When Dolly Parton sang “9 to 5,” she was doing more than just shining a light on the fate of working women in the United States. Parton was singing the true story of the 9to5 movement that started with a group of secretaries in the early 1970s that wanted change in their workplaces. Their goals were simple: equal pay, fair work, and an end to sexual harassment. As the movement went national, it encapsulated the unique intersection of the women’s movement and the labour movement, as the women worked hard to unionise and press for real change in their workplaces. Featuring interviews with 9to5’s founders, 9to5: The Story of a Movement documents the struggle that changed workplace culture in the United States, and echos today.
Filmmaker Darryl Roberts goes on a five year journey to examine this culture's burgeoning obsession with physical beauty and perfection, showing how increasingly unattainable images contribute to the rise in low self-esteem, body dismorphia, and eating disorders for young women and girls who also happen to be the beauty industry's largest consumers. In almost 40,000 media messages a year, young people are being told that unless you look like supermodels and rock stars, you're not good enough for anyone. In 2004 alone, people across the United States spent $12.4 billion on cosmetic surgery. America the Beautiful explores why these people are spending so much money to cover up their discontent that is mainly driven by advertising. What are the true costs of this culture's obsession with youth, plastic notions of beauty, and impossibly slender physiques? Who actually benefits from this high-priced journey towards a fake ideal, and does it justify an entire nation's psychosis?
At the Heart of Gold: Inside the USA Gymnastics Scandal reveals a dangerous athletic culture that prioritised winning over everything else, including protecting young female athletes. For more than 30 years, Larry Nassar worked with gymnasts, as a respected trainer and doctor. He was charming, taught at church, volunteered in the community, and was seemingly well-liked throughout. He treated girls' aches and pains, becoming a friend and confidant to many along the way, while also sexually abusing them during sessions for many years. When some girls began to speak up about their experiences, they were silenced, gaslighted or denied, all the way up to the highest levels of management, across multiple sporting institutions. After many complaints and eventually a cumulative legal investigation, Nassar ends up exposed as a serial sex offender. This film unpacks the scandal, its cover-up, and aftermath, through interviews with dozens of survivors, as well as coaches, lawyers and journalists, as one of the most high-profile paedophile trials in recent years. It documents the grooming, methods, and psychology of a charismatic sexual abuser, as well as the culture that enables and perpetuates it.
Audrie & Daisy is a documentary about the trend of teenage girls in the United States being sexually assaulted by their male classmates, and having the assaults recorded and shared on social media. It looks at the trend that the legal system tends to systematically minimise and dismiss cases, resulting in victimised girls not receiving justice. Girls often end up getting bullied both in school as well as online for being rape victims, and the pictures and videos are posted online--almost as trophies--by teens that have committed and witnessed these crimes. The online forum for sharing these images and comments has become the new public square of shame for adolescents. Audrie & Daisy aims to shed light on this dark corner of life facing young adults, and serves to form a powerful tool for honest conversation, analysis, and real justice.
Fuelled by popular personalities on Instagram, YouTube and Snapchat, cosmetic surgery is pushing further into the mainstream. Huge numbers of people, predominantly young women, are choosing to alter their appearance forever as though it's as simple as buying a new set of clothes. Social-media "influencers" get free procedures in exchange for promoting certain doctors or agencies or products to their audiences. Going on the numbers alone, audiences seem to respond to this blatantly cacophonous advertising, following their social media stars closely, and taking out huge personal loans to get surgery and "keep up with the Kardashians." Doctors offering the surgery are even becoming media stars themselves, and it's redefining the meaning of doctor/patient relations. Underpinning this entire industry, is a business model of targeting women who can barely afford procedures by selling the dream of a "new you." Social-media laps it up, and the cycle repeats. But as this investigation shows, when things go wrong, the physical and financial costs are devastating. Real doctors who are left to pick up the pieces, are warning that the booming industry is creating a dangerous legacy, and not just to the concept of beauty.
