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46:48For more than three decades, transnational corporations have been busy buying up what used to be thought of and known as unbuyable—forests, oceans, public broadcast airwaves, important intellectual and cultural works. Before their commodification, these commons were recognised as things in common to all people, for the benefit of all people. In This Land is Our Land, author David Bollier confronts the free-market extremism of our age to show how commercial interests have been undermining the public interest for years, and how it’s become so normalised that we don’t even notice it anymore. By revealing the commons within the tradition of community engagement and the free exchange of ideas and information, This Land is Our Land shows how a bold new international movement is trying to reclaim the commons for the public good by modelling practical alternatives to the restrictive monopoly powers of corporate elites.
Misogyny is rampant in this culture, and corporations capitalise on making women hate their bodies. Indeed all aspects of womanhood are commodified, hypersexualised, and squeezed into gender stereotypes. Being female comes at a cost. So it’s no wonder that young people growing up can feel horrible about themselves and their bodies, and further feel confused about what it means to be a woman in today’s world. Into this perfect storm steps queer theory, an ideology born in the 1990s, that tells people that all the confusing feelings they may experience about the world they live in can be fixed not by changing the world, but by changing themselves. The past decade has seen a steep rise in the number of young girls seeking to alter their bodies by undergoing life threatening, irreversible procedures. Dysphoric is a series that explores this concept of gender transition, told through the voices of clinicians, psychiatrists, sociologists, feminists, academics, detransitioners, and concerned citizens and parents. The series also discusses the permanent medical side-effects of hormones and surgeries, the propaganda of corporations that glorify thousands of stereotypical gender presentations coalesced as fashion, the surge in pronoun policing, censorship and the curtailment of speech, language hijacking that calls women “menstruators,” and the many other hurdles women face while trying to question this modern-day misogyny.
1:57:53Fool Me Twice documents the Australian government’s lies about the East Timor massacres, the cover-up of the Bali bombings (including the 1993 World Trade Centre attack) and subsequent anti-terror legislation forced through parliament by the Howard government. Laws that are still in effect today…
49:54War Matters chronicles a decade of anti-war protest in Britain through the story of veteran peace campaigner Brian Haw, who camped in Parliament Square for over 10 years in protest against the UK government’s policies in the Middle East. Brian began his campaign against war on 2nd June 2001, initially in protest of the sanctions against Iraq. After the September 11 attacks in the United States later on that year, Brian’s campaign took on a whole new level of importance. War Matters documents this shift by examining the larger issue of the British arms trade and the repercussions of the Iraq and Afghanistan wars around the world, as civil rights are being curtailed in so-called democracies. Where does democracy end and tyranny begin?
1:45:00In the United States, during the first year of Donald Trump’s presidency, the rise of a white supremacist movement has returned, as political energy is injected into neo-confederate, neo-fascist, neo-Nazi, Klansmen, and various right-wing militia groups. More broadly, civil rights organisations such as Antifa (Anti-Fascist) and social justice groups are fighting back. Alt-Right: Age of Rage follows the development the Alt-Right, by following social justice activist Daryle Lamont Jenkins, and renowned Alt-Right leader Richard Spencer. Each movement is juxtaposed, as tensions boil over to the horrific events in Charlottesville where a young woman is killed, and 30 others injured by a self-identified neo-Nazi. Through these narratives and events, the film surveys the workings of Free Speech, deplatforming by the Left, the role of the Internet, and the consequences of fractured politics playing out in the real physical world.
26:37A Nod And A Wink reviews the use of vague Conspiracy laws in Britain from 1975, laws which are much in the same as those used in police states such as Brazil and the Soviet Union to suppress political and moral dissent. This film raises and addresses the serious questions about the way the legal system works in Britain—and indeed elsewhere…
1:04:33Filmmaker Denice Ann Evans draws heavily on the voices of students in this powerful exploration of hookup culture on college campuses. Supplementing the stories of students with analysis from health professionals and social commentary, the film’s main concern is whether hookup culture is offering young people a new and potentially liberating set of sexual rules, or whether it’s simply reinforcing traditional gender roles and blurring the line between consent and coercion. The result is a timely film that asks tough questions about the relationship between hookup culture, gender politics, and the alarming levels of sexual assault and binge drinking that continue to plague college campuses.
