Focusing specifically on mines in Canada, Uranium examines the hazards of uranium mining, the toxic and radioactive waste involved at every stage of the process, as well as the wholistic way that indigenous communities have been violated and destroyed by mining and refining practices throughout the country and the world...
Corporations On Trial is a five-part series following just some of the many lawsuits being brought against multinational corporations for war crimes, conspiracy, corruption, assassinations, environmental devastation and payments to terrorists. Such serious charges have forced some of the world's largest companies to hire high-profile defence lawyers to protect public relations in cases often brought by plaintiffs who are barely literate. These five films reveal a growing anxiety about the power and influence of big business, as many multinational corporations have annual revenues greater than some countries' national budgets and indeed increasingly hold governments to ransom by their economic power. Around the world, ordinary people are fighting back and asking how many more times their interests should be sacrificed for corporate greed and shareholder profit...
Sweet Crude is the story of how large oil corporations such as Shell and Chevron have absolutely decimated the Niger Delta, but the people are fighting back. The film shows the human and environmental consequences of 50 years of oil extraction against an insurgency of people who, in the three years after the filmmakers met them as college students, became the young of the Movement for the Emancipation of the Niger Delta (MEND). The movement is born after series of non-violent protests, and what the corporations and colonisers don't understand is that these people will fight for their land and emancipation until the end. Sweet Crude is their story of survival and armed resistance against corrupt governments and rapacious corporate power, amongst a complicit and collusive mainstream media.
The central thesis of Planet of the Humans is that various people and organisations in the United States claiming to promote 'green energy' are actually promoting biomass energy--largely a euphemism for cutting down and burning forests--a practice which is not carbon neutral nor renewable nor sustainable. The film reveals the destruction of environments first-hand, and also explores how wind power and solar power don't fare much better than fossil fuels in terms of impacts once all the inputs for construction and maintenance are considered and compared. In most cases, the additional demands for resources and construction simply invoke more environmental degradation and pollution. The film examines this push for more industry through key figures in the modern environmental movement that are funded by entities connected to fossil fuels, or have established profit motives, revealing how the environmental movement has been essentially co-opted into a de-facto lobbying arm of 'green' industries. The film also posits that regardless of energy systems, overpopulation is a central problem of industrial civilisation, and that this current way of life is unsustainable no matter how it is powered or 're-imagined' by technology.
Across the globe, this culture is polluting, diverting, pumping and wasting fresh water at a crazy rate, as population grows and technology escalates. The rampant expansion of agriculture, housing and industry increase the demands for fresh water well beyond the limited supply, resulting in the desertification of the Earth. Corporate giants force developing countries to privatise their water supply for profit, Wall Street investors target desalination and mass bulk-water export schemes, while governments use water for economic and political gain. Military control of water emerges and a new geo-political map and power structure forms, setting the stage for global conflict over fresh water. Blue Gold follows numerous worldwide examples of people fighting for their basic right to water, from court cases to United Nations conventions, to revised constitutions, to local protests at grade schools, to complete revolutions. A line is crossed when water is a commodity. Will you fight to stop it and protect it?
The dominant culture measures itself by the speed of "progress." But what if this so-called progress is actually driving the physical world towards full-force collapse? Surviving Progress shows how past civilisations were destroyed by progress traps—alluring technologies and belief systems that serve immediate needs, but ransom the future. As the total destruction of the environment accelerates and those in power cling to their power ever more tightly in denial, can this globally-entwined civilisation escape a final, catastrophic progress trap?
The small town of Fort Chipewyan in northern Alberta, Canada, is facing up for the fight against The Alberta oil sands, which is arguably now the world's largest construction project. Its expansion will have an estimated $1.7 trillion impact on the Canadian economy over the coming decades. An area of boreal forest the size of Greece will be affected by industrial activity. Once again the issue is water, but this time it is not just the flow of the river, but the chemicals the current may be carrying downstream from the strip mines and bitumen upgraders. In recent years, Fort Chipewyan has experienced an unusually high rate of cancer. Local fishermen are finding growing numbers of deformed fish in their nets. Residents and the community doctor, worry there could be a connection to the oil sands...
Are we willfully trashing the planet in the pursuit of endless things? What's the source of the frenetic consumer energy and desire? In a fast-paced tour of the ecological and psychological terrain of consumer culture, Shop 'Til You Drop challenges the viewer to confront these questions head-on. Taking aim at the high-stress, high-octane pace of materialism, the film moves beneath the seductive surfaces of the commercial world to show how the other side of consumerism is depletion--the slow, steady erosion of not only the natural world, but basic human and community values. Shop 'Til You Drop contextualises the turbulence of this moment, providing an unflinching critique of the limits of consumerism and the so-called "pursuit of happiness."
Some political leaders have labelled climate change the next big issue facing the coming millennium, while others staunchly deny that such a problem even exists. Emission Impossible sets out to view the landscape of rhetoric against the urgent need for action. What is Australia's role in the symptoms of a warming climate, and what needs to be done to change?
Canada is now the biggest supplier of oil to the United States, thanks to the Alberta tar sands—a controversial billion-dollar project to extract crude oil from bitumen sands, using a very toxic process that has generated international cause for concern. Four barrels of glacier-fed spring water are used to process each barrel of oil, along with vast amounts of electricity. The waste water is dumped, filled with carcinogens and other chemicals, into leaky tailings ponds so huge that the piles can be seen from space. Downstream, people and communities are already paying the price with contaminated water supplies and clusters of rare cancers. Evidence mounts for industry and government cover-ups. In a time when wars are fought over dwindling oil and a crisis looms over access to fresh water, which will we allow to turn out to be more precious to us?
Once advertised as the birthplace of a bright new future for the American Dream, Salton City, California is now crumbling into an apocalyptic landscape of pollution and desolate land. As farmers burn their fields, and the honey bee population dwindles, scum floats down the most polluted river in North America, which carries raw sewage, pesticides and factory waste from Mexico into the once-beautiful Salton Sea. Toxic Imperial Valley travels through these landscapes, meeting the squatters and other occupiers left, in what looks like the end of the world...
Following on from previous reports about the numerous threats from industry facing the Great Barrier Reef, investigative journalist Marian Wilkinson returns to Queensland, Australia some years later to not only review the continued declining state of the reef, but to unfortunately investigate a new string of threats. This year, the government agency tasked with protecting the reef has approved a plan to expand the Abbot Point coal port which has serious cumulative effects on the already stressed reef and surrounding ecology. This in conjunction with the realities caused by anthropogenic climate change means the health of the reef has arguably past tipping point. Do we care enough to shift our perception of viewing everything through the lens of the economy? And not only that—do we care enough to act?
Frackman introduces us to Dayne Pratzky, who is looking to build a simple home on his block of land in central Queensland, Australia. But one day the gas company comes and demands access to his land for gas mining. Dayne doesn't want that, but is told he has no right to refuse access to his land, and so begins his transformation into a reluctant activist on a journey that takes him around the world. Through his efforts, we see other people drawn into the battle of fending off rapacious coal-seam gas miners. Frackman presents this story, crossing ideological divides, bringing together an alliance of farmers, conservationists, political conservatives, and a cast of colourful Aussie bush characters, determined in different ways to stop fracking from destroying the land.