Brazen Hussies documents how a daring and diverse group of women joined forces in Australia to create profound social change, contributing to one of the greatest social movements of the 20th Century. The film weaves archival footage, personal photographs, memorabilia, and lively accounts from the women who reignited the feminist movement in Australia, at times at great personal cost, to show how women began organising around issues such as equal pay, reproductive rights, affordable childcare, and the prevention of family violence and rape. As the story unfolds, these issues go from being dismissed as the outrageous demands of a few "brazen hussies" to becoming crucial elements of mainstream politics. The film documents how ASIO spied on the movement, the pushback from male-dominated media, and the impact of internal struggles, such as the inclusion of lesbians and the relevance of the movement to Aboriginal women. 50 years on, the work of this movement paved the way for where feminism finds itself today. And while the landscape, breadth and diversity of feminism is vastly different, without this movement and the changes it achieved, we wouldn’t be where we are now. Recording and celebrating this important history, offers a valuable opportunity to reassess and discuss where we are now as a society, what gains have been made, what is at risk, and where we are headed.
In 1992, Bhanwari Devi, an Indian social worker hailing from the Kumhar caste in rural Rajasthan, was gang-raped by upper caste men for having the temerity to intervene and stop the child-marriage of an infant. The subsequent acquittal of the accused in connivance with the State machinery outraged India and galvanized women’s activism that led to the Vishaka Guidelines, and subsequently, the Sexual Harassment of Women at Workplace Act in 2013. In this feature-length documentary shot by an all-women crew, Director Vaishnavi Sundar juxtaposes the law on paper with the ground realities, through this first-of-its-kind log of stories and experiences of over two dozen Indian women; tales of sexual violence that they face--from opulent corporate offices, to construction sites, to manual scavenging--and their fight for justice against an obstinate patriarchal State. But What Was She Wearing? attempts to portray the impotence of this law and the impossible odds Indian women are up against in pursuit of justice.
Clothes to Die For documents the worst industrial disaster of the 21st century--the collapse of the Rana Plaza building in Bangladesh, in which more than 1,100 people died and 2,400 were injured. The eight-storey building housed factories that were making clothes for many western companies--Prada, Gucci, Primark, Walmart, H&M, Gap, and others. Through a series of compelling interviews and footage from the scene, this film gives a voice to those directly affected, and highlights the greed and high-level corruption that led to the tragedy. It also provides an insight into how the incredible growth in the garment industry has transformed Bangladesh, in particular the lives of women. Clothes to Die For raises fundamental questions about the global fashion industry and the responsibilities of all those involved.
The Dark Side of Porn is a six part series of films that each examine an aspect of the modern porn industry. Using specific examples of films, and by speaking directly with former performers, filmmakers and families themselves; the series of films journey through the firsthand and often unseen issues that are pervasive to modern pornography--such as STIs, the use and abuse of relationships, rape, human trafficking, the recruitment process, and the seen and unseen cultural impacts of films such as Deep Throat and Emmanuelle, to name a few. Consequently, this series offers a disturbing account of the tip of the iceberg of modern mainstream pornography...
By the early 1990s, solid research and overwhelming evidence had prompted a growing awareness of the epidemic nature of date rape, especially on college campuses. But, starting in 1993, the media used the anecdotal comments of one young woman, Katie Roiphe, to undermine efforts to stop this continuing crime against women. How did this happen?
The filmmaker questions her sister, herself and others about the dreams and hopes they had growing up as girls in contrast to the reality they now face as women. Interviewees include a former Miss California contestant, a judge, a banker, an electrician, a secretary, and adolescent girls. They talk about childhood, athletics, careers, motherhood, body image, sexual assault and self-esteem. Made nearly 30 years ago, this film documents a growing awareness of issues affecting women. But have things changed today?
Demand investigates the commercial sex trade, across four countries: The United States, Netherlands, Japan, and Jamaica. The film reveals a harrowing first-hand account of the impact of soaring consumer demand for vulnerable women and children, to be victimised in sex trafficking markets. By exploring the entrenched connections of pornography, to widespread sexual assault, to a pervasive globalised human trafficking market, Demand questions the conditions that keep the inertia of the commercial sex trade roaring across the globe...
What stories do contemporary music videos tell about girls, women, boys, men, sexuality and gender? What are the cultural values portrayed? And from whose perspective? Dreamworlds encourages viewers to consider how these narratives shape individual and cultural attitudes about sexuality. Illustrated with hundreds of examples, the film accounts both the continuing influence of music videos and how popular culture generally filters the identities of young men and women through a narrow and dangerous set of myths about sexuality and gender; asking viewers to re-look at the images that have been normalised and meanings taken for granted throughout popular culture...
