In 2015, Sandra Bland, a politically-active 28-year-old black woman from Chicago was stopped by police for a minor traffic offence in a small Texas town. Three days later, she was found dead in a police cell. Though the state claimed it was a suicide, her death enraged the public amid allegations of racially-motivated police murder. This film begins in the days after Sandra's death, tracking the ensuing two-year battle between Sandra's aggrieved family and the State of Texas. Following the details about the case, Say Her Name is punctuated by Sandra’s own passionate and moving commentary in 30-second “Sandy Speaks” video blogs. We see an empowered, enlightened woman, whose sharp, humorous, charismatic remarks address subjects from educating kids about black history to police brutality to the importance of natural hair. Say Her Name takes viewers inside this story that galvanised activists across the United States and the world.
The Take documents the story of workers in Buenos Aires, Argentina who reclaim control of a closed auto-plant where they once worked and turn it into a worker cooperative. The factory closed as a result of the economic policies of the government under the watchful eye of the IMF. While in bankruptcy protection, the company appeared to be selling off property and inventory to pay creditors -- a move which further reduced the chances of the facility returning to production. Though as the movement gains strength, having started with a garment factory several years earlier, the factory workers wade through courts and the legislative system, finally establishing their own control and winning the right to operate it themselves, as a cooperative...
The Purity Myth takes a look at the resurgence of a movement of abstinence, brought about by a powerful alliance of religious ideologues, right-wing politicians, conservative media pundits and policy intellectuals who have been exploiting irrational fears about women's sexuality. From daddy-daughter "purity balls," taxpayer-funded abstinence-only curricula, and political attacks on 'Planned Parenthood,' to recent attempts by legislators to de-fund women's reproductive healthcare and narrow the legal definition of rape, The Purity Myth identifies the single false assumption underlying this huge push: that the worth of a woman depends on what she does—or does not do—sexually. This film also argues that the health and well-being of women is too important to be left to figureheads bent on vilifying feminism and undermining women's autonomy.
Controlling Interest is one of the first documentary films to provide a critical analysis on the growth of multinational corporations, and their impacts on people and the environment. Upon its release, Controlling Interest quickly became a standard audio-visual text for those concerned about the growing impact of multinational corporations, examining how the ever-increasing concentration of money and power affects employment in the United States, shapes patterns of development across the world, and influences foreign policy. This is the film that helped kick-off the anti-globalisation movement. Remarkably candid interviews with business executives provide a rare glimpse of the reasoning behind corporate global strategy, and the never-ending search for resources, ever-cheaper labour, and the commodification of life. The film documents the impact of corporate decisions on people around the world, including how "freedom" has come increasingly to mean the freedom of global corporations to operate without restriction. Some of the case studies include Massachusetts' declining machine tool industry, Brazil's "economic miracle," and Chile before and after the 1973 coup.
How did two childhood friends from Midland, Texas end up arrested on terrorism charges at the 2008 Republican National Convention? Better This World follows the journey of David McKay and Bradley Crowder from activist beginners to accused domestic terrorists with a particular focus on the relationship they develop with an FBI informant named Brandon Darby in six months leading up to their arrests. Weaving through a story of entrapment, idealism, political struggle and ultimate betrayal, Better This World winds up at questions of the core machinery of the justice system and its impact on civil liberties and political dissent in the modern "post-9/11 world."
The Empathy Gap investigates how dominant culture bombards young men with sexist and misogynistic messages and argues that these messages not only devalue women but also undercut men's innate capacity for caring and empathy. The film looks closely at the ways these messages short-circuit men's ability to empathize with women, respect them as equals, and take feminism seriously, drawing parallels between sexism and racism, spelling out how each is rooted in cultural norms that discourage empathy, and shows how men who break with these norms live happier and healthier lives.
