A young woman is raped when a one-night stand far from home goes terribly wrong. In the aftermath, as she struggles to make sense of what happened, she decides to make a film about the relationship between her own experience and the tangle of political, legal, and cultural questions that surround issues of sex and consent. Using a hidden camera, filmmaker Nancy Schwartzman goes head-to-head with the man who assaulted her, recording their conversation in an attempt to move through the trauma of her experience and achieve a better understanding of the sometimes ambiguous line between free will and coercion. The result is a powerful documentary about the terrible reality of rape and sexual violence, and the more complicated and ambivalent ways sexual assault is often framed and understood in the wider culture, examining issues too often deemed embarrassing, shameful, or taboo.
The Mask You Live In unpacks how this culture's narrow and harmful definition of masculinity effects boys, young men; girls and women; and society in general in myriad ways, as our children struggle to stay true to themselves when confronted by this culture. Pressured by their peer group, heavily influenced by a barrage of media messages, and even their very own parents and other adults in their lives, our protagonists confront messages encouraging them to disconnect from and suppress their emotions, devalue authentic friendships, objectify and degrade women, and resolve conflicts through violence, control and manipulation. These traits and stereotypes closely interconnect with problems of race, class, and circumstance, creating a maze of identity issues boys and young men must navigate to become "real" men as the culture expects and perpetuates. Experts in neuroscience, psychology, sociology, sports, education, and media also weigh in, offering empirical evidence of how these issues intersect, and what we can do about it.
Peter Francis, a former undercover police spy turned conscientious whistleblower, breaks ranks by speaking to the media after becoming troubled by the unaccountable culture of secret police operations throughout the United Kingdom targeting peace activists for decades. Tactics included undercover police officers having sexual relationships with activists, even going as far as commonly having children with the women they were spying on. Undercover agents also often assumed the identities of dead children in order to have "solid cover stories." We also see how undercover police were asked to look for intelligence that could be used to discredit the family of murdered teenager Stephen Lawrence and their campaign. The Lawrence family both speak of their shock at hearing about that the police did this to them. This short investigation opens a flood of questions about the secret history of covert police operations, and indeed the future of them in the context of the sprawling surveillance state of today.
The Porn Factor takes viewers on a journey of discovery, from regional and urban Australia to the centre of the international porn industry in Los Angeles and back. Through candid interviews with young people, pornstars, and other industry professionals, The Porn Factor explores how pornography is shaping young people’s sexual expectations and experiences. Readily available and aggressively marketed online, exposure to hardcore pornography is now mainstream. The classroom or parent talk is now no match for porn--with its endless array of gyrating bodies, offering a quick, easy and anonymous sexual charge. Porn has become the default sexuality educator for young people growing up online. It brings into compelling focus the 21st century challenges faced by parents, schools and others as they seek to equip young people for a sexuality that is safe, respectful and fully consenting.
Once relegated to the margins of society, pornography is now the most pervasive and visible aspect of popular culture, assuming an unprecedented role in media as its content becomes more harsh and extreme, racist and abusive. This eye-opening and disturbing film moves beyond frivolous "liberal versus conservative" debate and tackles the real issues surrounding pornography by placing the voices of performers themselves, producers and critics directly alongside the observations of women and men as they candidly discuss the role porn has played in shaping their sexual imaginations and relationships. The Price Of Pleasure reveals a nuanced portrait of how pleasure and pain, commerce and power, freedom and responsibility have become extremely twisted by popular culture, usurping the most intimate area of our lives.
The Purity Myth takes a look at the resurgence of a movement of abstinence, brought about by a powerful alliance of religious ideologues, right-wing politicians, conservative media pundits and policy intellectuals who have been exploiting irrational fears about women's sexuality. From daddy-daughter "purity balls," taxpayer-funded abstinence-only curricula, and political attacks on 'Planned Parenthood,' to recent attempts by legislators to de-fund women's reproductive healthcare and narrow the legal definition of rape, The Purity Myth identifies the single false assumption underlying this huge push: that the worth of a woman depends on what she does—or does not do—sexually. This film also argues that the health and well-being of women is too important to be left to figureheads bent on vilifying feminism and undermining women's autonomy.
