Mongolia is the next target for the world's biggest mining corporations for copper. The Oyu Tolgoi mine currently under construction in the South Gobi Desert is a combined open-pit and underground mine due to start extraction in the next few months of 2012. But the problems don't end there. The Oyu Tolgoi deal between the Mongolian government and the massive Australian mining company Rio Tinto is truly indicative—Mongolia gets just 34 percent, while Rio Tinto is exempt from a profits tax and receives open access to scarce desert aquifers and the provisioning of water to people living close to land that the mining company now claims to own. The Big Dig documents how this avaricious mining-driven culture comes at the expense of the natural world and the way of life of local communities.
Would any sane person think dumpster diving would have stopped Hitler, or that composting would have ended slavery or brought about the eight-hour workday; or that chopping wood and carrying water would have gotten people out of Tsarist prisons; or that dancing around a fire would have helped put in place the Voting Rights Act of 1957 or the Civil Rights Act of 1964? Then why now, with all the world at stake, do so many people retreat into these entirely personal "solutions"? Why are these "solutions" not sufficient? But most importantly, what can be done instead to actually stop the murder of the planet?
In recent years, nature conservation has become a booming business where huge sums of money change hands, and endangered species become exotic financial products. Banking Nature, delves into this hidden world of so-called environmental banking, where huge corporations such as Merrill Lynch and JP Morgan Chase buy up the land and habitat of endangered species, and then sell them in the form of shares. Companies that inevitably harm the environment are then obliged to buy credits to offset the damage that they have caused. In Uganda, we meet men who measure trees to determine how much carbon they store and then a banker from the German firm that sells the resulting carbon credits. In Brazil, the steel giant Vale destroys the rainforest, replaces it with a monocrop tree plantation, and reaps the benefits of environmental credits as if the rainforest was still standing. Banking Nature posits that we disallow the same corporate criminals responsible for the global financial crisis from turning what's left of the natural world into their final corrupt commodities market.
Featuring George Bush's famous "go-shopping-speech" calling for a war against terrorism that deters the nation from the fear of consumption; Castro responding with hymns to the anti-consumerist, advertising-free island of Cuba; Bill Gates and Steve Ballmer preaching that the computer will give us peace on earth, and "bring people together rather than isolate them"; while Adbuster Kalle Lasn warns that advertising pollutes us mentally, that over-consumption is unsustainable, that we are running out of oil and this will cause a global economic collapse...
The Niger Delta is still an environmental disaster after more than fifty years of oil exploitation. One and a half million tons of crude oil has been spilled into the creeks, farms and forests so far. Natural gas contained in the crude oil is burnt off in gas flares which spread toxins, acid rain and destroy crops. Poison Fire documents the life of the locals in impoverished communities, creeks full of crude oil, devastated mangrove forests, wellheads leaking gas, all working to fight against oil giant Shell to at least stop the toxic gas flares...
Canada's tar sands are the largest industrial project ever undertaken--spanning the size of England. Extracting the oil and bitumen from underneath unspoiled wilderness requires a massive industrialised effort with far-reaching impacts on the land, air, water, and climate. It's an extraordinary industrial spectacle, the true scope of which can only be understood from an aerial view. Shot primarily from a helicopter, Petropolis: Aerial Perspectives on the Alberta Tar Sands offers an unparalleled view of the world's largest ever industrial project...
Pretty Slick reveals the untold story of BP's coverup following the 2010 Deepwater Horizon oil explosion in the Gulf of Mexico. The explosion is known as one of the largest environmental catastrophes in the history of the United States, but what is not well-known is that BP, along with government approval, used toxic chemicals to sink the oil in the water rather than clean it up, using a controversial chemical dispersant called Corexit. Because of this, it is estimated that approximately 75% of the oil, or over 150 million gallons, is still unaccounted for. When filmmaker James Fox learned of this, he began a three year investigation to find out about the dispersant use and its coverup. Pretty Slick reveals how public safety and environmental health took a backseat to restoring the economy, and along the way exposes the collusion between big oil and the United States government in these happenings.
The Coconut Revolution documents the struggle of the indigenous peoples in the Bougainville Island. The movement is described as the world's first successful eco-revolution, in that the successful uprising of the indigenous peoples of Bougainville Island against the Papua New Guinea army stopped the mining plans of the RTZ company to exploit their land for resources...
As an emergency short film following up Gasland, film maker Josh Fox returns to the urgent crisis of drilling and fracking throughout the United States and the world. Induced hydraulic fracturing or 'hydrofracking', commonly just known as 'fracking', is a technique used to release petroleum, natural gas, shale gas, tight gas, coal seam gas, and other substances for extraction. The Sky Is Pink returns to the issues of water contamination and the cataclysmic environmental impacts caused by fracking to show again first hand evidence of widespread ecological damage and the threat of more to come unless we stop it...