In 1979, author and activist James Baldwin wrote a letter to his literary agent describing his next project, Remember This House, which was to be a revolutionary, personal account of the lives and assassinations of three of his close friends--Medgar Evers, Malcolm X and Martin Luther King, Jr. But eight years later, Baldwin died, leaving behind 30 completed pages. I Am Not Your Negro is a film of the book that was not finished, offering an incendiary snapshot of James Baldwin's crucial observations on race relations in the United States, with a flood of rich archival footage. The film is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter, questioning black representation in the United States and beyond.
If one steps back and looks at what freedom actually means in the West today, it's a strange and limited kind of freedom. The United States and its empire self-describe fighting the Cold War for "individual freedom," yet it is still something that the leaders of our so-called democracies continually promise to give us. Abroad, in Iraq and Afghanistan, the attempt to force "freedom" on to other people has led to more than just bloody mayhem, and this, in turn, has helped inspire terrorist attacks in Britain and elsewhere. In response, the government has dismantled long-standing laws that were designed to protect individual freedom and civil liberties.
Globalisation has gone to great lengths to coerce many countries around the world to open 'free trade zones' for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.
Chasing Asylum explores the human, political, financial and moral consequences of the Australian Government's "off-shore processing" immigration policy, which is the only country in the world to mandate indefinite detention for adults and children seeking asylum. Since this policy was restarted in 2001, it has grown into an internationally condemned, secretive regime. Inside the detention centres there have been violent deaths, suicides, horrific acts of self-harm, sexual abuse, and mass protests. Composed of footage secretly recorded inside Australia's offshore detention camps, and explored through the eye-witness accounts of social workers and support workers, Chasing Asylum presents the hidden offshore world, where governments choose detention over compassion, a system of depriving vulnerable people of their basic human rights, and spending huge amounts of money keeping it secret and out of the public eye. The result is a sobering overall picture of a system that asks its citizens to abide by rule of law, but shows little regard to do so itself.
Using government documents, archive footage and direct interviews with activists and former FBI/CIA officers, All Power to the People documents the history of race relations and the Civil Rights Movement in the United States during the 1960s and 70s. Covering the history of slavery, civil-rights activists, political assassinations and exploring the methods used to divide and destroy key figures of movements by government forces, the film then contrasts into Reagan-Era events, privacy threats from new technologies and the failure of the "War on Drugs", forming a comprehensive view of the goals, aspirations and ultimate demise of the Civil Rights Movement...
The True Cost is a global investigation into the clothes we wear, the people who make them, and the impact the industry is having on the world. The price of clothing has been decreasing for decades, while the human and environmental costs have grown catastrophically. The True Cost pulls back the curtain on the untold story and asks us to consider, who really pays the price for our clothing?
At the Heart of Gold: Inside the USA Gymnastics Scandal reveals a dangerous athletic culture that prioritised winning over everything else, including protecting young female athletes. For more than 30 years, Larry Nassar worked with gymnasts, as a respected trainer and doctor. He was charming, taught at church, volunteered in the community, and was seemingly well-liked throughout. He treated girls' aches and pains, becoming a friend and confidant to many along the way, while also sexually abusing them during sessions for many years. When some girls began to speak up about their experiences, they were silenced, gaslighted or denied, all the way up to the highest levels of management, across multiple sporting institutions. After many complaints and eventually a cumulative legal investigation, Nassar ends up exposed as a serial sex offender. This film unpacks the scandal, its cover-up, and aftermath, through interviews with dozens of survivors, as well as coaches, lawyers and journalists, as one of the most high-profile paedophile trials in recent years. It documents the grooming, methods, and psychology of a charismatic sexual abuser, as well as the culture that enables and perpetuates it.
Fascism Inc. examines a series of historical events to compile a view of the past, the present and the future of fascism and its relation to the economic interests of each era—including the current era. The film travels from Mussolini's Italy, to Greece under the Nazi occupation; the civil war and the dictatorship; and from Hitler's Germany to the modern European and Greek fascism. Following on from the foundations of earlier films such as Debtocracy and Catastroika which described the causes of the debt crisis, the impact of the austerity measures, the erosion of democracy and the sell-out of the country’s assets; Fascism Inc. aspires to continue to motivate anti-fascist resistance movements across Europe, and the world.
