52:54The secret history of Australia is a historical conspiracy of silence. Written history has long applied selectivity to what it records, largely ignoring the shameful way that the Indigenous people were, and continue to be, treated…
52:51Pepsi vs. Coke in The Ice Cold War traces the history of the worldwide struggle for soft drink supremacy by the Coca Cola Company, against the backdrop of World War II. The war was the perfect vehicle for Coca-Cola distribution, including to the Nazis. Bottling plants on front lines were paid for by the US war department. Nixon got Kremlin supremo, Khrushchev, to pose drinking Pepsi, which became the first US product made in the Soviet Union. In 1949, Mao kicked Coca-Cola out of China. President Carter got it back in 1978. In Chile, Pepsi Cola’s boss ran a daily paper which was used by the CIA to help Pinochet’s bloody coup…
1:51:56Patu!
In 1981, the New Zealand government invited the South African rugby team to tour New Zealand. This effectively split the country in half as the rugby tour was seen by some as endorsement of South Africa’s apartheid regime. Patu! recounts the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against the South African rugby tour. Sports grounds and suburban streets became battlefields as the film recounts visceral images of massive protest actions met with police brutality. Patu! is a record of heroism, and for many young people taking to the streets, it was their 1968. Māori and Pākehā, children and grandparents, gang members and clergymen—all in a moment of rare consensus, stood together to affirm shared values.
52:34In 1979, the people of Nicaragua successfully put an end to decades of the corrupt Somoza dictatorship whose family had been in power for more than 40 years, put there by the United States marines. Four years later, this film travels to Nicaragua to question: How can a country survive when its jungle borders hold 4000 hostile troops?
52:30The Search For Truth In Wartime investigates the changing face of war reporting and the role of the media during wartime, in context with the Crimea through the two World Wars, to Vietnam and the Falklands. “What is the role of the media in wartime? Is it simply to record, or is it to explain? And from whose point of view—the military, the politicians or the victims?”
56:45Vietnam: The Secret Agent is an investigation of the history, effects, and implications of the deadly compound “2,4,5-T,” a main ingredient of the chemical weapon code-named Agent Orange, which the United States sprayed throughout Vietnam during 1961 to 1971. Its toxicological effects are still seen today, generations later: cancers, birth defects, physical deformities, deaths, contaminated soil in which dioxins bio-accumulate and concentrate in the food cycle. The chemical started as a herbicide in agriculture from the 1940s to 1970s, but was the first to be used in war, to similar effect. The film focuses on the exposure of these toxins to both citizens and soldiers alike, exposed through the lens of archival and battle-field footage, in support of interviews with veterans, scientists, attorneys and representatives of Dow Chemical—the company that made the chemical weapons—and the United States government, that used them against the world.
1:44:45Made over five years, with contributions from hundreds of women and over 200 Australian films, For Love or Money is a pictorial account of women’s history in Australia over the past decades. The film chronicles the cycles of women’s gains and losses as they are moved in and out of the workforce according to demands of the age, revealing how women’s unpaid and voluntary work over the years has kept and continues to keep an entire system running smoothly, both in peacetime and in war. In this culture, women do the work that is never paid or still not even recognised as real work. This film shows how this system determines the kinds of jobs women do in the paid workforce—the low-paid, low-status jobs—and how women have fought and organised for equality and wage justice for over a century. For Love or Money remains relevant today as women continue the unfinished campaigns for equal pay, maternity leave and childcare, and still carry the major responsibility for caring and nurturing in the culture of individualism.