Poisoned Waters investigates some of the root causes of what we see worldwide with ecological collapse, dead-zones and pollution effecting oceans, rivers and watersheds. With a focus on major waterways in the United States such as the Chesapeake Bay and Puget Sound, the film follows the culmination of decades of evidence that today's systemic and growing environmental collapse comes not only from the toxic activities of industry, agriculture and massive suburban development; but also from the permeated satiety of chemicals in prolific consumer products such as face-creams, deodorants, prescription medicines and household cleaners. This is a startling reminder of the compounding threat facing our world and the need to act imperatively.
Chasing Ice follows acclaimed nature photographer James Balog and his team on a bold assignment for National Geographic: to capture images of the arctic that reveal the extent of the Earth’s changing climate. The result is the Extreme Ice Survey. Spanning years of work and technical challenges, EIS shows the breathtaking icescapes of Alaska, Iceland and Greenland, providing undeniable evidence of a changing planet. Hauntingly beautiful images compress years into seconds, and capture ancient mountains of ice in motion as they disappear at a breathtaking rate. Chasing Ice also tells Balog's personal story of transformation, from climate change skeptic to activist, putting his own body on the line to tell the world what is happening through his and his team's imagery.
What does the corporate-controlled food industry look like? Film-maker Robert Kenner lifts the veil on today's food industry, exposing the underbelly that has been hidden from view of the consumer with the cooperation of government regulatory agencies such as the USDA and FDA. The food supply is now controlled by a handful of corporations that put profit ahead of consumer health, the livelihood of the farmer, the safety of workers and of course, the environment. We have bigger-breasted chickens, the perfect pork chop, herbicide-resistant soybean seeds, even tomatoes that won't go bad. But we also have new strains of E. coli—the harmful bacteria that causes illness for an estimated 73,000 Americans annually; are riddled with widespread obesity, particularly among children; and an epidemic level of diabetes among adults. And the whole mess is exacerbated by opportunistic politics—the tools of Big Agriculture running the very regulatory agencies that are supposed to protect the public—and consumers who have become accustomed to eating whatever they want whenever they want, in quantities they don't need...
A World Without Water investigates the future of the world's water supply as it currently stands and travels to Bolivia to show just one example in many of the privatisation of the water supply and the turning over of water to corporations such as Coca Cola...
A group of conservation photographers travel to British Columbia, Canada, to capture the region in response to plans by several oil companies who want to build a pipeline for export from the Alberta tar sands, across British Columbia to the coast of the Great Bear Rainforest. The tar sands in northern Alberta are the largest, most destructive industrial projects in human history. The proposed pipeline not only threatens this area, but many others across Canada and indeed the world. Spoil follows several renowned photographers and videographers who show the Great Bear Rainforest's landscapes, wildlife, and indigenous culture; calling to act before it's too late...
Corporations On Trial is a five-part series following just some of the many lawsuits being brought against multinational corporations for war crimes, conspiracy, corruption, assassinations, environmental devastation and payments to terrorists. Such serious charges have forced some of the world's largest companies to hire high-profile defence lawyers to protect public relations in cases often brought by plaintiffs who are barely literate. These five films reveal a growing anxiety about the power and influence of big business, as many multinational corporations have annual revenues greater than some countries' national budgets and indeed increasingly hold governments to ransom by their economic power. Around the world, ordinary people are fighting back and asking how many more times their interests should be sacrificed for corporate greed and shareholder profit...
Sweet Crude is the story of how large oil corporations such as Shell and Chevron have absolutely decimated the Niger Delta, but the people are fighting back. The film shows the human and environmental consequences of 50 years of oil extraction against an insurgency of people who, in the three years after the filmmakers met them as college students, became the young of the Movement for the Emancipation of the Niger Delta (MEND). The movement is born after series of non-violent protests, and what the corporations and colonisers don't understand is that these people will fight for their land and emancipation until the end. Sweet Crude is their story of survival and armed resistance against corrupt governments and rapacious corporate power, amongst a complicit and collusive mainstream media.
The central thesis of Planet of the Humans is that various people and organisations in the United States claiming to promote 'green energy' are actually promoting biomass energy--largely a euphemism for cutting down and burning forests--a practice which is not carbon neutral nor renewable nor sustainable. The film reveals the destruction of environments first-hand, and also explores how wind power and solar power don't fare much better than fossil fuels in terms of impacts once all the inputs for construction and maintenance are considered and compared. In most cases, the additional demands for resources and construction simply invoke more environmental degradation and pollution. The film examines this push for more industry through key figures in the modern environmental movement that are funded by entities connected to fossil fuels, or have established profit motives, revealing how the environmental movement has been essentially co-opted into a de-facto lobbying arm of 'green' industries. The film also posits that regardless of energy systems, overpopulation is a central problem of industrial civilisation, and that this current way of life is unsustainable no matter how it is powered or 're-imagined' by technology.
Crude Impact examines the interconnections of human economic activity, the use of fossil fuels and the effects that these have on the environment, the climate and humanity. What is peak oil? And what does this mean of the issue of global warming? The film also investigates the questionable practices of oil companies, to which there are plenty of examples...
Focusing specifically on mines in Canada, Uranium examines the hazards of uranium mining, the toxic and radioactive waste involved at every stage of the process, as well as the wholistic way that indigenous communities have been violated and destroyed by mining and refining practices throughout the country and the world...
