Films about governments
This documentary looks at the erosion of civil liberties and increase in government surveillance since 1997 in the UK with the advent of “New Labour” and Tony Blair. Modern politicians, regardless of left or right, always seem to promise hope and change, but what is delivered is more of the same. To illustrate this, the film tracks 6 key areas that have been rapidly dismantled in so-called democracies over the last few decades: Freedom of speech; the right to assemble and protest; the presumption of innocence; the right to privacy; detention without charge, the prohibition on torture…
John Pilger and David Munro look behind political rhetoric to discover the hidden world of international arms dealing…
In June 2010, leaders from the twenty largest economies met in Toronto, Canada with representatives of corporate interests to discuss the policies that shape globalisation. With exclusion zones, overlapping layers of security fencing and an estimated 25,000 police and military personnel, the city was transformed into an armed grid. Over 1.3 billion dollars were spent on security measures — more than all previous G8 or G20 meetings combined. Tales From The G20 shows some sides of the Summit, from unmarked vans with snatch squads of plainclothes police to the pre-emptive arrest of people now facing years in prison for organising demonstrations or simply being on the street…
The Tax Free Tour travels the globe to expose the workings of offshore tax havens and the elite banking systems of the world’s billionaires which operate in extreme secrecy. Using examples from multi-national corporations such as Apple Computer and Starbucks, the film traces sizeable capital streams that travel the world literally in milliseconds—all to avoid local laws and paying tax. Such routes go by resounding names like ‘Cayman Special’, ‘Double Irish’, and ‘Dutch Sandwich’. The Tax Free Tour is a sobering look at how the world’s rich live in an entirely different world than the rest of us…
In the wake of the September 11th attacks, amongst the ravaging of war, the United States has been secretly deploying drones to carry out assassinations throughout the Middle East. The drones are increasingly piloted by the likes of young computer gamers groomed by screen culture and computer games of war, where in many cases, the Pentagon is directly involved in the creation of such games as recruitment tools, actively working to lure young people proficient with technology into the new era of the military-industrial-complex. Drone unravels this complex phenomenon while travelling to places such as Waziristan, where innocent civilians, including children and rescue workers are routinely secretly killed, where families and communities ravaged by the drone strikes search for understanding, accountability and adjustment to the daily horrors. The film also takes a look at the young people sitting behind the screens of the new war machines, half a world away, that actually pull the trigger, asking what kind of world is being built in the rise of seemingly endless and lucrative war driven by technological escalation.
Monsanto corporation seems to be stopping at nothing: Controlling corn, wheat, soy beans, canola, mustard, okra, bringe oil, rice, cauliflower… Once they have established the norm, they aim to claim all these seeds as their intellectual property, royalties will be collected and enforced by patent law. If Monsanto controls seed, they control food and they know it. It’s strategic. It can be more devastating than bombs, it can be more powerful than guns. This is their way to control the populations of the world, and as The World According to Monsanto reveals, it’s governments in the cross-hairs also.
Set in Latin America and the US, War on Democracy explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. John Pilger examines the role of Washington in America’s manipulation of Latin America during the last 50 years leading up to the struggle by ordinary people to free themselves from poverty and racism…
A Faraway Country is an examination of the Czech underground movement known as the Charter 77—an informal civic initiative in communist Czechoslovakia from 1976 to 1992, part of the Communist Soviet bloc. The film shows interviews with members of Charter 77, and others, describing first-hand the totalitarian communist regime, and their response to it.
Ghosts of Rwanda marks the 10th anniversary of the genocide in Rwanda—a state-sponsored massacre in which some 800,000 Rwandans were methodically hunted down and murdered, as the United Nations and other states refused to intervene. The film examines the social, political, and diplomatic failures that converged to enable the genocide to occur. Through interviews with key government officials, diplomats, soldiers, and survivors of the slaughter, Ghosts of Rwanda presents first-hand accounts of the genocide from those who lived it—the diplomats on the scene who thought they were building peace only to see their colleagues murdered; the Tutsi survivors who recount the horror of seeing their friends and family slaughtered by Hutu friends and co-workers; and the UN peacekeepers in Rwanda who were ordered not to intervene in the massacre happening all around them.
A Thousand Cuts is a timely film about modern-day journalism and freedom of the press inside the Philippines where the political space has been usurped by social media disinformation campaigns, celebrity propaganda spectacle, and direct organised political violence. The film comes as the world awaits the verdict of the case against of Maria Ressa, the CEO and founder of the news network Rappler, who has been vocal about holding president Rodrigo Duterte accountable for his government’s much-criticised and violent “war on drugs.” In what is a salient trend of our time, A Thousand Cuts examines the disinformation campaigns and the crackdown on the media, while journalists Maria Ressa and her team place the tools of their trade—and their freedom—on the line in defence of truth and democracy.
