In the wake of the September 11th attacks, amongst the ravaging of war, the United States has been secretly deploying drones to carry out assassinations throughout the Middle East. The drones are increasingly piloted by the likes of young computer gamers groomed by screen culture and computer games of war, where in many cases, the Pentagon is directly involved in the creation of such games as recruitment tools, actively working to lure young people proficient with technology into the new era of the military-industrial-complex. Drone unravels this complex phenomenon while travelling to places such as Waziristan, where innocent civilians, including children and rescue workers are routinely secretly killed, where families and communities ravaged by the drone strikes search for understanding, accountability and adjustment to the daily horrors. The film also takes a look at the young people sitting behind the screens of the new war machines, half a world away, that actually pull the trigger, asking what kind of world is being built in the rise of seemingly endless and lucrative war driven by technological escalation.
Misogyny is rampant in this culture, and corporations capitalise on making women hate their bodies. Indeed all aspects of womanhood are commodified, hypersexualised, and squeezed into gender stereotypes. Being female comes at a cost. So it's no wonder that young people growing up can feel horrible about themselves and their bodies, and further feel confused about what it means to be a woman in today's world. Into this perfect storm steps queer theory, an ideology born in the 1990s, that tells people that all the confusing feelings they may experience about the world they live in can be fixed not by changing the world, but by changing themselves. The past decade has seen a steep rise in the number of young girls seeking to alter their bodies by undergoing life threatening, irreversible procedures. Dysphoric is a series that explores this concept of gender transition, told through the voices of clinicians, psychiatrists, sociologists, feminists, academics, detransitioners, and concerned citizens and parents. The series also discusses the permanent medical side-effects of hormones and surgeries, the propaganda of corporations that glorify thousands of stereotypical gender presentations coalesced as fashion, the surge in pronoun policing, censorship and the curtailment of speech, language hijacking that calls women "menstruators," and the many other hurdles women face while trying to question this modern-day misogyny.
Eyes on the Prize tells the story of the civil rights era from the point of view of the women and men whose extraordinary actions launched a movement that changed the fabric of American society, and embodied a struggle whose reverberations continue to be felt today. It is the story of the people--young and old, male and female, northern and southern--who, compelled by a meeting of conscience and circumstance, worked hard to eradicate a world where whites and blacks could not go to the same school, ride the same bus, vote in the same election, or participate equally in society. It was a world in which peaceful demonstrators were met with resistance and brutality--a reality that is now nearly incomprehensible to many young Americans. Through contemporary interviews and historical footage, Eyes on the Prize traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions.
Fascism Inc. examines a series of historical events to compile a view of the past, the present and the future of fascism and its relation to the economic interests of each era—including the current era. The film travels from Mussolini's Italy, to Greece under the Nazi occupation; the civil war and the dictatorship; and from Hitler's Germany to the modern European and Greek fascism. Following on from the foundations of earlier films such as Debtocracy and Catastroika which described the causes of the debt crisis, the impact of the austerity measures, the erosion of democracy and the sell-out of the country’s assets; Fascism Inc. aspires to continue to motivate anti-fascist resistance movements across Europe, and the world.
Fight For Country tells the story of one of Australia's largest ever land rights and environmental campaigns, to stop the building of a second uranium mine within the World Heritage listed Kakadu National Park in the Northern Territory, Australia. In 1998 the issue came to a head when Indigenous elders and activists called on people to come from around Australia and the world to blockade the construction of the mine and proposed 'uranium deposits', collectively called Jabiluka. The film follows activists and speaks with Aboriginal people about the impacts of the mine, following the community response and protest actions against the mines development, where over 500 people were arrested in the course of the eight-month blockade.
Based on interviews conducted with hundreds of young women, Flirting With Danger examines how the wider culture's frequently contradictory messages about pleasure, danger, agency, and victimisation enter into women's most intimate relationships. The result is a candid and nuanced look at how women are forced to grapple with deeply ambivalent cultural attitudes about sexuality and relationships. These interviews are essential viewing for tackling the problematic issues surrounding consent, coercion and sexual violence throughout the culture.
Fool Me Twice documents the Australian government's lies about the East Timor massacres, the cover-up of the Bali bombings (including the 1993 World Trade Centre attack) and subsequent anti-terror legislation forced through parliament by the Howard government. Laws that are still in effect today...
Made over five years, with contributions from hundreds of women and over 200 Australian films, For Love or Money is a pictorial account of women's history in Australia over the past decades. The film chronicles the cycles of women's gains and losses as they are moved in and out of the workforce according to demands of the age, revealing how women's unpaid and voluntary work over the years has kept and continues to keep an entire system running smoothly, both in peacetime and in war. In this culture, women do the work that is never paid or still not even recognised as real work. This film shows how this system determines the kinds of jobs women do in the paid workforce--the low-paid, low-status jobs--and how women have fought and organised for equality and wage justice for over a century. For Love or Money remains relevant today as women continue the unfinished campaigns for equal pay, maternity leave and childcare, and still carry the major responsibility for caring and nurturing in the culture of individualism.