1:19:03When the United States devastated Hiroshima and Nagasaki with nuclear weapons in 1945, the bombs dropped were code-named ‘Fat Man’ and ‘Little Boy’ — as part of the new propaganda campaign to create acceptable images of war, propagating the illusion that the world should live securely with nuclear weapons, and that it is the only way to ‘enable peace’. By using reassuring and even soothing language, this new kind of propaganda spread all over the world…
53:44In 1966, Australia made an agreement with the United States that allowed the establishment of a secret military base satellite tracking station, just south of Alice Springs in the Northern Territory. The facility is called Pine Gap and for more than forty years it has operated in a shroud of secrecy and been the target of much controversy. Home on The Range attempts to contextualise these issues by highlighting the history of the base and its origins, as well as the stories of controversy. Some of these include the Khemlani Affair and the sacking of the Whitlam government in 1975, the Christopher Boyce spy trial, the role of the Central Intelligence Agency and its former agent Victor Marchetti, as well as documenting the post-war culture of government secrecy, sprawling intelligence agencies and foreign affairs and policy. But Home on the Range does more than gesture toward such CIA interventions. It marshals a persuasive array of evidence linking the imminent expiry of leases on United States military and intelligence bases in Australia in 1975, to the CIA and Whitlam’s sacking, posing direct questions about the nature of democracy in regions beholden to the United States.
49:54Heroes reports on the treatment of returning combat soldiers from Vietnam in the early 1980s. The film investigates the strange cultural absence of reverence or memory to soldiers returning home, and shows with first-hand accounts and interviews with returning soldiers, opines from the front line about America’s unpopular war.
52:11The Mexicans reports on the history of political repression and corruption in Mexico, a country dominated to this day by its close neighbour—the United States.
51:13Cambodia — Year One investigates the effect of aid to Cambodia and the extent of the country’s so-called new found stability as in 1980. The film portrays Cambodia on a brink of famine and cultural annihilation, but in the process of recovery, also showing the continued support for the Khmer Rouge regime by China and the United Nations.
1:29:38Along the way to winning an eight-hour workday and fair wages in the early 20th century, the Wobblies were one of the few unions to be racially and sexually integrated and often met with imprisonment, violence, and the privations of prolonged strikes. The Wobblies airs a provocative look at the forgotten American history of this most radical of unions, screening the unforgettable and still-fiery voices of Wobbly members — lumberjacks, migratory workers, and silk weavers — in their 70s, 80s, and 90s.
52:12As the first complete report of the atrocities committed by the Khmer Rouge and the devastating affects of US bombing in Cambodia during the Vietnam War, Year Zero — The Silent Death Of Cambodia is an important and historic document of the grim reign of Pol Pot and the world’s response of indifference and inaction…
52:28In 1978, three years after the end of the Vietnam War, film-maker John Pilger travels back to Vietnam to find out what had happened under the new regime. Do You Remember Vietnam? recounts numerous personal stories: talks with a young tour guide at a war crimes museum who had been imprisoned in the infamous US tiger cages; a former North Vietnamese soldier into the underground base where he spent 20 years crawling through tunnels undetected; and views from the streets in Hanoi, where the largest single aerial bombardment in history took place.
45:23Controlling Interest is one of the first documentary films to provide a critical analysis on the growth of multinational corporations, and their impacts on people and the environment. Upon its release, Controlling Interest quickly became a standard audio-visual text for those concerned about the growing impact of multinational corporations, examining how the ever-increasing concentration of money and power affects employment in the United States, shapes patterns of development across the world, and influences foreign policy. This is the film that helped kick-off the anti-globalisation movement. Remarkably candid interviews with business executives provide a rare glimpse of the reasoning behind corporate global strategy, and the never-ending search for resources, ever-cheaper labour, and the commodification of life. The film documents the impact of corporate decisions on people around the world, including how “freedom” has come increasingly to mean the freedom of global corporations to operate without restriction. Some of the case studies include Massachusetts’ declining machine tool industry, Brazil’s “economic miracle,” and Chile before and after the 1973 coup.
26:27An Unjustifiable Risk investigates the many risks of plutonium usage in nuclear power generation and the use of fast-breeder reactors argued for the UK in the 1970s. The film turns to Hiroshima, Japan to illustrate the powerful destructive capacities of plutonium, feeding-back the personal experiences of those effected by nuclear weapons into the debate against nuclear power and its consequences…
26:51A Faraway Country is an examination of the Czech underground movement known as the Charter 77—an informal civic initiative in communist Czechoslovakia from 1976 to 1992, part of the Communist Soviet bloc. The film shows interviews with members of Charter 77, and others, describing first-hand the totalitarian communist regime, and their response to it.