1:39:5713th explores the intersection of race, justice, and mass incarceration in the United States, as titled after the Thirteenth Amendment to the United States Constitution, adopted in 1865, which purported to abolish slavery throughout the United States and end involuntary servitude except as a punishment for conviction of a crime. The film contends that slavery has been perpetuated since the end of the American Civil War through criminalising behaviour and enabling police to arrest poor enslaved people and force them to work for the state under convict leasing; suppression of African Americans by disenfranchisement, lynchings and Jim Crow; politicians declaring a war on drugs that weighs more heavily on minority communities and, by the late 20th century, mass incarceration of people of colour in the United States. 13th examines the prison-industrial complex and the emerging detention-industrial complex, discussing how much money is being made by corporations from mass incarcerations.
59:09To its backers, Woomera detention centre played a so-called “humane yet crucial role in housing the growing numbers of ‘boat people’ landing on Australia’s shores.” To its critics, this prison, as a heavily guarded cluster of buildings ringed by red desert and razor wire, represented the “dead-heart of asylum-seeker policy” and Australia’s lacklustre regard for human rights. Woomera opened for business less than four years ago. Built for 400 people, it soon housed more than 1,400. It became notorious for riots, protests and breakouts by desperate detainees. There were reports that mental illness and self-harm were rife and as the reports mounted, TV cameras captured the protests at the perimeter fence. Certain press warned of detainees’ declining health and morale. Yet when Woomera was quietly placed in mothballs last month, its full story remained to be told…
1:13:35The Tall Man is the story of an Aboriginal man, Cameron Doomadgee (tribal name: Mulrunji) who in 2004 was arrested by Senior Sergeant Chris Hurley (the so-called ‘Tall Man’) in Palm Island, a tropical paradise in Australia’s Far North. 45 minutes after the arrest, Mulrunji was found dead in the Palm Island police station. His injuries were like those of someone who’d been in a fatal car crash. The police claimed he had “tripped on a step,” but the community knew this was bullshit. The Palm Islanders protested for truth and burnt down the police station. The subsequent trial of Hurley—who had been decorated for his work in Aboriginal communities—made headlines day after day, shadowed by Queensland police threatening to strike. The police officer was acquitted for the death by the Attorney General. The Tall Man follows these stories by delving into the courtroom, the notorious Queensland police force, and speaking with the Indigenous community of Palm Island, where this tale is sadly still indicative of many of the continuing atrocities of Aboriginal deaths in police custody.
32:15At the turn of the millennium, a group of eleven girls aged 8 to 16 from a variety of socio-economic backgrounds were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses reveal how the attitudes and expectations of young girls are influenced by a saturated media culture. Using excerpts culled from a typical week of television broadcasting alongside the interviews, What a Girl Wants aims to provoke debate about the effects of media culture and, ideally, act as a catalyst for change in media content.
1:49:56In 1992, Bhanwari Devi, an Indian social worker hailing from the Kumhar caste in rural Rajasthan, was gang-raped by upper caste men for having the temerity to intervene and stop the child-marriage of an infant. The subsequent acquittal of the accused in connivance with the State machinery outraged India and galvanized women’s activism that led to the Vishaka Guidelines, and subsequently, the Sexual Harassment of Women at Workplace Act in 2013. In this feature-length documentary shot by an all-women crew, Director Vaishnavi Sundar juxtaposes the law on paper with the ground realities, through this first-of-its-kind log of stories and experiences of over two dozen Indian women; tales of sexual violence that they face—from opulent corporate offices, to construction sites, to manual scavenging—and their fight for justice against an obstinate patriarchal State. But What Was She Wearing? attempts to portray the impotence of this law and the impossible odds Indian women are up against in pursuit of justice.
