Stealing America: Vote by Vote examines a bundle of documented cases of election manipulation and irregularities throughout the United States, some that stretch back as far as 1996. The film focuses on voter disfranchisement, the use of electronic voting machines, and voting anomalies such as uncounted ballots, inaccurate final vote tallies, and vote-switching. Through a combination of first-person accounts (including Democratic Sen. Bob Hagan of Ohio, who also witnessed vote-switching firsthand), extensive research and revealing clips from multiple TV news sources, this film investigates the many 'glitches' in voting procedures that result in literally millions of votes being potentially lost, miscounted or even deleted.
Amy Goodman from Democracy Now! speaks about the mainstream media's coverage of US interventions around the world and demonstrates the link between corporate media and government, and how this plays a major part in selling war at home and abroad...
For millions of people, the global economic collapse has generated curiosity about how money systems actually work, as opposed to how they're portrayed, especially when so many financial pundits seem to be baffled. In The Ascent of Money, economist Niall Ferguson works through some history that created today's money system, visiting the locations where key events took place and poring over actual ledgers and documents, such as the first publicly traded share of a company. Viewed with a critical eye, this series aims to show how the history of money is indeed at the core of civilisation, with economic strength determining political dominance, wars fought to create wealth and individual financial barons determining the fates of millions.
In 2004, during the invasion of Iraq, the public learned of systemic sexual abuse, torture, rape and even murder going on inside Abu Ghraib prison in Baghdad. Photographs taken by the soldiers themselves were at the centre of the scandal, and seared public consciousness. Standard Operating Procedure sets out to examine the context of these photographs. Why were they taken? What was happening outside the frame? The Abu Ghraib photographs serve as both an expose and a coverup. An expose, because the photographs offer us a glimpse of the horror of Abu Ghraib; and a coverup because they convinced journalists and readers they had seen everything, that there was no need to look further...
Life In Cold Blood is a five part series studying the evolution and habits of amphibians and reptiles, presented by David Attenborough.
Paraguay's Painful GMO Harvest reports on a nationwide peasant uprising against farmers of genetically-modified soya who are seen as colonists partly responsible for the almost total deforestation of the eastern provinces...
What does the corporate-controlled food industry look like? Film-maker Robert Kenner lifts the veil on today's food industry, exposing the underbelly that has been hidden from view of the consumer with the cooperation of government regulatory agencies such as the USDA and FDA. The food supply is now controlled by a handful of corporations that put profit ahead of consumer health, the livelihood of the farmer, the safety of workers and of course, the environment. We have bigger-breasted chickens, the perfect pork chop, herbicide-resistant soybean seeds, even tomatoes that won't go bad. But we also have new strains of E. coli—the harmful bacteria that causes illness for an estimated 73,000 Americans annually; are riddled with widespread obesity, particularly among children; and an epidemic level of diabetes among adults. And the whole mess is exacerbated by opportunistic politics—the tools of Big Agriculture running the very regulatory agencies that are supposed to protect the public—and consumers who have become accustomed to eating whatever they want whenever they want, in quantities they don't need...
This film explores what affect the web is having on our society, as seen through the eyes of "the greatest Internet pioneer you've never heard of." Josh Harris--often called the "Andy Warhol of the Web"--founded a website during the renowned dot-com boom of the 1990s which was the world's first Internet television network. This concept was way ahead of its time. Using this platform, before broadband, a vision of that future was exemplified at an underground bunker in New York City where over 100 people lived together completely on camera, non-stop and unedited for 30 days over the millennium. These happenings, documented through We Live In Public, serve as a powerful analogy for the Internet as it's now known today and the price we pay for living in its 'public.' It shows the costs of willingly trading privacy and sanity for a constant voracious audience, attention, and the pursuit of celebrity, in an online world of pervasive surveillance.