The small town of Fort Chipewyan in northern Alberta, Canada, is facing up for the fight against The Alberta oil sands, which is arguably now the world's largest construction project. Its expansion will have an estimated $1.7 trillion impact on the Canadian economy over the coming decades. An area of boreal forest the size of Greece will be affected by industrial activity. Once again the issue is water, but this time it is not just the flow of the river, but the chemicals the current may be carrying downstream from the strip mines and bitumen upgraders. In recent years, Fort Chipewyan has experienced an unusually high rate of cancer. Local fishermen are finding growing numbers of deformed fish in their nets. Residents and the community doctor, worry there could be a connection to the oil sands...
Are we willfully trashing the planet in the pursuit of endless things? What's the source of the frenetic consumer energy and desire? In a fast-paced tour of the ecological and psychological terrain of consumer culture, Shop 'Til You Drop challenges the viewer to confront these questions head-on. Taking aim at the high-stress, high-octane pace of materialism, the film moves beneath the seductive surfaces of the commercial world to show how the other side of consumerism is depletion--the slow, steady erosion of not only the natural world, but basic human and community values. Shop 'Til You Drop contextualises the turbulence of this moment, providing an unflinching critique of the limits of consumerism and the so-called "pursuit of happiness."
Across the globe, this culture is polluting, diverting, pumping and wasting fresh water at a crazy rate, as population grows and technology escalates. The rampant expansion of agriculture, housing and industry increase the demands for fresh water well beyond the limited supply, resulting in the desertification of the Earth. Corporate giants force developing countries to privatise their water supply for profit, Wall Street investors target desalination and mass bulk-water export schemes, while governments use water for economic and political gain. Military control of water emerges and a new geo-political map and power structure forms, setting the stage for global conflict over fresh water. Blue Gold follows numerous worldwide examples of people fighting for their basic right to water, from court cases to United Nations conventions, to revised constitutions, to local protests at grade schools, to complete revolutions. A line is crossed when water is a commodity. Will you fight to stop it and protect it?
The dominant culture measures itself by the speed of "progress." But what if this so-called progress is actually driving the physical world towards full-force collapse? Surviving Progress shows how past civilisations were destroyed by progress traps—alluring technologies and belief systems that serve immediate needs, but ransom the future. As the total destruction of the environment accelerates and those in power cling to their power ever more tightly in denial, can this globally-entwined civilisation escape a final, catastrophic progress trap?
Following on from previous reports about the numerous threats from industry facing the Great Barrier Reef, investigative journalist Marian Wilkinson returns to Queensland, Australia some years later to not only review the continued declining state of the reef, but to unfortunately investigate a new string of threats. This year, the government agency tasked with protecting the reef has approved a plan to expand the Abbot Point coal port which has serious cumulative effects on the already stressed reef and surrounding ecology. This in conjunction with the realities caused by anthropogenic climate change means the health of the reef has arguably past tipping point. Do we care enough to shift our perception of viewing everything through the lens of the economy? And not only that—do we care enough to act?
Frackman introduces us to Dayne Pratzky, who is looking to build a simple home on his block of land in central Queensland, Australia. But one day the gas company comes and demands access to his land for gas mining. Dayne doesn't want that, but is told he has no right to refuse access to his land, and so begins his transformation into a reluctant activist on a journey that takes him around the world. Through his efforts, we see other people drawn into the battle of fending off rapacious coal-seam gas miners. Frackman presents this story, crossing ideological divides, bringing together an alliance of farmers, conservationists, political conservatives, and a cast of colourful Aussie bush characters, determined in different ways to stop fracking from destroying the land.
Some political leaders have labelled climate change the next big issue facing the coming millennium, while others staunchly deny that such a problem even exists. Emission Impossible sets out to view the landscape of rhetoric against the urgent need for action. What is Australia's role in the symptoms of a warming climate, and what needs to be done to change?
Canada is now the biggest supplier of oil to the United States, thanks to the Alberta tar sands—a controversial billion-dollar project to extract crude oil from bitumen sands, using a very toxic process that has generated international cause for concern. Four barrels of glacier-fed spring water are used to process each barrel of oil, along with vast amounts of electricity. The waste water is dumped, filled with carcinogens and other chemicals, into leaky tailings ponds so huge that the piles can be seen from space. Downstream, people and communities are already paying the price with contaminated water supplies and clusters of rare cancers. Evidence mounts for industry and government cover-ups. In a time when wars are fought over dwindling oil and a crisis looms over access to fresh water, which will we allow to turn out to be more precious to us?
Once advertised as the birthplace of a bright new future for the American Dream, Salton City, California is now crumbling into an apocalyptic landscape of pollution and desolate land. As farmers burn their fields, and the honey bee population dwindles, scum floats down the most polluted river in North America, which carries raw sewage, pesticides and factory waste from Mexico into the once-beautiful Salton Sea. Toxic Imperial Valley travels through these landscapes, meeting the squatters and other occupiers left, in what looks like the end of the world...