51:13Apartheid based on race is ‘outlawed now’, but the system always went far deeper than that. The cruelty and injustice were underwritten by an economic apartheid, which regarded people as no more than cheap expendable labour. It was backed by great business corporations in South Africa, Britain, the rest of Europe, and the United States and it was this apartheid based on money and profit that allowed a small minority to control most of the land, most of the industrial wealth, and most of the economic power. Today, the same system is called—without a trace of irony—the free market.
42:15The legacy of the Bush administration and the so-called “War on Terror” includes a new logic that stretches well beyond the realm of overzealous security agencies, airport security and international relations, and into suppressing public protest; expanded surveillance aimed at entire populations, but especially activists; and mobilising fear for social control. Special police techniques have even been developed and applied in order to specifically suppress dissent and manage protests, especially in the wake of the rising anti-globalisation movements towards the turn of the millennium. Preempting Dissent provides a quick overview of how some of this logic developed, as well as a glimpse of how political protest in the West has been shaped and controlled in the “post-9/11″ years, up to and including the so-called Occupy movement. By provoking a reflection of the implications of the logic of the “War on Terror” and how its applied to stifle political protest, Preempting Dissent aims to lay some of the groundwork to develop more effective resistance tactics.
1:49:13In post-industrial United States, the Chinese company Fuyao opens a car-glass factory in an abandoned General Motors plant, hiring thousands of blue-collar American and Chinese workers. Through an an observational format, American Factory presents the two distinct cultures, comparing and contrasting each other, as well as weaving subtle commentary revealed from the workers’ themselves about the nature of manufacturing work; their differing cultural and generational attitudes on labour rights and unionising; as well as observing upper management methods and corporate politics. The film is a collage of self-revealing messages about the cultures of high-tech China and post-industrial United States, shown through the lens of capitalism and the changing status of each country in the global economy.
28:40Guilty Until Proven Innocent reports on the issue of innocent people confined to prisons on remand in the UK, circa 1974. People are imprisoned without trial and are later released with either a small fine, a set of mandatory conditions, or leave completely innocent. It’s a strange set of circumstances in a country with such pretensions of a bill of rights and espoused ‘legal protections.’ Is bail a right or a privilege?
51:40In Australia between 1910 and 1970, one in three children were removed from Aboriginal families and placed in government institutions and foster homes. These children, in most cases, were never to see their family again. The film tells the story of three Aboriginal people who were removed. Bobby Randall, Cleonie Quayle, and Daisy Howard. Their stories are combined with interviews with well-known Australian historians Marcia Langton and Henry Reynolds, who describe the racist assumptions behind these policies. Removing children was a deliberate government policy and the aim was the eventual disappearance of Aboriginal people as a whole.
1:41:20Told by the activists and leaders who live and breathe for justice, Whose Streets? is an unflinching look at the uprising in Ferguson in the United States after unarmed teenager Michael Brown is killed by police and left lying in the street. Grief, long-standing racial tensions, and renewed anger bring residents together to hold vigil, and protest the latest tragedy in a long history of police brutality. Empowered parents, artists, and teachers from around the country come together to act and support. As the national guard descends on Ferguson with military grade weaponry, young community members become the torch-bearers of a new generation of resistance. Whose Streets? is a powerful battle cry from a generation fighting, not only for their civil rights, but for the right to live.
To many in both business and government, the triumph of the self is the ultimate expression of democracy, where power is truly moved into the hands of the people. Certainly the people may feel they are in charge, but are they really? The Century of the Self tells the untold and controversial story of the growth of the mass-consumer society. How is the all-consuming self created, by whom, and in whose interest?
