others throughout the civil rights movement were targets of the program. COINTELPRO -- The FBI's War On Black America establishes a historical perspective on the measures initiated by the FBI which aimed to discredit black political figures and forces of the late 1960s and early 1970s. Combining declassified documents, interviews, rare footage and exhaustive research, it investigates the government's role in the assassinations of Malcolm X, Fred Hampton, and Martin Luther King...
Freedom Riders follows the story of hundreds of civil rights activists who rode interstate buses into the segregated southern United States during the 1960s to challenge local laws enforcing segregation in seating. The Freedom Rides, and the violent reactions they provoked, bolstered the credibility of the American Civil Rights Movement. They called national attention to the disregard for the federal law and the local violence used to enforce segregation in the southern United States. This is the story of the numerous waves of people who challenged the mores of a racially segregated society by performing a disarmingly simple act.
1966, United States. A new revolutionary culture was emerging and it sought to overthrow the corrupt systems of power waging the invasion of Vietnam, amongst the struggle for equality and civil rights at home. Beginning with armed citizens' patrols to keep police accountable and challenge police brutality in Oakland California, The Black Panther Party put itself at the vanguard for social change, expanding in 1969 to community social programs, including free breakfast for school kids and community health clinics. This lead the FBI to call the movement "the greatest threat to the internal security of the country," and start an extensive government program called COINTELPRO to surveil, infiltrate, perjure, harass, discredit, destabilise and disintegrate the movement. This film chronicles the story arc of the Black Panthers successes and failures, through the voices of the people who were actually there: police, FBI informants, journalists, white supporters and detractors, and the Black Panthers themselves.
The Bentley Effect recounts the story of citizens throughout the Northern Rivers shire of Australia protesting against coal-seam gas extraction. When the community first learns of the news, a critical mass of people from all walks of life--farmers, landowners, mums, dads, activists, and scientists--come together to rally against the invasion. But despite enormous public opposition, the gas industry and the State Government are determined to see their plan through. So the community changes tact and resorts to differing methods of civil disobedience and non-violent protest. This culminates in a music festival of sorts in Bentley, New South Wales, which brings together the community and also spurs them on to initiating political action.
By risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they document the uprisings against the military regime in 2007. Armed with small handycams, the Burma VJs stop at nothing to make their reports from the streets of Rangoon. Their video footage is smuggled out of the country and broadcast back in via satellite and offered up for use in the international media. The whole world witnesses single event clips made by the VJs, but for the very first time, the individual images have been put together here to tell a much bigger story...
Fight For Country tells the story of one of Australia's largest ever land rights and environmental campaigns, to stop the building of a second uranium mine within the World Heritage listed Kakadu National Park in the Northern Territory, Australia. In 1998 the issue came to a head when Indigenous elders and activists called on people to come from around Australia and the world to blockade the construction of the mine and proposed 'uranium deposits', collectively called Jabiluka. The film follows activists and speaks with Aboriginal people about the impacts of the mine, following the community response and protest actions against the mines development, where over 500 people were arrested in the course of the eight-month blockade.
The War of Words Down Under documents an insight into the radical campaign of the 1980s to ban advertising and promotion of cigarettes in Australia. The result is a movement of culture-jamming activists called B.U.G.A. U.P. or Billboard Utilising Graffitists Against Unhealthy Promotions; who deface, disrupt, remove and challenge smoking promotions and advertising wherever it appears—in shopping centres, sports fields, billboards, etc. The movement starts in inner-city Sydney in October 1979, later spreading to Melbourne, Hobart, Adelaide and Perth; with many of the members coming from professional backgrounds, including doctors and health workers. This film shows how direct-action can provoke and achieve social and political change, albeit a slow process, with success for this movement coming almost a decade later...
Filmed over 3 years, Complicit is an undercover investigation into the lives and conditions of workers that assemble iPhones, tablets, and other electronics in factories such as Foxconn in Shenzhen and Guangzhou, China. The film reveals the global economy's factory floors, showing the conditions under which China's youth have migrated by the millions in search of the espoused "better life" working for big corporations. But the reality is working long hours with toxic chemicals that cause many cumulative detrimental health conditions, including cancers. As such, a focal point of the story is Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage. While battling his own work-induced leukemia, Yi Yeting teaches himself labour law in order to prepare a legal challenge against his former employers. As the struggle to defend the lives of millions of Chinese people from becoming terminally ill from work necessitates confrontation with some of the world’s largest corporations, including Apple and Samsung, Complicit turns to become a powerful portrait of courage and resistance against screens and rapacious corporate power in a toxic culture.
Interspersed with shots of direct-action and interviews with participants, Big Rattle In Seattle documents the protests in Seattle against the World Trade Organisation conference in September 1999.