The Niger Delta is still an environmental disaster after more than fifty years of oil exploitation. One and a half million tons of crude oil has been spilled into the creeks, farms and forests so far. Natural gas contained in the crude oil is burnt off in gas flares which spread toxins, acid rain and destroy crops. Poison Fire documents the life of the locals in impoverished communities, creeks full of crude oil, devastated mangrove forests, wellheads leaking gas, all working to fight against oil giant Shell to at least stop the toxic gas flares...
The Garden tells the story of South Central Farm -- a 14 acre community garden and urban farm located in Los Angeles, California, which was in operation between 1994 and 2006. The entire lot is evicted and demolished against overwhelming local support for the farm and also despite the community raising an incredible amount of money to purchase the land from the owner. The owner refuses to sell and the land is demolished and still sits vacant, unused...
Zero: An Investigation into 9/11 posits that the official narrative of the events surrounding the attacks of September 11 cannot be true. The film explores the various facets of that premise by testing scientific evidence and dramatic witness testimony against the official account to demonstrate its many shortcomings, contradictions, gaps and omissions. The question is posed that if the thesis of this film is correct, and the official narrative is false, then the entire justification for the ensuing wars of terror, rampant human rights abuses, and the curtailment of civil liberties, is built on a complex series of outrageous lies.
Between 1970 and 1972, a group of activists used weapons to symbolically attack property, sparked by demonstrations in London against the Vietnam War. Calling themselves the Angry Brigade, the group published a series of communiqués with the actions, explaining the choice of targets and the philosophy. Targets included the embassies of repressive regimes, police stations, army barracks, boutiques, factories, government departments and the homes of Cabinet ministers, the Attorney General and the Commissioner of the Metropolitan Police. The attacks on senior authority figures increased the desire for 'results' and consequently brought an avalanche of police raids. But from the start the police were faced with the difficulty of getting to grips with the section of society they found to be totally alien -- were they facing an organisation, or an idea?
The Australian Federal Police--the glamour police force that was set-up after the Sydney Hilton Hotel Bombing in 1978--has enjoyed consistent showers of praise by politicians and the public ever since it's inception. However, the once-lionised AFP is now being ridiculed for bungling, excessive secrecy and collusion after the catastrophic failings of the "terrorism case" against Dr Mohammed Haneef. Good Cop, Bad Cop reveals how the Haneef case is a symptom of the deep cultural problems that beset the AFP...
Law Professor James Duane from the Regent Law School in Virginia Beach, Virginia; and Police Officer George Bruch from the Virginia Beach Police Department, both explain why even innocent people should never talk to the police or agree to answer questions from the police. Citing a trove of examples and even though pertaining to US law, this talk is particularly applicable for political activists the world over as Security Culture 101.
Burning The Future documents the devastating environmental and social impacts of coal mining specifically in West Virginia in the United States, where mountaintop removal mining has obliterated 1.4 million acres of mountains, polluted the groundwater, destroyed farm land and communities. The film follows a group of people directly affected by mining who venture to challenge the coal industry with the intent to protect mountains, save their families, and preserve life. However, their efforts are hampered by the systems that protect coal interests, the interests of business and industrial civilisation. This film shows the imperative need to fight back against powerful mining magnates, and how common legal channels of persuasion and reform simply do not exist. How do we stop these massive mining magnates from killing the world we live in?
From styrofoam cups to artificial organs, plastic is perhaps the most ubiquitous and versatile material ever invented -- no product in the past 100 years has had more a profound influence and presence than synthetics. But such 'progress' has a cost -- no ecosystem or segment of human activity has escaped the strangling grasp of plastic. Addicted To Plastic investigates what we really know--and don't know--about this material. Talking to manufacturers, recyclers, cleaners, scientists and others, Addicted To Plastic shows plastic's toxic legacy and devastating ecological impact, provoking serious questions about health, food and the environment...
Flow—For The Love Of Water builds a case against the growing privatisation of the world's dwindling fresh water supply with a specific focus on human rights, pollution, the politic of corporate influence in the emergence of a domineering global water cartel. The film names and clearly documents many of the culprits, while asking the question—can anyone really 'own' water?