Frackman introduces us to Dayne Pratzky, who is looking to build a simple home on his block of land in central Queensland, Australia. But one day the gas company comes and demands access to his land for gas mining. Dayne doesn't want that, but is told he has no right to refuse access to his land, and so begins his transformation into a reluctant activist on a journey that takes him around the world. Through his efforts, we see other people drawn into the battle of fending off rapacious coal-seam gas miners. Frackman presents this story, crossing ideological divides, bringing together an alliance of farmers, conservationists, political conservatives, and a cast of colourful Aussie bush characters, determined in different ways to stop fracking from destroying the land.
Free Angela and All Political Prisoners chronicles the life of college professor and civil rights activist Angela Davis, whose affiliation with the Communist Party and the Black Panthers in the 1970s landed her on the FBI's Ten Most Wanted list. This film documents her early years as a student, through to her highly publicised arrest, trial, and subsequent acquittal after 22 months of prison, following a botched kidnapping attempt of Marin County judge Harold Haley in California. The film explores every remarkable detail of Davis' life, as told through her own stories and a series of intimate interviews.
Globalisation has gone to great lengths to coerce many countries around the world to open 'free trade zones' for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.
The Australian Federal Police--the glamour police force that was set-up after the Sydney Hilton Hotel Bombing in 1978--has enjoyed consistent showers of praise by politicians and the public ever since it's inception. However, the once-lionised AFP is now being ridiculed for bungling, excessive secrecy and collusion after the catastrophic failings of the "terrorism case" against Dr Mohammed Haneef. Good Cop, Bad Cop reveals how the Haneef case is a symptom of the deep cultural problems that beset the AFP...
As the first film to emerge from the women's movement in the early 1970s in the United States, Growing Up Female focuses on the socialisation of women at the time, traversing cultural themes through the personal stories of six women and girls. By capturing the way women were viewed by society, men, and themselves, Growing Up Female documents the female experience from a female perspective.
Guilty Until Proven Innocent reports on the issue of innocent people confined to prisons on remand in the UK, circa 1974. People are imprisoned without trial and are later released with either a small fine, a set of mandatory conditions, or leave completely innocent. It's a strange set of circumstances in a country with such pretensions of a bill of rights and espoused 'legal protections.' Is bail a right or a privilege?
In the early 1940s, hundreds of thousands of people unknowingly became test subjects in toxins experiments and biological weapons tests conducted by the United States government. LSD tested on civilians, nerve gas sprayed into suburbs, hospital patients injected with plutonium, children exposed to biological and chemical agents just to see what would happen...the list goes on. And in most if not all cases, tests were carried out without the knowledge or consent of those involved. In 1996, evidence of these secret operations hit the news, uncovering a history of secret operations and covert projects that cast a large shadow over the operations of US military and intelligence agencies, to this day. Experiments with biological weapons and the testing of chemical warfare were only part of the story...
On 1 May 1946, under occupation and wage slavery by the white man, 800 Aboriginal workers walked off sheep stations in the north-west of Western Australia, marking the beginning of a carefully organised strike that was to last for at least three years, and never officially ended. The strike was a demand for basic freedoms and for better wages considering the imposed conditions. A fight that sadly continues to this day, speaking to the truth of a country still occupied and brutally colonised, land that was never ceded.
I Am A Man is a film that links everyday black men from various socioeconomic backgrounds with some of Black America's most progressive academics, social critics and authors to provide an engaging, candid dialogue on black masculine identity in North American culture.
In 1979, author and activist James Baldwin wrote a letter to his literary agent describing his next project, Remember This House, which was to be a revolutionary, personal account of the lives and assassinations of three of his close friends--Medgar Evers, Malcolm X and Martin Luther King, Jr. But eight years later, Baldwin died, leaving behind 30 completed pages. I Am Not Your Negro is a film of the book that was not finished, offering an incendiary snapshot of James Baldwin's crucial observations on race relations in the United States, with a flood of rich archival footage. The film is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter, questioning black representation in the United States and beyond.
For the past 15 years, the misnomer "War on Terror" has been used by the United States to justify everything from mass surveillance and spying on its own citizens, to the use of secret drone strikes to kill people without trial or sometimes even evidence. Governments have always applied surveillance to those they consider a political threat, but the scale of the clandestine PRISM programme, which collects the data of billions of innocent people all across the globe, is unprecedented. Likewise is the call for the journalists who published the documents revealing the PRISM programme to be prosecuted. In the wake of relations about sustained, systematic abuses of power, it is apparent that in many areas, the United States operates on spurious interpretations of law, often explained in confidential memos, hidden from the public. Other times, the law is disregarded entirely. So what does this mean for resistance? How can citizen rights be reconciled with a rogue state security apparatus?