58:31Spring of 1968 in Memphis Tennessee marked the peak of the Civil Rights movement in the United States. At the River I Stand sets out to reconstruct the eventful months leading up to this period by looking at what started as a strike by sanitation workers which quickly soared into a national conflagration. The film disentangles the complex historical forces that came together for the struggle as well the inevitability of tragedy at the death of many, including Martin Luther King. At the River I Stand brings into sharp relief issues that have only become more urgent in the intervening years: the connection between economic and civil rights; debates over strategies for change, and the questions of effectiveness of pacifist tactics for social change; the demand for full inclusion of African Americans in life; as well as the pressing fight for dignity for all working people…
1:08:12White Like Me, based on the work of acclaimed anti-racist educator and author Tim Wise, explores race and racism in the United States through the lens of whiteness and white privilege. In a stunning reassessment of the American ideal of meritocracy and claims that we’ve entered a post-racial society, Wise offers a fascinating look back at the race-based white entitlement programs that built the American middle class, and argues that our failure as a society to come to terms with this legacy of white privilege continues to perpetuate racial inequality and race-driven political resentments today.
1:18:49The Newburgh Sting exposes the FBI’s nationwide practice of targeting Muslim communities by luring unsuspecting impoverished citizens into traps to commit acts of terrorism, and then selling their arrests to the public as major law enforcement coups. As told by the defendants, lawyers, local Imams and a former career FBI agent, The Newburgh Sting depicts how four men living at the margins of society were entrapped by an FBI informant and lured into a wild plot involving bombing a wealthy Riverdale synagogue, and shooting stinger missiles to take down a military supply plane. Their arrest was misleadingly portrayed to the public as a counter-terror victory.
1:13:25In the name of “protecting children,” the Australian Government’s so-called “emergency intervention” into Aboriginal communities in the remote Northern Territory, has taken away all existing Aboriginal land rights, suspended racial discrimination laws and placed over 70 communities under compulsory government control with subsequent measures of course having very little to do with “protecting children.” Instead, the outcome has been the disempowerment of traditional land owners, the further theft of Aboriginal land, the theft of resources, with the intent being to forcibly assimilate Aboriginal culture.
51:54Over the past several years, a seemingly relentless string of killings by police of unarmed black men—Michael Brown in Ferguson, Freddie Gray in Baltimore, Eric Garner in New York—has reignited issues around race, policing and civil rights in the United States that have been languishing unresolved for decades. Recently the issues are critical enough that the Department of Justice has stepped in to mandate reform of several police forces renowned for brutality and institutional abuses of power. In Policing the Police, journalist Jelani Cobb gets up close and personal with police departments and officers alike, to show from the inside the difficulties these institutions now face of fixing a broken relationship with the community after decades of mistrust. Is it even possible with the current police culture? Policing the Police is a powerful case study of these questions, and a light on just how much has to change.
1:49:19Peace Officer explores both the militarisation and increasingly violent culture of police forces, as told through the career of William Lawrence, a former sheriff of Davis County in Utah United States, who established and trained the state’s first SWAT team. As a gifted investigator, Lawrence’s savvy skills help break the Ted Bundy case. He also sees SWAT enter the public consciousness and transform the culture of policing throughout the 1970s, along with the convergence of the War on Drugs on policing attitudes and police violence. He eventually leaves public office, concerned, when soon after, his son-in-law is killed in an emergency call gone awry by the very same SWAT unit he created 30 years ago. An internal investigation of course finds no police wrongdoing, so Lawrence turns to his own renowned investigative skills. He sets out to not only uncover the truth of his son-in-law’s homicide, but to tackle the culture and attitudes of modern-day policing on a national level.
52:32Orgreave in the North of England was the focal point for a mass protest by miners in June 1984. At this time, miners were angry over proposed pit closures and reacted by striking and pressuring other pits to close. The culmination of these protests was a mass gathering of miners from all over the country at Orgreave. On the morning of 18th June miners were escorted into Orgreave. At this point, police tactics already resembled a military campaign. After a push by the miners, the police acted with force, charging the pickets on horses. The protest soon turned violent with the police deploying dogs, batons and guns in an attempt to suppress the protest. The Battle for Orgreave interviews defendants directly about their experiences of Orgreave, and how those experiences changed their life…
41:44Presented by author and activist Naomi Wolf, The Beauty Myth explores the phenomenon of how the social power and prominence of women has increased in the past few decades, alongside a paradoxical increase in the pressure they feel to adhere to unrealistic social standards of physical beauty, appearance and presentation. It seems the more legal and material hindrances women have broken through, the more strictly and heavily and cruelly images of female beauty have come to weigh upon us. Women have breached the power structure, but meanwhile eating disorders have risen exponentially and cosmetic surgery has become a fastest-growing specialty. Pornography has become the main media category—ahead of legitimate films and records combined—and thirty-three thousand American women told researchers that they would rather lose ten to fifteen pounds than achieve any other goal. How did this come to be? The Beauty Myth shows how the edacious commercial culture drives this pressure and leads to a pervasive preoccupation with appearance in both sexes, compromising the ability of women to be effective in and accepted by society. The film is a call to question the culture and redefine the notions of success, beauty and indeed what it means to be a sane human being in this toxic culture.