In 2013, seventeen-year-old Rehtaeh Parsons took her own life. She had been gang-raped a year and a half earlier by her classmates and labeled a "slut" as a result. Despite transferring schools many times, she could not escape constant online harassment and in-person bullying. But Rehtaeh's story is horribly not the only one like this to make headlines in recent years. Why is the sexual shaming of girls and women, especially sexual assault victims, still so prevalent throughout this culture? UnSlut tackles this question through a series of conversations with those who have experienced sexual shaming and how it manifests, while also offering immediate and long-term goals for personal and institutional change.
As an exposé of human trafficking, Very Young Girls follows a group of adolescent African-American girls who were seduced, abused and sold on New York's streets by pimps, having survived the life to share their story. Each recount their experiences, captured alongside startling footage shot by the brazen pimps themselves, giving a rare glimpse into how the cycle of street life begins for many women. Following the work of Rachel Lloyd and the journey each go through to exit their life on the streets, Very Young Girls portrays first-hand the occurrences of human trafficking throughout the United States.
War Zone is a short film about street harassment. Filmmaker Maggie Hadleigh-West walks crowded urban streets armed with a camera and microphone, trailed by one or two women also with cameras. Whenever a man harasses her, with ogling or words, she turns the camera on him, moves in close, and questions his behaviour. The questions are not usually for dialogue but more for making him as uncomfortable as he's made her. More than 50 such encounters are included: the men react with bravado, embarrassment, or anger. None apologise. Interspersed are the filmmaker's voice-over stories of growing up and dealing with men, as well as interviews with several women who talk about how they handle similar street harassment and what they feel about it. What does it feel like to be a woman on the street in a cultural environment that does nothing to discourage men from heckling, following, touching or disparaging women in public spaces?
We Will Not Be Moved documents the unpredictable reality for thousands of Cambodia's poor that are being forcibly evicted from their houses in the name of urban development. Cambodia's land ownership was thrown into chaos when Pol Pot's Khmer Rouge extinguished private title but now money and corruption are playing havoc with the country's attempts to bring back private property. There is one brave group known as the BK13--a group of 13 women--that are not prepared to let greedy developers take the very, very little they have. But with half a million residents forcibly evicted in recent years, it's an enormous fight they have on their hands...
At the turn of the millennium, a group of eleven girls aged 8 to 16 from a variety of socio-economic backgrounds were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses reveal how the attitudes and expectations of young girls are influenced by a saturated media culture. Using excerpts culled from a typical week of television broadcasting alongside the interviews, What a Girl Wants aims to provoke debate about the effects of media culture and, ideally, act as a catalyst for change in media content.
In a visual exploration of institutionalised prostitution, Whores' Glory travels the globe to show how these people really live and work today, across three economically divergent countries. In Bangkok, Thailand, women punch a clock and wait for clients inside a brightly-lit glass box. In the red-light district of Faridpur, Bangladesh, a madam trafficker haggles over the price of a teenage girl. On the border town of Reynosa, Mexico, crack-addictions run high while women pray to 'Lady Death.' Whores' Glory is a unobscured look at the realities of sex-trafficking today and the industry that continues to spawns it and keep it alive.
Ever since three reactors went into meltdown at the Fukushima Daiichi Nuclear Power Plant in 2011; a broad, disparate, anti-nuclear movement is growing in Japan. Nowhere is that more apparent, perhaps, than in Fukushima prefecture, where a group of local women boldly protest the deafening silence of the Japanese government over the worst nuclear accident of this century. Largely ignored by their own media, these brave women brush aside cultural shyness and share their honest views on the state of the cleanup, the cover-ups, the untruths and the stagnant political climate in today’s Japan...