26:10John Pilger travels to Reno, Navada in the United States, to investigate the threats facing Pyramid Lake—a reservation of the Paiute people. With water diversion beginning in 1905 by Derby Dam and the lake’s very existence threatened, the Paiute sue the conservation department of government—the DOI—to curtail further damage. By the mid 1970s, the lake had lost 80 feet of depth, with extensive impacts to fish and other life of the lake. Further water diversion in the 1970s was driven by a racially-exclusive sportsman’s and leisure reserve used for white hunting and recreation near the town of Fallon…
25:52Street Of Joy looks at how product marketing methods and advertising techniques are applied to politics by specifically following the campaigns around the election of Jimmy Carter in the United States during 1976. In these times, the techniques of today are seen in their early years, especially the use of carefully crafted images for use on television…
50:41In Australia takes a candid look at the highs and lows of Australian society, circa 1976. The film ties together the workings of media manipulation in its early days, along with the removal of Prime Minister Gough Whitlam by Governor-General coup d’état—Kerr’s Cur—to demonstrate the common apathetic side of popular culture in the ‘lucky country.’ The film also touches on the subtlety of remnant class structures remaining from English heritage by revealing the workings of the ‘Occa’—a prudish stereotype of the common person portrayed and exploited by mainstream media, revealing views on immigration and racism in a country, ironically, colonised by immigrants.
25:30Founded in 1976, the United States Office of Multilateral Diplomacy—known informally as the Zap Office—was created by Henry Kissinger to try and influence the voting patterns of third world nations at the United Nations by withholding food aid to those who did not vote alongside the United States. Zap! The Weapon Is Food is an investigation of this policy, one that makes food more powerful than oil…
1:27:42Underground is a film about the Weather Underground Organisation—a group founded as a militant faction of the civil rights and anti-war movement of the 1960s and 1970s. The film combines interviews with members of the group after they went underground who explain how they became radicalised amongst the political happenings in the United States at the time, as well as the revolutionary struggles in Cuba, Russia and China, and the history of struggles over Native American rights and labour issues. Also detailed is the group’s analysis of American society, addressing those who have inspired them, and further explaining the reasons behind their militancy, while also introducing the issue of tactics. We see the use of property destruction as a way to bring about change and destabilise the current political order. Underground takes an intimate look at the inner workings of the Weather Underground and their strong internal collective identity, providing a record of how a bunch of middle-class Americans became self-styled militant revolutionaries, raising questions not only about the merits of their struggle, but also about past and future radical actions.
26:50Mr Nixon’s Secret Legacy covers the absurdity of the supposed logic behind “Mutual Assured Destruction” or MAD—a doctrine of military strategy and the national security policy of the United States during the cold war. During this time, MAD is supposedly disassembled, but replaced with a strategy called “Counterforce.” This film investigates the propositions of “Counterforce,” questioning the rhetoric of executing a “flexible, acceptable nuclear war.”
27:01John Pilger travels to Bangladesh to report on the horrors of the famine in the country, its causes and tragedies, circa 1975. With people passing away on the street on a daily basis from starvation and US foreign policy continually ignored, An Unfashionable Tragedy documents the plight that continues to this day, showing that food is a powerful weapon, more powerful than oil…
27:00To Know Us Is To Love Us covers the public reaction to a Vietnamese refugee camp constructed outside Fort Smith in Arkansas, 1975—not long after the end of the Vietnam war. The film documents the stories of the refugees coming to the United States, along with the reactions of American troops, the public and citizens who take in Vietnamese refugees to assimilate them into American life.