War Zone is a short film about street harassment. Filmmaker Maggie Hadleigh-West walks crowded urban streets armed with a camera and microphone, trailed by one or two women also with cameras. Whenever a man harasses her, with ogling or words, she turns the camera on him, moves in close, and questions his behaviour. The questions are not usually for dialogue but more for making him as uncomfortable as he's made her. More than 50 such encounters are included: the men react with bravado, embarrassment, or anger. None apologise. Interspersed are the filmmaker's voice-over stories of growing up and dealing with men, as well as interviews with several women who talk about how they handle similar street harassment and what they feel about it. What does it feel like to be a woman on the street in a cultural environment that does nothing to discourage men from heckling, following, touching or disparaging women in public spaces?
Using collated footage discovered in the cellar of Swedish Television some 30 years later after recording, The Black Power Mixtape is a film that examines the evolution of the Black Power movement in the United States from 1967 to 1975. Commentaries and interviews carry the film, from leading contemporary African-American artists, activists, musicians and scholars which is divided into 9 sections based chronologically on each successive year between 1967 and 1975. The film focuses on several topics and subjects relevant to the Black Power Movement including Opposition to United States involvement in the Vietnam War, the Black Panther Party, COINTELPRO, and the War on Drugs.
Recorded by over 100 media activists, this film tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organisation summit. Vowing to oppose--among other faults--the WTO's power to arbitrarily overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, thousands of people from all around the United States came out in force to stop the summit. Against them was a brutal police force and a hostile media. This Is What Democracy Looks Like documents the struggle, as well as providing a narrative to the history of success and failure of modern political resistance movements.
By taking the example of documenting the conditions in zoos and circus shows, An Apology to Elephants is a film about the institutional cruelty to animals and their environments. In the circus, elephants are whipped, beaten and struck with hooks—a pain-compliance technique called bull-hooking—to perform tricks and behave according to the requirements of captivity. The film also looks at the prevalence of the ivory trade, stating that the current elephant killing rate would lead to extinction of the species in ten years. The film is a call to more than an apology, it's a call to stop these sadistic institutions and repair the damage done to animals and the environment by this culture.
The 'MeToo' movement has brought the pervasiveness of sexual abuse and harassment in this culture to the mainstream, creating an unprecedented demand for sexual violence prevention models that actually work. The Bystander Moment tells the story of one of the most prominent and proven of these models developed by activist and writer Jackson Katz and his colleagues. Illustrated through archival footage and clips from news, sports, and entertainment media, Katz explores the role of bystanders--especially friends, teammates, classmates, and co-workers--in perpetuating sexual harassment and sexual assault. Katz also gives attention to peer culture dynamics--in particular the male peer culture dynamics across race and ethnicity--that help normalise sexism and misogyny while silencing other men in the face of abuse. The Bystander Moment qualifies the crucial importance of appealing to people not as potential perpetrators or passive spectators, but as active bystanders and allies who have a positive role to play in challenging and changing sexist cultural norms, to stopping abuse and violence.
Fight For Country tells the story of one of Australia's largest ever land rights and environmental campaigns, to stop the building of a second uranium mine within the World Heritage listed Kakadu National Park in the Northern Territory, Australia. In 1998 the issue came to a head when Indigenous elders and activists called on people to come from around Australia and the world to blockade the construction of the mine and proposed 'uranium deposits', collectively called Jabiluka. The film follows activists and speaks with Aboriginal people about the impacts of the mine, following the community response and protest actions against the mines development, where over 500 people were arrested in the course of the eight-month blockade.
Do Not Resist documents, from the perspective of the police, their view of the social unrest following the shooting and killing of Michael Brown by police in Ferguson, 2014, against a backdrop of the routine and escalating use of military tactics and high-powered weaponry by local police forces throughout the United States in the past two decades. Military equipment deployed throughout the Middle East returns home to be used against the citizenry. Local police recruitment and training is awash in military commandments backed by views of escalating 'righteous' violence and sadism. Meanwhile curfews are imposed, along with frivolous drug raids and incessant racial profiling. The voices of concerned citizens ignored. What is the cultural and technological trajectory here?
