The Mayfair Set is a four part series that studies how capitalists overtly and surreptitiously came to prolifically shape governments during the 1980s, epitomised by the Thatcher government in Britain at the time. But the corporate influence of political power doesn't simply arrive, it rather culminates after decades of engineering rooted in the economic collapse from the aftermath of the Second World War. This series focuses on the unreported and almost unseen approach that capitalists have taken since the 1940s to gradually take control of the political systems of not only the United States and Britain, but elsewhere around the world—exemplified by the boom of globalisation.
We Are Traffic chronicles the history and development of the "Critical Mass" bicycle movement -- one of the most dynamic social political movements of the apathetic 90s. In over 200 cities in 14 different countries, Critical Mass has now become a monthly ritual of reclaiming the streets by bicycle activists riding en masse...
Tough Guise -- Violence, Media and the Crisis in Masculinity examines the relationship between the images pervasive in popular culture, and the construction of so-called masculine identities from them.
During a ten-hour period in January 1995, Annabel Chong had sex with 251 men in front of cameras. The event was a world record and the resulting video sold more than 40,000 copies, starting a trend of record-breaking gang-bang pornography. Chong states that she intended for this act to "challenge the notion of women as passive sex objects," and added, "I wanted to take on the role of the stud. The more [partners], the better." Sex: The Annabel Chong Story revisits the story of that day and connects it to Chong's life as a student and as the daughter of a middle-class Chinese couple in Singapore. She talks about her decisions, and the film also follows her to an AIDS test after the world-record-setting recording where she also self-harmed and was never paid the $10,000 she was promised. The film closes on route home to Singapore, where Chong visits her parents who do not know about her dealings with the porn world, while friends and professors do. Should she tell her mother?
In the early 1940s, hundreds of thousands of people unknowingly became test subjects in toxins experiments and biological weapons tests conducted by the United States government. LSD tested on civilians, nerve gas sprayed into suburbs, hospital patients injected with plutonium, children exposed to biological and chemical agents just to see what would happen...the list goes on. And in most if not all cases, tests were carried out without the knowledge or consent of those involved. In 1996, evidence of these secret operations hit the news, uncovering a history of secret operations and covert projects that cast a large shadow over the operations of US military and intelligence agencies, to this day. Experiments with biological weapons and the testing of chemical warfare were only part of the story...
The day the North American Free Trade Agreement (NAFTA) comes into effect, several thousand soldiers take over half the state of Chiapas, declaring a war against the global corporate power they say rules Mexico. They call themselves the Zapatista National Liberation Army. Zapatista shows this uprising, the story of a peasant rebellion, armed and up against the first world military. It is the story of a movement that transformed Mexican and international political culture.
Interspersed with shots of direct-action and interviews with participants, Big Rattle In Seattle documents the protests in Seattle against the World Trade Organisation conference in September 1999.
The 2000 Olympic Games in Sydney were universally recognised as an overwhelming success. The Australian heroine from start, when she carried the Olympic torch into the stadium, to finish, as she crossed the line to take 400m gold, was the indigenous athlete Cathy Freeman. Against the will of many of her still oppressed people, she came to represent the symbol, albeit shallow, of reconciliation between White Australia and Indigenous Australia. But the frenzy of flames and fireworks surrounding the Games blinded the rest of the world to the real history behind it all...
Using camera footage recorded by protesters at the scene of the World Trade Organisation riots in the United States during November 1999, Breaking The Spell documents the events of the time from the perspective of the activists, following the massive 'controversial' street protests and ensuing confrontations with police. Rather than attempting to cover every situation at the WTO, Breaking the Spell covers a few scenes in depth, filmed in the thick of the action, including footage that aired nationally on 60 Minutes...