In 1978, Australia was shocked by the explosion of a massive bomb placed in a rubbish bin outside the Sydney Hilton Hotel in NSW. The perpetrators were never found. However, evidence that the Australian security and intelligence forces may have been responsible resulted in the NSW State Parliament unanimously calling for an inquiry in 1991 and then again in 1995. The Federal Government vetoed any inquiry. No investigation was held. The government then set-up the Australian Federal Police and increased support for “anti-terrorist measures”…
Pandora’s Box — A fable from the age of science, is a six part series examining the consequences of political and technocratic rationalism, tying together communism in the Soviet Union, systems analysis and game theory during the Cold War, economy in the United Kingdom during the 1970s, the insecticide DDT, Kwame Nkrumah’s leadership in Ghana during the 1950s and 1960s and the history of nuclear power.
Resist — The Aftermath Of The RNC8 follows activists Rob Czernik, Garrett Fitzgerald and Luce Guillen-Givins; attorney Robert Kolstad, volunteers/arrestees from the community, and others impacted by the actions against the Republican National Convention in 2008. Taking a look back over the last year, the video shares some helpful advice for activists organising under state repression…
Cambodia — Year One investigates the effect of aid to Cambodia and the extent of the country’s so-called new found stability as in 1980. The film portrays Cambodia on a brink of famine and cultural annihilation, but in the process of recovery, also showing the continued support for the Khmer Rouge regime by China and the United Nations.
Unprecedented looks at voting irregularities in the controversial presidential election in the United States from the year 2000. With a focus on the swing state of Florida, the recount, the ensuing supreme court decision in December, and future elections; the film also shows how fundamentally, many people—the majority being African-American—have outright been refused the ability to vote by a clever mix of legalese, electronic voting machines, political maneuvering and simple racism. A 1868 law prevented felons from voting—originally crafted to keep blacks from the polls in the wake of the Civil War—was resurrected in 2000, used to create a computerised list of people supposedly illegible to vote. The list had weird parameters and included as many as 57,000 to 91,000 non-felons; overwhelmingly targeting people of colour. On election day, these people were turned away at the polls. The role of electronic voting machines is also examined, as they are totally unaccountable and do not allow audits. The argument is made because of copyright over the software and trademarks. The machines also do not give paper receipts, so there is no physical evidence in case of the need for a recount. How does the United States—the so-called and self-proclaimed world-famous democracy—fair as one in light of this?
The Power of Big Oil is a three-part series that investigates the decades-long failure to confront the threat of climate change and the role of the fossil fuel industry. The series presents a parade of former oil company scientists, lobbyists, and public relations strategists who lay bare how the biggest petroleum firm in the United States, Exxon, and then the broader petroleum industry globally, moved from attempting to understand the causes of a global heating to a concerted campaign to hide the making of an environmental catastrophe. Over three episodes—Denial, Doubt, Delay—the series documents the corporate cooptation of science, the manipulation of public opinion, and political figureheads that mirror conduct by other industries—from big tobacco to the pharmaceutical companies responsible for the opioid epidemic.
Why was the the electric vehicle made by General Motors destroyed in the late 1990s? Why did it receive only limited commercialisation despite being hugely popular? It was among the fastest, most efficient production cars ever built. It ran on electricity, produced no exhaust and catapulted American technology to the forefront of the automotive industry. The lucky few who drove it never wanted to give it up. So why did General Motors suddenly crush its fleet of EV-1 electric vehicles in the Arizona desert? Was it because of a lack of consumer confidence or conspiracy?
The secret history of Australia is a historical conspiracy of silence. Written history has long applied selectivity to what it records, largely ignoring the shameful way that the Indigenous people were, and continue to be, treated…
Film maker David Bond lives in one of the most intrusive surveillance states in the world — Britain. When David receives a letter stating that both he and his daughter are amongst the 25 million residents whose details have been lost by the government in a massive data breach, David sets out to investigate some potential impacts of such data being lost in a society of mass surveillance. Erasing David documents the test where David hires two private detectives to track him down as he chooses to ‘disappear’ for 30 days to see if he can avoid being caught amongst the vast data trails generated by modern society…
In the wake of September 11, 2001, Sibel Edmonds is approached by the FBI. As an American of Iranian and Turkish origin, Edmonds’ linguistic skill-set makes her a valuable asset to the Language Services Unit, where she spends months translating high-security clearance documents. One day shortly after reporting the possible infiltration of her unit by Turkish spies to her supervisors and their supervisors, Edmonds’ world is turned upside-down. Instead of seeing her colleague become the target of an investigation, she is interrogated, then unceremoniously fired and warned not to pursue her claims any further as she would be watched and listened to. Kill The Messenger documents both Edmonds’ personal struggle to expose the criminality uncovered while at the FBI, and also the September 11 tied ‘secret’ itself—the network of nuclear black-market, narcotics and illegal arms trafficking activities.