In India, China, and many other parts of the world today, girls are killed, aborted and abandoned simply because they are girls. The United Nations estimates as many as 200 million girls are missing in the world today because of this. Then, girls who survive infancy are often subject to neglect, and many grow up to face extreme violence and even death at the hands of their own husbands or other family members. The war against girls is rooted in centuries-old tradition and sustained by deeply ingrained cultural dynamics which, in combination with government policies, accelerate the oppression of women and girls. Shot on location in India and China, It's a Girl reveals these issues through the stories of abandoned and trafficked girls, of women who suffer extreme dowry-related violence, of brave mothers fighting to save their daughters' lives, and of other mothers who would kill for a son. Global experts and grassroots activists put the stories in context and advocate different paths towards change, while collectively lamenting the lack of any truly effective action against injustice.
Just Do It -- A Tale of Modern-Day Outlaws follows a group of activists in the UK to document their protests and actions over one year dealing with issues around climate change. Demonstrations at Copenhagen’s 2009 G20 summit and at the Drax coal power station in North Yorkshire, England, are just some of the events documented.
Consisting entirely of archival footage, LA '92 chronicles the 1992 Los Angeles riots, 25 years after they have passed. It includes film and video from the 1965 Watts Riots, the 1973 election of Tom Bradley, the 1978 promotion of Daryl Gates to Chief of LA Police, the shooting of Latasha Harlins, the Rodney King videotape, and the subsequent riots and violence that erupted after the acquittal of the officers involved in King's beating.
Filmed over 18 months, Lessons in Dissent is a kaleidoscopic portrait of a new generation of Hong Kong democracy activists. 18-year-old Joshua Wong dedicates himself to stopping the introduction of National Education. His campaign begins to snowball when an interview goes viral on social media. With the new school year fast approaching, a showdown with the government seems inevitable. So with a microphone in hand, and still in his school uniform, he takes to the streets to protest, along with 120,000 people in support. Meanwhile, former classmate Ma Jai fights against political oppression on the streets and in the courts. Having dropped out of school and dedicated himself to the movement, he endures the persecution suffered by those not lucky enough to be protected by the glare of the media. Lessons in Dissent catapults the viewer on to the streets of Hong Kong, confronting the viewer with the country's rising energy of dissent.
Let It Fall: Los Angeles 1982–1992 is a deep examination of a tumultuous decade in the city of Los Angeles, United States, leading up to the events of April 29, 1992, when the verdict was announced in the Rodney King case. The film traverses the conflicts between law enforcement and the black community to look at tensions across the city as a whole, and traces the roots of civil unrest to a decade before uprisings, as told through interviews with eyewitnesses and people directly involved in the events from diverse neighbourhoods across the city, including black, white, Hispanic, Korean, and Japanese Americans.
In 1929, in the face of collapsing demand for coal and a deepening economic crisis, mine owners in the Hunter Valley of New South Wales, Australia; announced, with the support of government, that they would cut miners' wages and strip them of their workers rights. When the workers refused to agree to these terms the mine owners locked the gates. 10,000 miners, pit boys and their families now found themselves without a job. What began as an dispute about industrial labour ended up overpowering a government, crippling an industry and besieging a community. This event challenged the rights of every Australian worker, and redefined the political and industrial landscape of a country that witnessed an event forever remembered as 'The Great Australian Lockout.'
Making Sense of the Sixties is a six part series analysing certain facets of the social and political upheaval of the 1960s and beyond in the United States. The series chronologically examines the cultural and political changes which shaped the era and left an indelible mark on later decades. From the assassinations of John F. Kennedy, Robert Kennedy and Martin Luther King; to the rapidly escalating atrocities in Vietnam; to the height of the Cold War and the Space Race, Making Sense of the Sixties weaves historical retrospect with the experiences of ordinary people to capture the mood and mindset of the era.
In Mexico, 'maquiladoras' is a word used to describe the sort of factories that have become commonplace with globalisation—mass assembly and manufacturing plants primarily staffed by women for low wage and long hours in unsafe and toxic conditions. Tijuana has attracted so many such factories that it has gained the nickname Maquilapolis. Delving into the landscape of this, this film asks the question: What is the human price of globalisation? Maquilapolis brings American and Mexican-American filmmakers together with Tijuana factory workers and community organisers to answer that question and tell the story of globalisation through the eyes and voices of the workers themselves. The result is a film to inform and inspire, as each day the workers confront labor violations, environmental devastation and urban chaos...
MLK/FBI documents the extent of the FBI's surveillance and harassment of Martin Luther King based on newly declassified files and documents obtained through the Freedom of Information Act and unsealed by the National Archives. Using these, as well as restored historical video footage, the film explores the United States government's history of targeting Black activists through surveillance programs specifically aimed the Civil Rights Movement. The film covers the attempts by J. Edgar Hoover and the FBI to personally discredit King by collecting recordings and images of his private sexual life with women other than his wife. This was used to denigrate his status within the civil rights movement in the United States. Not all FBI documents have been declassified, but the whole record will be made available public in 2027.