The Revolution Business examines the role of United States intelligence agencies in the recent revolutionary movements such as the Arab Spring and others by the use of "Revolution Consultants." Of particular interest is a Serbian man Srđa Popović, who formed an organisation called Отпор! (Otpor) which tought "non-violent struggle" in the overthrow of Slobodan Milošević in Serbia during the 1990s, and which has now gone on to inspire a new generation of activists. However, some political commentators like William Engdahl are convinced that Otpor is financed by the United States and has ties to intelligence agenices, also having dubious funding from sources such as the Rand Corporation, the Department of Defence, as well as various fronts such as the National Endowment for Democracy (NED), the International Republican Institute (IRI), the US Institute of Peace and the Ford Foundation--all of which have a long history of collaborating with the Pentagon, the State Department and the CIA in destabilising movements and usurping popular uprisings, removing their teeth.
Would any sane person think dumpster diving would have stopped Hitler, or that composting would have ended slavery or brought about the eight-hour workday; or that chopping wood and carrying water would have gotten people out of Tsarist prisons; or that dancing around a fire would have helped put in place the Voting Rights Act of 1957 or the Civil Rights Act of 1964? Then why now, with all the world at stake, do so many people retreat into these entirely personal "solutions"? Why are these "solutions" not sufficient? But most importantly, what can be done instead to actually stop the murder of the planet?
How can we make political change if peaceful demonstration is not effective and violence only brings more violence? War/Peace posits this question by reintroducing two surviving figures from the Weather Underground movement of the late 1960s, Bernardine Dohrn and Bill Ayers. Coming from the hippy counterculture, the Weather Underground was a radical militant organisation, with revolutionary positions characterised by the Black Power and civil rights movements, as well as opposition to the Vietnam War. In 1970, the group issued a "Declaration of a State of War" against the United States government, with the goal to overthrow the government and end United States' imperialism, culminating in a bombing campaign targeting government buildings along with several banks. War/Peace rewinds to the past to draw out the complexity of these political struggles, and what went wrong, while drawing parallels to the struggles of today, where a lot has changed, but a lot has also remained the same.
This documentary looks at the erosion of civil liberties and increase in government surveillance since 1997 in the UK with the advent of "New Labour" and Tony Blair. Modern politicians, regardless of left or right, always seem to promise hope and change, but what is delivered is more of the same. To illustrate this, the film tracks 6 key areas that have been rapidly dismantled in so-called democracies over the last few decades: Freedom of speech; the right to assemble and protest; the presumption of innocence; the right to privacy; detention without charge, the prohibition on torture...
People from industrial civilisation are fast to defend it, saying that they depend on this way of life for survival. It's an addiction. But what if civilisation is the very thing that is killing us and everyone else around? How could we survive then? The Fuck-It Point is about this pervasive disabling mindset of civilisation, its true cost, why and how we need to stop it from killing the planet, and why most people from civilisation don't want to do this. Will you do what is necessary to stop this culture from killing the planet?
Rocking The Foundations recounts the history of the Green Bans introduced by the New South Wales Builders Labourers Federation in the 1970s which were a series of trade union strikes imposed on developers who wanted to demolish heritage buildings and sites of environmental significance in NSW. The workers saved bushland, trees, and numerous historical buildings which, to this day, remain a powerful symbol of how successful environmental campaigns and effective and honest trade unions can be run...
The Hacker Wars explores the strange duality of the modern-day computer-hacker as a mischievous provocateur, but also in some cases, societal activists with underlying political fervour, serious or not. The film explores this by profiling some of the renowned characters that have tickled the secretive inner workings of corporations and government agencies for various reasons—ranging from the nefarious and narcissistic, to the political and scandalous. Some do it for the lulz, others do it to prove a point, and others do it to "speak truth to power." In any event, many have faced severe punishments as a result. By following through this, The Hacker Wars touches on issues of whistleblowing, social justice, and power relations, in a time where computer technologies represent extreme power and control. But for whom? And what? This poses the question in deciphering the personalities of the hackers themselves. Are they serious activists with good intentions, or are they driven by insane ideologies?
When Hong Kongers took to the streets to protest a controversial extradition bill proposed by China in 2019, it exposed the tensions long brewing in the city. Over two days of conflict, Hong Kong Moments follows a pro-democracy protester, a tea-shop owner, a paramedic, a cab driver, a police officer, and two politicians with conflicting politics as the demonstrations shoehorn the political into the personal. On September 21, 2019, protestors from three districts join forces, resulting in unprecedented violence. Just 10 days later on October 1, the National Day of the People’s Republic of China, previously undecided onlookers show their stripes. Thoughts transform into action in this demonstration of how mercurial and personal Hong Kong's politics have become.
The Take documents the story of workers in Buenos Aires, Argentina who reclaim control of a closed auto-plant where they once worked and turn it into a worker cooperative. The factory closed as a result of the economic policies of the government under the watchful eye of the IMF. While in bankruptcy protection, the company appeared to be selling off property and inventory to pay creditors -- a move which further reduced the chances of the facility returning to production. Though as the movement gains strength, having started with a garment factory several years earlier, the factory workers wade through courts and the legislative system, finally establishing their own control and winning the right to operate it themselves, as a cooperative...