The Great White Hoax contextualises the current day politicking in the United States, with a primary focus on Donald Trump’s race-baiting 2016 campaign for president. The film also widens scope however to show how Trump’s charged rhetoric fits into a long-standing historical pattern in politics in the United States, offering a stunning survey of how racism and racial scapegoating have shaped American politics for centuries. The film becomes a solid resource for a basis on race relations, white privilege, the intersectionality of race, class, and gender identities, presidential politics, and political propaganda in the age of “social media.”
Is American foreign policy dominated by the idea of military supremacy? Why We Fight examines America’s policies regarding making war, most recently the Iraq invasion and what is termed “the Bush doctrine” that includes pre-emptive strikes. This policy has been in the works for many years on reflection of the past wars of the 20th century alone. In this film, a variety of people are asked “Why We Fight?” with a variety of answers, followed by a look at today’s U.S. military industrial complex via interviews with individuals involved with it…
In the 1960s and 70s, British governments conspiring with American officials, secretly tricked into leaving and then expelled, the entire population of the Chagos islands in the Indian Ocean as to make way for a major American military base. Indeed from Diego Garcia, American military planes have since bombed Afghanistan and Iraq. Stealing A Nation documents the story of the islanders who were dumped in the slums of Mauritius and in the words of the British officials who left a ‘paper trail’ of what the International Criminal Court now describes as ‘a crime against humanity’…
A Nod And A Wink reviews the use of vague Conspiracy laws in Britain from 1975, laws which are much in the same as those used in police states such as Brazil and the Soviet Union to suppress political and moral dissent. This film raises and addresses the serious questions about the way the legal system works in Britain—and indeed elsewhere…
In Mediastan, an undercover team of journalists drive across central Asia interviewing editors of local media outlets to publish secret US diplomatic cables that were provided to WikiLeaks in 2010. Success is varied. And so, after regrouping with Julian Assange in England, questioning the editor of the Guardian, and obtaining candid footage of the New York Times editor and its publisher Arthur Sulzberger, Mediastan closes by leaving the viewer with an informative first-hand overview of the machinations of mainstream media. By venturing into the minds—and actions—of the people and institutions who shape the news, Mediastan shows the system for what it’s worth, and reveals its true motivations…
When Hong Kongers took to the streets to protest a controversial extradition bill proposed by China in 2019, it exposed the tensions long brewing in the city. Over two days of conflict, Hong Kong Moments follows a pro-democracy protester, a tea-shop owner, a paramedic, a cab driver, a police officer, and two politicians with conflicting politics as the demonstrations shoehorn the political into the personal. On September 21, 2019, protestors from three districts join forces, resulting in unprecedented violence. Just 10 days later on October 1, the National Day of the People’s Republic of China, previously undecided onlookers show their stripes. Thoughts transform into action in this demonstration of how mercurial and personal Hong Kong’s politics have become.
Every day, escalating technologies are being used to monitor all of us as populations with unprecedented scrutiny—from driving habits to workplace surveillance, as shoppers, as consumers, as citizens. We are all increasingly being observed and analysed. Internet searches are monitored and used as evidence in court, the police track our movements on the road, governments collect our DNA, fingerprints and iris scans, corporations assemble huge databases for profiling and selling data, while governments collude with such lucrative businesses—for example, Acxiom, Lexis Nexis and ChoicePoint—to gain access to vast volumes of information about people and the machinations of modern society. What will it take for us to stop this system before it boils over into a full-blown technocratic authoritarian regime?
The Living Dead: Three Films About the Power of the Past is a series of films that investigate the way that history and memory (both national and individual) have been manipulated and distorted by politicians and others for various means of control…
For many years now the American foreign policy has been characterized by the strong tie between the United States and Israel. Does the United States in fact keep Israel on its feet? And how long will it continue to do so?
John Pilger once again travels to Cambodia to report on the brutality and murderous political ambitions of the Pol Pot and Khmer Rouge totalitarian regime which brought genocide and despair to the people of Cambodia; while neighbouring countries, including Australia and the United Nations shamefully ignored the immense human suffering and unspeakable crimes that bloodied the country…
War Matters chronicles a decade of anti-war protest in Britain through the story of veteran peace campaigner Brian Haw, who camped in Parliament Square for over 10 years in protest against the UK government’s policies in the Middle East. Brian began his campaign against war on 2nd June 2001, initially in protest of the sanctions against Iraq. After the September 11 attacks in the United States later on that year, Brian’s campaign took on a whole new level of importance. War Matters documents this shift by examining the larger issue of the British arms trade and the repercussions of the Iraq and Afghanistan wars around the world, as civil rights are being curtailed in so-called democracies. Where does democracy end and tyranny begin?