Misogyny is rampant in this culture, and corporations capitalise on making women hate their bodies. Indeed all aspects of womanhood are commodified, hypersexualised, and squeezed into gender stereotypes. Being female comes at a cost. So it's no wonder that young people growing up can feel horrible about themselves and their bodies, and further feel confused about what it means to be a woman in today's world. Into this perfect storm steps queer theory, an ideology born in the 1990s, that tells people that all the confusing feelings they may experience about the world they live in can be fixed not by changing the world, but by changing themselves. The past decade has seen a steep rise in the number of young girls seeking to alter their bodies by undergoing life threatening, irreversible procedures. Dysphoric is a series that explores this concept of gender transition, told through the voices of clinicians, psychiatrists, sociologists, feminists, academics, detransitioners, and concerned citizens and parents. The series also discusses the permanent medical side-effects of hormones and surgeries, the propaganda of corporations that glorify thousands of stereotypical gender presentations coalesced as fashion, the surge in pronoun policing, censorship and the curtailment of speech, language hijacking that calls women "menstruators," and the many other hurdles women face while trying to question this modern-day misogyny.
The infertility industry in the United States has grown to a multi-billion dollar business, and its main commodity is human eggs. Young women all over the world are bombarded by advertising--on college campus bulletin boards, social media, online classifieds--offering up to $100,000 for their donated eggs, to "help make someone's dream come true." But who is this egg donor? Is she treated justly? What are the implications to her health? Eggsploitation spotlights the booming business of human-egg extraction told through the stories of women who became involved and whose lives have changed forever after undergoing the procedure. Their accounts provide a cautionary tale to all women who are considering egg donation for the purpose of in-vitro fertilisation or embryonic stem cell research.
Eyes on the Prize tells the story of the civil rights era from the point of view of the women and men whose extraordinary actions launched a movement that changed the fabric of American society, and embodied a struggle whose reverberations continue to be felt today. It is the story of the people--young and old, male and female, northern and southern--who, compelled by a meeting of conscience and circumstance, worked hard to eradicate a world where whites and blacks could not go to the same school, ride the same bus, vote in the same election, or participate equally in society. It was a world in which peaceful demonstrators were met with resistance and brutality--a reality that is now nearly incomprehensible to many young Americans. Through contemporary interviews and historical footage, Eyes on the Prize traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions.
Based on interviews conducted with hundreds of young women, Flirting With Danger examines how the wider culture's frequently contradictory messages about pleasure, danger, agency, and victimisation enter into women's most intimate relationships. The result is a candid and nuanced look at how women are forced to grapple with deeply ambivalent cultural attitudes about sexuality and relationships. These interviews are essential viewing for tackling the problematic issues surrounding consent, coercion and sexual violence throughout the culture.
Made over five years, with contributions from hundreds of women and over 200 Australian films, For Love or Money is a pictorial account of women's history in Australia over the past decades. The film chronicles the cycles of women's gains and losses as they are moved in and out of the workforce according to demands of the age, revealing how women's unpaid and voluntary work over the years has kept and continues to keep an entire system running smoothly, both in peacetime and in war. In this culture, women do the work that is never paid or still not even recognised as real work. This film shows how this system determines the kinds of jobs women do in the paid workforce--the low-paid, low-status jobs--and how women have fought and organised for equality and wage justice for over a century. For Love or Money remains relevant today as women continue the unfinished campaigns for equal pay, maternity leave and childcare, and still carry the major responsibility for caring and nurturing in the culture of individualism.
Free Angela and All Political Prisoners chronicles the life of college professor and civil rights activist Angela Davis, whose affiliation with the Communist Party and the Black Panthers in the 1970s landed her on the FBI's Ten Most Wanted list. This film documents her early years as a student, through to her highly publicised arrest, trial, and subsequent acquittal after 22 months of prison, following a botched kidnapping attempt of Marin County judge Harold Haley in California. The film explores every remarkable detail of Davis' life, as told through her own stories and a series of intimate interviews.
Generation M looks at misogyny and sexism in mainstream media, exploring how negative definitions of femininity and hateful attitudes toward women get constructed and perpetuated throughout popular culture. The film tracks this across a broad and disturbing range of media phenomena: from the hyper-sexualization of commercial products aimed at girls, to the explosion of violence against women in video games aimed at boys; from the hysterical sexist rants of popular hip-hop artists and talk-radio shock-jocks, to the continually harsh, patronizing caricature of women found in virtually every area of media. Generation M posits the consequences of misogyny in all of its forms, showing that when we devalue more than half the population based on gender, we harm everyone—boys and men, women and girls alike.