26:37A Nod And A Wink reviews the use of vague Conspiracy laws in Britain from 1975, laws which are much in the same as those used in police states such as Brazil and the Soviet Union to suppress political and moral dissent. This film raises and addresses the serious questions about the way the legal system works in Britain—and indeed elsewhere…
27:02One British Family portrays the racial minefield of British society through the eyes of a black family. The film is set in Newcastle during 1974, revealing the multifaceted aspects of internalised racism that still exists today…
26:42After the 1973 Paris Agreement and military ceasefire, more than 70,000 soldiers and civilians had been killed in Vietnam. Vietnam — Still America’s War investigates how the Vietnamese populace still have to contend with mines and other legacies of the war, even after the ceasefire, and after the war…
28:40Guilty Until Proven Innocent reports on the issue of innocent people confined to prisons on remand in the UK, circa 1974. People are imprisoned without trial and are later released with either a small fine, a set of mandatory conditions, or leave completely innocent. It’s a strange set of circumstances in a country with such pretensions of a bill of rights and espoused ‘legal protections.’ Is bail a right or a privilege?
25:51Thalidomide: The Ninety-Eight We Forgot follows a four-year investigation on behalf of a group of children damaged at birth by the drug Thalidomide which was introduced in the late 1950s to treat morning sickness and to aid sleep. The drug caused birth deformities, such as phocomelia, with more than 10,000 children in 46 countries born with deformities. This film investigates why a group of people are excluded from compensation from the effects of Thalidomide by various legal proceedings—still relevant today in the context of how the legal system continues to protect corporations at the expense of life itself.
1:52:05From 1974, Hearts and Minds documents the events of the Vietnam War using news clips as well as directly captured footage showing actions and other happenings on the ground by the United States military during the war. The film also follows Vietnamese people themselves as to how the war affects them and why they fight back. Hearts And Minds reveals a racist and self-righteous militarism of the west, ironically in stark similarity to recent happenings in Iraq and elsewhere.
49:30As the first film to emerge from the women’s movement in the early 1970s in the United States, Growing Up Female focuses on the socialisation of women at the time, traversing cultural themes through the personal stories of six women and girls. By capturing the way women were viewed by society, men, and themselves, Growing Up Female documents the female experience from a female perspective.
1:28:58The Murder of Fred Hampton is a film which began with the intention of documenting Fred Hampton and the Illinois Black Panther Party during 1971, but during the film’s production, Hampton was murdered by the Chicago Police Department and FBI. The film project then quickly split into two parts: the portrait and biography of Fred Hampton, and an investigative report into his murder. The result chronicles important historical context. Hampton was a radical activist and deputy chairman of the national Black Panther Party, during the civil rights and black power movements in the United States. Hampton was killed as part of COINTELPRO—the illegal “counter-intelligence program” run by the FBI, aimed at destroying domestic political organisations through surveillance, infiltration, disruption, threats, violence and assassinations.
26:19Using interviews and frontline footage, Vietnam — The Quiet Mutiny reveals the internal sense of disillusionment and frustration born from the rift between bureaucracy and soldiers, that triggers the withdrawal of the United States military from Vietnam. As the US employs psychological warfare against the Vietnamese, reporter John Pilger finds himself unable to obtain meaningful information from the military—a press conference he attends is nicknamed “the 5 o’clock follies” for the evasive nature of the proceedings. And so it is with the grunts, the “wheels of the green machine,” that Pilger finds a very human side to the US presence in Vietnam: soldiers who were once ready to serve their country, now doubtful of their purpose there. Plied with visits from Miss America and ignored by Vice President Spiro Agnew, they experience the war in a way many of their superiors do not.
44:41The Milgram experiment on obedience to authority figures was a series of social psychology experiments conducted by psychologist Stanley Milgram in July 1961, three months after the start of the trial of German Nazi war criminal Adolf Eichmann. The experiment set out to measure the willingness of study participants to obey an authority figure who instructed them to perform acts conflicting with their personal conscience, in an attempt to answer the popular question at that time: “Could it be that Eichmann and his million accomplices in the Holocaust were just following orders?”