2:23:49Let It Fall: Los Angeles 1982–1992 is a deep examination of a tumultuous decade in the city of Los Angeles, United States, leading up to the events of April 29, 1992, when the verdict was announced in the Rodney King case. The film traverses the conflicts between law enforcement and the black community to look at tensions across the city as a whole, and traces the roots of civil unrest to a decade before uprisings, as told through interviews with eyewitnesses and people directly involved in the events from diverse neighbourhoods across the city, including black, white, Hispanic, Korean, and Japanese Americans.
45:20The shocking story of a well respected Indigenous community leader in outback Western Australia who was locked in a metal cell in the back of a prison van and driven through the desert in the searing heat. Four hours later he was dead. Reporter Liz Jackson reveals the tragic train of events that led to this death, despite repeated warnings that Western Australia’s prisoner transport system was unsafe and inhumane…
1:08:17In Mexico, ‘maquiladoras’ is a word used to describe the sort of factories that have become commonplace with globalisation—mass assembly and manufacturing plants primarily staffed by women for low wage and long hours in unsafe and toxic conditions. Tijuana has attracted so many such factories that it has gained the nickname Maquilapolis. Delving into the landscape of this, this film asks the question: What is the human price of globalisation? Maquilapolis brings American and Mexican-American filmmakers together with Tijuana factory workers and community organisers to answer that question and tell the story of globalisation through the eyes and voices of the workers themselves. The result is a film to inform and inspire, as each day the workers confront labor violations, environmental devastation and urban chaos…
1:17:28This film profiles Howard Zinn, historian, political scientist and author, who tells us the personal stories about more than thirty years of fighting for social change, from teaching through to recent protests against war. A former bombardier in World War II, Zinn emerged in the civil rights movement in the United States as a powerful voice for justice. Although a fierce critic, Zinn gives the viewer inspiration in that by learning from history and engaging politically, we can each do our part to make a difference in the world.
1:28:38Brazen Hussies documents how a daring and diverse group of women joined forces in Australia to create profound social change, contributing to one of the greatest social movements of the 20th Century. The film weaves archival footage, personal photographs, memorabilia, and lively accounts from the women who reignited the feminist movement in Australia, at times at great personal cost, to show how women began organising around issues such as equal pay, reproductive rights, affordable childcare, and the prevention of family violence and rape. As the story unfolds, these issues go from being dismissed as the outrageous demands of a few “brazen hussies” to becoming crucial elements of mainstream politics. The film documents how ASIO spied on the movement, the pushback from male-dominated media, and the impact of internal struggles, such as the inclusion of lesbians and the relevance of the movement to Aboriginal women. 50 years on, the work of this movement paved the way for where feminism finds itself today. And while the landscape, breadth and diversity of feminism is vastly different, without this movement and the changes it achieved, we wouldn’t be where we are now. Recording and celebrating this important history, offers a valuable opportunity to reassess and discuss where we are now as a society, what gains have been made, what is at risk, and where we are headed.
52:53The Coconut Revolution documents the struggle of the indigenous peoples in the Bougainville Island. The movement is described as the world’s first successful eco-revolution, in that the successful uprising of the indigenous peoples of Bougainville Island against the Papua New Guinea army stopped the mining plans of the RTZ company to exploit their land for resources…
57:22By the early 1990s, solid research and overwhelming evidence had prompted a growing awareness of the epidemic nature of date rape, especially on college campuses. But, starting in 1993, the media used the anecdotal comments of one young woman, Katie Roiphe, to undermine efforts to stop this continuing crime against women. How did this happen?