As the first film to emerge from the women's movement in the early 1970s in the United States, Growing Up Female focuses on the socialisation of women at the time, traversing cultural themes through the personal stories of six women and girls. By capturing the way women were viewed by society, men, and themselves, Growing Up Female documents the female experience from a female perspective.
Felicity, a 25-year-old single mother living in England, is desperate to make money to improve her daughter's opportunities. She is invited by a porn agent to travel to Los Angeles, the centre of the porn industry, to make a career as a pornstar. Hardcore follows Felicity over three weeks, as she ends up immersed in the deeply disturbing and degrading world of pornography production. Her agent introduces her to Max Hardcore, a notorious abuser, known for humiliating and abusing women for films. Aware of his reputation for choking women--and that he often asks women to dress as underage girls--Felicity does not want to meet him, let alone work with him, yet she is pressured by her agent until she agrees. When Max Hardcore chokes her, and she breaks down in tears, he attempts to manipulate her into continuing, and is almost persuaded until the documentary crew steps in for fear of being complicit in rape. The documentary is extremely difficult viewing, but depicts a true face of the porn industry, and the toxic culture it is embedded in.
The United States heralded many grandiose promises of freedom and equal rights as they invaded Iraq. But still years on from the invasion, the reality of everyday life for women inside Iraq is of course a different story. To make this film, two Iraqi women risk their lives to spend three months travelling all over the country with a camera to record the lives and experiences of women they meet. Iraq -- The Women's Story provides a compelling account of a life inside Iraq that is never seen on news bulletins...
In India, China, and many other parts of the world today, girls are killed, aborted and abandoned simply because they are girls. The United Nations estimates as many as 200 million girls are missing in the world today because of this. Then, girls who survive infancy are often subject to neglect, and many grow up to face extreme violence and even death at the hands of their own husbands or other family members. The war against girls is rooted in centuries-old tradition and sustained by deeply ingrained cultural dynamics which, in combination with government policies, accelerate the oppression of women and girls. Shot on location in India and China, It's a Girl reveals these issues through the stories of abandoned and trafficked girls, of women who suffer extreme dowry-related violence, of brave mothers fighting to save their daughters' lives, and of other mothers who would kill for a son. Global experts and grassroots activists put the stories in context and advocate different paths towards change, while collectively lamenting the lack of any truly effective action against injustice.
Author and activist Jean Kilbourne analyses the depiction of women in advertising and media by decoding a large array of print and television ads. What is revealed is a torrent of stereotypes; sexist and misogynistic images and messages; laying bare a world of frighteningly thin women in positions of subservience; collectively, the restrictive code of femininity that works to undermine girls and women in the real world. By examining these messages, Killing Us Softly asks us to take advertising seriously, and to think critically about its relationship to sexism, eating disorders, violence against women, popular culture, and contemporary politics.
With its tropical beaches and buzzing nightlife, the island of Koh Samui in the Gulf of Thailand attracts many hundreds of thousands of tourists each year. The island is renowned in the West for sex tourism, and every year many male tourists form relationships with women working in the bars of Koh Samui. But how does this work? And what dynamics are at play? Love Me Long Time is a film that speaks to the men that travel back and forth to Thailand for these holiday romances that are for sale in a country ravaged by the oppression of the west, human trafficking and prostitution driven by poverty. Do these men know what they're doing?
Traversing the judgement placed on women who bottle-feed their babies, to the stigma surrounding mothers who breast-feed their toddlers, and the stigma of breast-feeding in public, the polarised topic surrounding breast-feeding sets off an emotional and personal debate in a highly eroticised culture, where it is hard for some to remember that breasts have a purpose that is not selling cars, beer, and sex. Milk investigates the overarching themes surrounding the commercialisation of infant feeding and its effects on child mortality, as well as the challenges it presents to adequate health worker training and the judgement placed on women regardless of how they choose to feed their babies. Milk also shows the natural world juxtaposed to the industrialised way in which we receive a new life into this world. Milk follows stories of mothers from different cultures spanning 11 countries, as it reveals the universal issues and challenges facing motherhood and birth today.
We've been told again and again that sports and politics don't mix, that games are just games and athletes should just "shut up and play." But Not Just a Game argues that far from providing merely escapist entertainment, American sports have long been at the centre of some of the major political debates and struggles of our time. By tracing the good, the bad, and the ugly of American sports culture, Not Just a Game shows how American sports have glamorised militarism, racism, sexism, and homophobia; but also traces a largely forgotten history of rebel athletes who stood up to power and fought for social justice beyond the field of play.