Along the way to winning an eight-hour workday and fair wages in the early 20th century, the Wobblies were one of the few unions to be racially and sexually integrated and often met with imprisonment, violence, and the privations of prolonged strikes. The Wobblies airs a provocative look at the forgotten American history of this most radical of unions, screening the unforgettable and still-fiery voices of Wobbly members -- lumberjacks, migratory workers, and silk weavers -- in their 70s, 80s, and 90s.
30 Frames A Second is an immersive first-person account of the events that unfolded during the week the World Trade Organisation came to Seattle in the United States, November 1999. The film is assembled from the perspective of 15-year veteran network-news cameraman Rustin Thompson, who became disillusioned with mainstream media and hence covered the WTO as an independent journalist. As such, even with press credentials for the event, Thompson is swept into the retribution of the state and police power which hit at the protests with tear gas, pepper spray, and police abuse. For him and the protesters alike, it begs the question about the functioning of the so-called democracies we live in, where civil liberties and human rights are curtailed in favour of facilitating the vast corporatocracy and global economic empire—precisely one of the points that sparked protests in the first place...
Two years before the Occupy movement sprang forth in New York, a small group of land-rights activists occupied a piece of disused land in west London to create an "alternative model of moneyless, sustainable living" which they labelled, the Eco-Village. Echoing the dynamics of hippy communes in the United States decades earlier, Grasp the Nettle follows the often bewildering and even amusing actions of this group through many moments of idyllic beauty, as they use local trees and recycled rubbish to build small homes, go dumpster diving, build a manually operated shower and compost toilet, create a local seed bank, and help distribute dumpstered sandwiches to the city's homeless. But the Eco-Village quickly becomes something other than just an idealistic experiment in political protest. It begins to attract vulnerable people who already live on the margins of society and need help: the homeless, the unemployed, alcoholics, the mentally ill. Some of them are invited to stay, but others cause a ruckus and harm the group. Tensions spark as the community grapples to deal with the increasing chaos while trying to stave off the fast-approaching prospect of eviction, through the ideologies of withdrawal, dropping out, freemanism and spirtuality. Grasp the Nettle is hence a valuable reflection of the efficacy of this type of Wandervogel-style activism, where lack of goals and support infrastructure, a diverse array of internal conflicts and horizontal hostility can be the ultimate undoing of idealistic and much-needed political resistance movements.
Resist -- The Aftermath Of The RNC8 follows activists Rob Czernik, Garrett Fitzgerald and Luce Guillen-Givins; attorney Robert Kolstad, volunteers/arrestees from the community, and others impacted by the actions against the Republican National Convention in 2008. Taking a look back over the last year, the video shares some helpful advice for activists organising under state repression...
Orgreave in the North of England was the focal point for a mass protest by miners in June 1984. At this time, miners were angry over proposed pit closures and reacted by striking and pressuring other pits to close. The culmination of these protests was a mass gathering of miners from all over the country at Orgreave. On the morning of 18th June miners were escorted into Orgreave. At this point, police tactics already resembled a military campaign. After a push by the miners, the police acted with force, charging the pickets on horses. The protest soon turned violent with the police deploying dogs, batons and guns in an attempt to suppress the protest. The Battle for Orgreave interviews defendants directly about their experiences of Orgreave, and how those experiences changed their life...
The terms 'liberal' and 'radical' have been thrown around a lot in political discourse over the past decades, largely with lost meaning. This is a significant gap in our political understandings as the worldview of liberal activists and radical activists are conceptually different--an education that most of us never had. Writer and activist Lierre Keith regrounds these differences as part of a larger understanding of how effective resistance can be nurtured and sustained.
One More Dead Fish reveals how destructive industrial fishing practices have decimated the Grand Banks of the North Atlantic Ocean, once an abundant area of food. The film also tells the dramatic story of how local hook-and-line fishermen are battling huge commercial fishing practices in order to survive in a globalised fishing industry. In interviews with local fishermen, government officials, biologists, and industry CEO's, the film explores regulatory, legislative, and environmental issues. The film grounds the viewer in a clear historical context as it explains one of the world's great environmental disasters. In examining the twisted language of the multinational fishing industry, One More Dead Fish questions why we don't hear more about the true environmental costs of industrial fishing practices, partly the result of globalisation.
The Miami model was the name given to a set of tactics employed by police during protests in Miami, Florida relating to the Free Trade Area of the Americas (FTAA) trade agreement meetings in November 2003. State Attorney Kathy Fernandez Rundle responded to allegations of police brutality by saying, "The police were very professional, very controlled... I think we have a model here for the rest of the world to emulate in the future when these sort of events take place." This film documents these tactics from the perspective of the protesters, to show what really happened to them and to document their work opposing the FTAA, countering the mainstream media narratives of the event and the tropes espoused by those in power.