59:01Clothes to Die For documents the worst industrial disaster of the 21st century—the collapse of the Rana Plaza building in Bangladesh, in which more than 1,100 people died and 2,400 were injured. The eight-storey building housed factories that were making clothes for many western companies—Prada, Gucci, Primark, Walmart, H&M, Gap, and others. Through a series of compelling interviews and footage from the scene, this film gives a voice to those directly affected, and highlights the greed and high-level corruption that led to the tragedy. It also provides an insight into how the incredible growth in the garment industry has transformed Bangladesh, in particular the lives of women. Clothes to Die For raises fundamental questions about the global fashion industry and the responsibilities of all those involved.
56:24In 1929, in the face of collapsing demand for coal and a deepening economic crisis, mine owners in the Hunter Valley of New South Wales, Australia; announced, with the support of government, that they would cut miners’ wages and strip them of their workers rights. When the workers refused to agree to these terms the mine owners locked the gates. 10,000 miners, pit boys and their families now found themselves without a job. What began as an dispute about industrial labour ended up overpowering a government, crippling an industry and besieging a community. This event challenged the rights of every Australian worker, and redefined the political and industrial landscape of a country that witnessed an event forever remembered as ‘The Great Australian Lockout.’
55:41The Bro Code unpacks and takes aim at the forces of masculinity that condition boys and men to fundamentally dehumanise and disrespect women. The film breaks down a range of contemporary media forms that are saturated with sexism—movies and music videos that glamorise misogyny, pornography that trades in the brutalisation and commodification of women, comedy routines that make light of sexual assault, and a slate of men’s magazines and TV shows that propagate myths of what it means to be a man in this culture: that it’s not only normal, but “cool” for boys and men to control and humiliate women. There’s nothing natural or inevitable about this mentality. And it’s extremely harmful in the real world. By setting the myths against reality, The Bro Code challenges young people to step up and fight back against this culture, to reject the fundamental idea that being a ‘real man’ means disrespecting women.
1:54:03Consisting entirely of archival footage, LA ’92 chronicles the 1992 Los Angeles riots, 25 years after they have passed. It includes film and video from the 1965 Watts Riots, the 1973 election of Tom Bradley, the 1978 promotion of Daryl Gates to Chief of LA Police, the shooting of Latasha Harlins, the Rodney King videotape, and the subsequent riots and violence that erupted after the acquittal of the officers involved in King’s beating.
45:30In the early 1940s, hundreds of thousands of people unknowingly became test subjects in toxins experiments and biological weapons tests conducted by the United States government. LSD tested on civilians, nerve gas sprayed into suburbs, hospital patients injected with plutonium, children exposed to biological and chemical agents just to see what would happen…the list goes on. And in most if not all cases, tests were carried out without the knowledge or consent of those involved. In 1996, evidence of these secret operations hit the news, uncovering a history of secret operations and covert projects that cast a large shadow over the operations of US military and intelligence agencies, to this day. Experiments with biological weapons and the testing of chemical warfare were only part of the story…
1:44:45Made over five years, with contributions from hundreds of women and over 200 Australian films, For Love or Money is a pictorial account of women’s history in Australia over the past decades. The film chronicles the cycles of women’s gains and losses as they are moved in and out of the workforce according to demands of the age, revealing how women’s unpaid and voluntary work over the years has kept and continues to keep an entire system running smoothly, both in peacetime and in war. In this culture, women do the work that is never paid or still not even recognised as real work. This film shows how this system determines the kinds of jobs women do in the paid workforce—the low-paid, low-status jobs—and how women have fought and organised for equality and wage justice for over a century. For Love or Money remains relevant today as women continue the unfinished campaigns for equal pay, maternity leave and childcare, and still carry the major responsibility for caring and nurturing in the culture of individualism.