War Zone is a short film about street harassment. Filmmaker Maggie Hadleigh-West walks crowded urban streets armed with a camera and microphone, trailed by one or two women also with cameras. Whenever a man harasses her, with ogling or words, she turns the camera on him, moves in close, and questions his behaviour. The questions are not usually for dialogue but more for making him as uncomfortable as he's made her. More than 50 such encounters are included: the men react with bravado, embarrassment, or anger. None apologise. Interspersed are the filmmaker's voice-over stories of growing up and dealing with men, as well as interviews with several women who talk about how they handle similar street harassment and what they feel about it. What does it feel like to be a woman on the street in a cultural environment that does nothing to discourage men from heckling, following, touching or disparaging women in public spaces?
This film examines the forces of culture influencing young people's decisions about sex: media, family, religion, alcohol, and so on. By examining the cultural environment in this way, this film becomes a tool for facilitating informed discussions about the myriad influences facing young people. Filmmaker Dan Habib features the stories of eight young people, ages 16-24, and weaves them with observations about the messages young people get from popular culture.
Nerds 2.0.1: A Brief History of the Internet is a documentary series written and hosted by Mark Stephens under the pseudonym Robert X. Cringely as a sequel to Triumph of the Nerds. The series follows on by documenting the development of ARPANET, the Internet, the World Wide Web and the resulting dot-com bubble of the mid and late 1990s...
I Am A Man is a film that links everyday black men from various socioeconomic backgrounds with some of Black America's most progressive academics, social critics and authors to provide an engaging, candid dialogue on black masculine identity in North American culture.
Produced twenty years ago, and even several years before the rise of Fox News, The Myth of the Liberal Media is possibly relevant now more than ever. The film dissects how news content gets shaped within a narrow and ultimately conservative institutional framework that marginalises other perspectives, filtering news events through a lens that serves power. Featuring scholarly analysis from Justin Lewis, Edward Herman and Noam Chomsky, The Myth of the Liberal Media asks: If you want to understand the way a system works, you look at its institutional structure. How it is organised, how it is controlled, how it is funded. The documentary examines the relationship advertising has in funding the media, and how this sets agendas, as well as exploring certain narratives that are propagated through a number of case studies that reveal how these mechanisms ultimately serve power instead of public interest.
From its origins as the Office of Strategic Services in the 1950s until present as the CIA, president Harry Truman's creation has been the object of mystery, thrills and fear to people all over the world with even the White House fearing the agency. With resources to assassinate political leaders, overthrow governments and start wars, Secrets Of The CIA documents these operations of the CIA from the perspective of ex-agents as they speak about their experiences working for the CIA, tell of what they were required to do in places like South America, Europe and in the United States, and how they enjoyed the work...
Everybody who has survived adolescence knows what a scary, tumultuous, exciting time it is. But if we use memories of our experiences to guide our understanding of what today's girls are living through, we make a serious mistake. Girls are living in a new world. Reviving Ophelia is a call from Dr. Mary Pipher, a psychologist who has worked with teenagers for more than a decade. She finds that in spite of the women's movement, which has empowered adult women in some ways, teenage girls today are having a harder time than ever before because of higher levels of violence and sexism in the culture. The current crises of adolescence--frequent suicide attempts, dropping out of school and running away from home, teenage pregnancies in unprecedented numbers, and an epidemic of eating disorders--are caused not so much by "dysfunctional families" or incorrect messages from parents as by our media-saturated, image-obsessed culture.
Globalisation has gone to great lengths to coerce many countries around the world to open 'free trade zones' for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.
The Life of Birds follows the evolution and habits of bird species all across the globe, showing how a huge variety of birds each deal with a different aspect of life.
Apartheid based on race is 'outlawed now', but the system always went far deeper than that. The cruelty and injustice were underwritten by an economic apartheid, which regarded people as no more than cheap expendable labour. It was backed by great business corporations in South Africa, Britain, the rest of Europe, and the United States and it was this apartheid based on money and profit that allowed a small minority to control most of the land, most of the industrial wealth, and most of the economic power. Today, the same system is called--without a trace of irony--the free market.
An Act of Conscience documents the story of two couples Randy Kehler and Betsy Corner who refused to pay income tax throughout the 1980s in an act of defiance against military spending and war. The film captures the support community that formed in response to the seizure of their home by the IRS, and the conflict with the young couple with a newborn who bought the home at a government auction. Was this an effective protest?