Filmed over 18 months, Lessons in Dissent is a kaleidoscopic portrait of a new generation of Hong Kong democracy activists. 18-year-old Joshua Wong dedicates himself to stopping the introduction of National Education. His campaign begins to snowball when an interview goes viral on social media. With the new school year fast approaching, a showdown with the government seems inevitable. So with a microphone in hand, and still in his school uniform, he takes to the streets to protest, along with 120,000 people in support. Meanwhile, former classmate Ma Jai fights against political oppression on the streets and in the courts. Having dropped out of school and dedicated himself to the movement, he endures the persecution suffered by those not lucky enough to be protected by the glare of the media. Lessons in Dissent catapults the viewer on to the streets of Hong Kong, confronting the viewer with the country's rising energy of dissent.
Atomic Footprints uses archival footage and new material from the outback of Australia to examine the nuclear fuel chain, and the current push to expand uranium mines throughout Australia. This film speaks with local indigenous communities about the impact of already-existing uranium mining and refinement, and shows in clear examples some of the reasons why we should continue to oppose it around the world.
The number of women in prison in the United States has grown by over 800% in the past three decades. Two thirds are mothers and are incarcerated for non-violent offenses. More than 80% have been victims of domestic violence or sexual assault at some point in their lives. The Grey Area is a discussion of the complex factors behind these statistics, portraying an intimate look at women's issues from inside the criminal justice system. A small group of female inmates at a maximum women's security prison, share their diverse experiences with motherhood, drug addiction, sexual abuse, murder, and life in prison. The women explore the "grey area" that is often invisible within the prison walls and delve into issues of race, class, sexuality and gender.
MLK/FBI documents the extent of the FBI's surveillance and harassment of Martin Luther King based on newly declassified files and documents obtained through the Freedom of Information Act and unsealed by the National Archives. Using these, as well as restored historical video footage, the film explores the United States government's history of targeting Black activists through surveillance programs specifically aimed the Civil Rights Movement. The film covers the attempts by J. Edgar Hoover and the FBI to personally discredit King by collecting recordings and images of his private sexual life with women other than his wife. This was used to denigrate his status within the civil rights movement in the United States. Not all FBI documents have been declassified, but the whole record will be made available public in 2027.
Bullshit follows environmental activist Vandana Shiva as she travels around the world to in her quest to eliminate the use of genetically modified foods and seeds in her home country of India and other developing countries. Shiva argues that the “ownership of life” through the patenting of natural products, namely grains altered through genetic modification (GMOs), is not in our best interests, and is in fact harmful to agriculture in developing countries...
A few weeks after the September 11 attacks in 2001, the United States congress quickly passed the USA PATRIOT Act--a complicated and controversial law which was purportedly required to help with tracking future terrorist threats. Unconstitutional sets out to explain this law and examine its true impact. Citing a trove of examples from people whose lives have been directly effected, what we see is how law enforcement has rounded up Muslims and people with Arabic names to detain them for wild unspecified lengths of time without due process or even charges; the massive curtailment of civil liberties; erosion of enshrined privacy rights, increases in surveillance; and the abuses of Guantanamo Bay and Abu Ghraib.
In India, China, and many other parts of the world today, girls are killed, aborted and abandoned simply because they are girls. The United Nations estimates as many as 200 million girls are missing in the world today because of this. Then, girls who survive infancy are often subject to neglect, and many grow up to face extreme violence and even death at the hands of their own husbands or other family members. The war against girls is rooted in centuries-old tradition and sustained by deeply ingrained cultural dynamics which, in combination with government policies, accelerate the oppression of women and girls. Shot on location in India and China, It's a Girl reveals these issues through the stories of abandoned and trafficked girls, of women who suffer extreme dowry-related violence, of brave mothers fighting to save their daughters' lives, and of other mothers who would kill for a son. Global experts and grassroots activists put the stories in context and advocate different paths towards change, while collectively lamenting the lack of any truly effective action against injustice.