On April 19, 1995, Timothy McVeigh, a former soldier deeply influenced by the literature and ideas of the radical right, parked a truck with a five-ton fertiliser bomb in front of the Alfred P. Murrah Federal building in Oklahoma City. Moments later, 168 people were killed and 675 were injured in the blast. Oklahoma City traces the events that led McVeigh to that day from the perspective of the survivors, first-responders, investigators, and journalists who covered the events. The film provides an exploration of the convergence of various conservative religious movements and white supremacist militias that rose to prominence in the early 1990s, and were catalysed by the actions of government during that time.
To its backers, Woomera detention centre played a so-called “humane yet crucial role in housing the growing numbers of ‘boat people’ landing on Australia’s shores.” To its critics, this prison, as a heavily guarded cluster of buildings ringed by red desert and razor wire, represented the “dead-heart of asylum-seeker policy” and Australia’s lacklustre regard for human rights. Woomera opened for business less than four years ago. Built for 400 people, it soon housed more than 1,400. It became notorious for riots, protests and breakouts by desperate detainees. There were reports that mental illness and self-harm were rife and as the reports mounted, TV cameras captured the protests at the perimeter fence. Certain press warned of detainees’ declining health and morale. Yet when Woomera was quietly placed in mothballs last month, its full story remained to be told…
John Pilger returns to the Occupied Territories of the West Bank and Gaza where, in 1974, he filmed a documentary with the same title — Palestine Is Still The Issue — a film about the same issues, a nation of people, the Palestinians, forced off their land and subjected to military occupation by Israel. Pilger hears extraordinary stories from Palestinians, though most of his interviews are with Israelis whose voices are seldom heard, including the remarkable witness of a man who lost his daughter in a suicide bombing. But for Palestinians, the overriding, routine terror, day after day, has been the ruthless control of almost every aspect of their lives, as if they live in an open prison. This film is about the Palestinians and a group of courageous Israelis united in the fight to be free…
From conflicts of interests in politics and collusion with corporate power, to a global mainstream media that serves the interests of a powerful few, Ethos explores aspects of the machinations of today’s global systems that work against democracy, the natural environment and lead populations into consumerism and warfare…
In the spring of 2012, a massive student strike in opposition to a tuition hike, rocked the streets of the Montréal for over six months. Protests and mass direct-action on the street became part of daily and nightly reality. Several times during the tumultuous spring, the numbers in the streets would reach over one hundred thousand. Police routinely clubbed students and their allies, and arrested them by the hundreds. Some were even banned from entering the city. But every time the cops struck, the student movement got bigger and angrier. This is a story about how the arrogance of a government underestimated a dedicated group of students, who through long-term organising, laid the foundation for some of the largest mass demonstrations in Canada’s history.
All Governments Lie: Truth, Deception, and the Legacy of I.F. Stone looks at an array of award-winning filmmakers who subscribed to I. F. Stone’s newsletter in their teens, revealing a new wave of independent, investigative, adversarial journalists following in Stone’s footsteps. Reflecting on his work during the era of McCarthyism, a chorus of independent journalists also reflect on today where giant media conglomerates are reluctant to investigate or criticise government policies—particularly on defence, security and intelligence issues. With government deception rampant, and intrusion of state surveillance into our private lives never before more egregious, independent journalists tell their story of being inspired by the iconoclastic Stone, whose fearless, independent reporting from 1953 to 1971 filled a tiny 4-page newsletter. Stone is little known today, but All Governments Lie reveals the profound influence he had on contemporary independent journalism.
Reaching into the Orwellian memory hole, War Made Easy exposes the some 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Using archival footage of official distortion and exaggeration from LBJ to George Bush, this film reveals how the American news media have uncritically disseminated the pro-war messages of successive governments — paying special attention to the parallels between the Vietnam war and the war in Iraq…
War By Other Means examines the policy of western banks making loans to so-called ‘third world’ countries, which are then unable to meet the crippling interest charges—debt used as a weapon. The film primarily analyses ‘Structural Adjustment Programs,’ which are proclaimed to enable countries to compete in the ‘global economy,’ but have the opposite effect of lowering wages which in turn further transfers the wealth from the poor to the rich.
Cambodia — The Betrayal is the fourth follow-up to John Pilger and David Munro’s series on Cambodia, the film Year Ten from 1989, which examined the hypocrisy of western geopolitics by looking at the way in which the United Nations pressured Cambodia to accept the Khmer Rouge regime as part of the United Nations peace plan.