The Way of All Flesh traces the story of Henriettta Lacks as she dies of cancer in 1951. Before she died cells were removed from her body and cultivated in a laboratory by scientists in the hope that they could find a cure for cancer. The cells known as the HeLa line have been growing ever since, and the scientists found that they were growing in ways they could not control. The cells transformed modern medicine, the Polio vaccine, but they also became caught up in the politics of our age, shaping the policies of countries and of presidents, and even becoming involved in the cold war, as scientists were convinced that in her cells lay the secret in how to conquer death.
Through exploring deep questions about the way mainstream media is organised and perpetuated in concert with technological development, media expert George Gerbner delivers a solid indictment of the way the so-called "information superhighway" is now being constructed. Following on from his solid work looking at the impacts of television on society, Gerbner turns to examining emerging technologies like V-chip and the way they interface with globalisation. This film urges the viewer to struggle for democratic principles in this emerging technoculture.
This experimental film recounts the histories of plane hijackings and bombings throughout the 60s, 70s and 80s, and pits them against the media reporting of such events and the real-politick of the time to show the interplay between terrorism, political narratives and control of society. We see how aspects of the interplay have changed over time, and how the media culture has turned acts of terror into apolitical carnage-seeking voyeurism. Also presented by taking this view, is a commentary on how this culture has a hyperactive focus on terrorism while other much more deathly tragedies are ignored merely because they are mundane and non-threatening to political power. For example, more people die painful deaths every year by slipping in bathtubs than by any terrorist attack. This reveals the priorities of those in power, with the cultural focus on fearmomgering as a means for social control, and a disillusionment of the public in the age of decline.
Focusing directly on the world of commercial images, Advertising and the End of The World asks some basic questions about the cultural messages emanating from advertising: Do these messages deliver what they claim—happiness and satisfaction? Can we think about our collective as well as our private interests? And, can we think long-term as well as short-term?
The Daily Mirror used to be a peoples' paper that respected its readers and earned trust and affection. But that changed out of all recognition when the British public were told that the new information technology, heralded by The Sun's move to Wapping, would bring a greater variety of newspapers and a more diverse media. Instead, what happened was rapid moves toward contracted press controlled by ever fewer proprietors. John Pilger describes the downfall of his old paper and the all-pervasive influence of Rupert Murdoch...
Television has colonised human storytelling--not only has creating and passing on culture been usurped by television and corporate media, today dominant culture is television and corporate media. The Electronic Storyteller outlines these changes and shows the cumulative impacts that television and mass media has on the way we think about ourselves and how we construct views of the world around us. With a focus on the stories of gender, class, and race, The Electronic Storyteller delivers an analytical framework to understand the pervasive forces behind what is at stake in the new world of saturated media and controlled imagery...
The insane and horrific history of the development of nuclear weapons is examined first-hand in Trinity and Beyond. The film makes use of extensive archive footage from declassified military sources, where the sources themselves speak about the development of nuclear weapons, revealing the calamitous results of use. From the United States's Trinity test of 1945, to the bombing of Hiroshima and Nagasaki; to the rapid increase in testing and proliferation by states across the globe, culminating to the first Chinese atomic bomb test in 1964, Trinity and Beyond is a stark reminder of this culture's insanity and death urge, and how—unless it is stopped—the expanding threat it continues to pose draws in, literally, the prospect of life on this planet for generations to come.
Inside Burma -- The Land Of Fear exposes the history and brutality of one of the world's most repressive regimes. Nearly the size of Texas, with a population of more than 40 million, Burma has rich natural resources. Yet Burma is also a secret country. Isolated for the past 40 years, since a brutal military dictatorship seized power in Rangoon, Burma has been relegated to one of the world's poorest countries, with the assault on its people all but forgotten by the rest of the world. Award winning film-makers John Pilger and David Munro go undercover to expose how the former British colony is ruled by a harsh, bloody and uncompromising military regime...