Monsanto corporation seems to be stopping at nothing: Controlling corn, wheat, soy beans, canola, mustard, okra, bringe oil, rice, cauliflower... Once they have established the norm, they aim to claim all these seeds as their intellectual property, royalties will be collected and enforced by patent law. If Monsanto controls seed, they control food and they know it. It's strategic. It can be more devastating than bombs, it can be more powerful than guns. This is their way to control the populations of the world, and as The World According to Monsanto reveals, it's governments in the cross-hairs also.
From its extraction through sale, use and disposal, all the stuff in our lives affects communities at home and abroad, yet most of this is hidden from view. This is by design. The Story of Stuff serves as an introduction to the underside of the current world of mass production and consumption, exposing the connections between a huge number of environmental and social issues -- shedding the light on the hidden processes behind our modern world. How can we create a more sustainable and just economy?
Militainment Inc. examines how news coverage of war in the United States has come to resemble Hollywood film, video games, and reality television in its portrayal of war as entertainment. Using a range of media examples--from news anchors' idolatry of military machinery to the impact of government propaganda on war reporting--Militainment Inc. asks: How has war taken its place as a spectacle of entertainment? And how does presenting war as entertainment affect the ability of the population to evaluate the real human costs of this culture's military-industrial-complex?
Up the Yangtze focuses on the people affected by the building of the Three Gorges Dam across the Yangtze river in Hubei, China. Countless ancient villages and historic locales will be submerged, and 2 million people will lose their homes and livelihoods. The theme of the film is the rapacious transition towards consumer capitalism from a traditional farming and peasant-based society...
Loose Change is a series of films that present evidence that the September 11, 2001 attacks were planned and conducted by elements of the United States government. The series also examines anomalies in the historical record of the attacks while drawing comparisons from some of the many mysterious and renowned events that have reshaped world history, such as the Reichstag Fire in 1933 that catapulted Hitler to dictatorship and the Gulf of Tonkin Incident in 1964 that led to the Vietnam War.
9/11 Mysteries presents and analyses over 90 minutes of demolition evidence, laced with witness testimonials from key figures in the events of September 11th such as William Rodriguez -- a janitor from the North Tower of the World Trade Centre who was inside during the attacks. Moving from the myth through to analysis and into a discussion of the players, careful deconstruction of the official story is set alongside clear physics. How do you turn a 110-story building to dust in under ten seconds?
Reaching into the Orwellian memory hole, War Made Easy exposes the some 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Using archival footage of official distortion and exaggeration from LBJ to George Bush, this film reveals how the American news media have uncritically disseminated the pro-war messages of successive governments -- paying special attention to the parallels between the Vietnam war and the war in Iraq...
What A Way To Go: Life At The End Of Empire covers the current situation facing humanity globally. It discusses issues such as peak oil, climate change, population overshoot and species extinction, as well as how this situation has developed...
Set in Latin America and the US, War on Democracy explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. John Pilger examines the role of Washington in America's manipulation of Latin America during the last 50 years leading up to the struggle by ordinary people to free themselves from poverty and racism...
For Your Eyes Only? reports on the existence of a secret government program that intercepts millions of e-mails each day in the name of 'terrorist surveillance'. News about the program came to light when a former AT&T employee, Mark Klein, blew the whistle on a large-scale installation of secret Internet monitoring equipment deep inside AT&T's San Francisco office. The equipment was installed at the request of the United States government to spy on all e-mail traffic across the entire Internet. Though the government and AT&T refuse to address the issue directly, Klein backs up his charges with internal company documents and personal photos...
This documentary looks at the erosion of civil liberties and increase in government surveillance since 1997 in the UK with the advent of "New Labour" and Tony Blair. Modern politicians, regardless of left or right, always seem to promise hope and change, but what is delivered is more of the same. To illustrate this, the film tracks 6 key areas that have been rapidly dismantled in so-called democracies over the last few decades: Freedom of speech; the right to assemble and protest; the presumption of innocence; the right to privacy; detention without charge, the prohibition on torture...